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Patriarchy in literature
Patriarchy in literature
The study and analysis of literature
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A comparative reading of the texts that engage with the Resistance reveals that there are certain interpretative conventions and recurring themes in the representation of this period in young people’s fiction of the 1970s. The first of these is that most of the examined texts center on children-characters that operate outside of the traditional family unit. War orphans, children whose parents have fled to the Middle East or fight the conquerors in the mountains alongside the guerrillas and street urchins take matters into their own hands and contribute to the national struggle for the liberation of their homeland. They become saltadoroi and put themselves in danger in order to help their starving compatriots, they write patriotic slogans on …show more content…
To put it in numbers, of the thirty novels and short stories that comprise the corpus of the examined narratives only five texts feature children-characters as organised members of the Resistance. In all other texts, the children-protagonists who engage in subversive work against the occupiers are shown to act alone. What these texts promote, therefore, is the idealised image of the ‘heroic’ child whose uncompromising patriotism drives them to fight the conquerors in ways that are always spontaneous and self-inspired. In other words the sole preoccupation of the ‘heroic’ child is to see their homeland liberated from the hated enemies, while questions as to what is going to happen after the occupiers are gone are of no concern to them. This is another common convention which allows authors to inculcate lessons of patriotism to their young readers without raising uncomfortable questions about what happened in the post-liberation period and if indeed everyone enjoyed a peaceful life after the war was …show more content…
Participation to organised Resistance is presented as an adults-only affair or –to be more precise- as a men-only affair. Taking up to the mountains and engaging in guerilla warfare or joining a resistance organisation is a right reserved for the male characters. The war effort is much more restricted in the case of the female heroines who are at best presented to undertake tasks that are consistent with their traditional gender roles, like teaching street orphans how to read for example, or sheltering members of resistance organisations and catering for their needs. In the rare occasions that the female characters do take active action it is mostly to fill in for their male relatives who are unable to continue working for the liberation of the homeland: -Since my husband is dead and cannot join the struggle, I will fight for both said Mrs.-Rini to the leader of the organisation. And me? What did I do? I went to work for [the liberation] of the homeland and fill in my brother’s
...it may help us arrive at an understanding of the war situation through the eyes of what were those of an innocent child. It is almost unique in the sense that this was perhaps the first time that a child soldier has been able to directly give literary voice to one of the most distressing phenomena of the late 20th century: the rise of the child-killer. While the book does give a glimpse of the war situation, the story should be taken with a grain of salt.
The R.U.F., however, was not alone in servicing children as their own messengers of evil, the military group countering their acts of violence also had children fighting their battles. A Long Way Gone and The Bite of the Mango are eye-opening books because they give various people all over the world a glimpse into the horrors kids in Africa were facing on a daily basis. However different Mariatu Kamara and Ishmael Beah’s experiences were regarding their journeys and disabilities, they both exhibited the same extraordinary resilience in the end to better themselves, create futures they could be proud of, and make the best with what the war left them.
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
In the short story “Chickamauga”, the author Ambrose Bierce uses a young boy to connect to his audience with what is the disillusions of war, then leads them into the actuality and brutalities of war. Bierce uses a six year old boy as his instrument to relate to his readers the spirits of men going into combat, then transferring them into the actual terrors of war.
Some women enlisted in the army to fight on the battlefield. Their reasons varied as some fought for money and
Women, Jewish and non-Jewish, resisted armed forces as well. It was not very common for women to take part in violent acts because at this time in age, women were still staying home and taking care of their houses and families. Although, women put into ghettos knew it was now a matter of surviving. “Five women, four of them Jewish, who had been involved in supplying the members of the Sonderkommando with explosives to blow up a crematorium” “Jewish Resistance”. These women proved that no matter what gender or size you are, everyone can resist and make a giant impact.
Therefore through evaluating and comparing each author’s work we will see how each is utilizing this intermingling effect between conflict and innocence to reveal how the horrors of war can affect individuals mentally. To relate how the authors accomplish this effect we will observe how each utilizes specific devices such as scenarios and specific language to engage the reader into viewing a character as more than a construct but rather a multifaceted complex individual that has flaws and mental issues much like many of us.
Like in Gilgamesh and the Iliad, women help encourage and influence the protagonists to be the heroes and protectors they are meant to be. Adventures and wars
As Garbarino recognizes, the effects of war and such violence is something that sticks with a child and remains constant in their everyday lives. The experiences that children face involving war in their communities and countries are traumatic and long lasting. It not only alters their childhood perspectives, but it also changes their reactions to violence over time. Sadly, children are beginning to play more of a major role in wars in both the...
Nowadays, women are not just seen as nurses or lovers in war stories. They are soldiers, captains, and lieutenants. Women do not have it anymore easier in war than men do. They are not handed medals or become heroes painlessly. Although O’Brien respects women having stronger souls than credited, he still believes they must earn the characteristic of being a hero
Machel, Graca & Sebastian Salgado. The Impact of War on Children. London: C. Hurst, 2001.
In multiple instances throughout the film, female characters violate gender norms by acting as both warriors and leaders because they are adapting typically masculine traits. In the film, women are the majority of the labor force in Iron Town. Men are merely there to do the labor that needs the most physical power. “Americans oversimplify Japanese women as demure, submissive, and oppressed” (Kyu Hyun, 2002, 38). This quote shows that the stereotype of women in Japanese culture was just like the western perspective where they were below men.
Child soldier is a worldwide issue, but it became most critical in the Africa. Child soldiers are any children under the age of 18 who are recruited by some rebel groups and used as fighters, cooks, messengers, human shields and suicide bombers, some of them even under the aged 10 when they are forced to serve. Physically vulnerable and easily intimidated, children typically make obedient soldiers. Most of them are abducted or recruited by force, and often compelled to follow orders under threat of death. As society breaks down during conflict, leaving children no access to school, driving them from their homes, or separating them from family members, many children feel that rebel groups become their best chance for survival. Others seek escape from poverty or join military forces to avenge family members who have been killed by the war. Sometimes they even forced to commit atrocities against their own family (britjob p 4 ). The horrible and tragic fate of many unfortunate children is set on path of war murders and suffering, more nations should help to prevent these tragedies and to help stop the suffering of these poor, unfortunate an innocent children.
Miller, Sarah Rose. “Child Soldiers.” Humanist 1 July 2002: 1-4. eLibrary. Web. 14 Feb. 2011.
Wells, Karen C.. "Children and youth at war." Childhood in a global perspective. Cambridge, UK: Polity Press, 2009. 152. Print.