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Literature and different cultures
The road cormac mccarthy analysis
The road cormac mccarthy analysis
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Recommended: Literature and different cultures
The stylistic choices an author makes when writing has a huge impact on the mood and atmosphere of the piece created. Take, for example, Cormac Mcarthy’s The Road, and Gregory Robert’s Shantaram. The two incredible novels are in many ways similar, however also very different due to a different writing styles.
Many themes and elements used in both stories overlap. Both works are clearly journey stories, which is apparent right from the beginning. The reader learns this through Shantaram’s main character, Lindsay, leaving the Mumbai airport and making his way to the city, and The Road’s main character waking his son to continue their journey south. In both there is an urgency and necessity in the journey. For Lindsay, an escaped convict,
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Strong imagery is created in both, due not just to description but also strong word choices. It is clear great care was taken into conveying mood and atmosphere with Mccarthy’s choices like “cauterized” (page 4) and “feverland” (page 8) and Roberts use of “karmic” (page 35) or “lucious-honeyed” (page 43). Finally, dialogue is an important piece of each story, helping introduce characters and build their characterization, as well as bring up new themes and add to the mood. The reader really feels the generosity, and warm-heartedness of Shataram’s Prabaker through the dialogue used, such as his response to Lindsay gifting him his whiskey by stating, “if I knew this was my whisky and not yours, I would not have been so generous with my good self in the drinking it up.” (page 27) Similarly, the the fierce connection …show more content…
The mood, tone and atmosphere of these stories could not be more different. As can be seen above, although word choice is critical for both, Shantaram has a rich, exotic, and colourful feel, very different than the grey despair felt in The Road. The Road is a plate of “cold rice and cold beans” (page 8) to Shantaram’s “suffusion of aromatic sweetnesses” (page 43). Both powerful, yet undeniably different. An important note is that while both pieces include strong descriptions, the detail and extensiveness of Robert’s descriptions, taking entire pages to describe a section of marketplace, adds greatly to the tone and mood. Mccarthy’s sparseness of description, choosing instead to only note important details, and let the story describe itself, paints a much colder, and frankly sadder picture. A huge factor in the difference between the works is due to the narration, with Shantaram being written in the first person, and The Road in the 3rd. The result is Robert’s novel being much more introspective, with great amounts of time dedicated to the philosophical reflection of events in the story, and The Road being much more straightforward, with the interpretation of actions in the story being left to the reader. Dialogue use is prevalent throughout both, however vary greatly in implementation. Cormac Mccarthy chooses to have blocks of almost prose
2. The author creates tone, which changes from peaceful and calm to horror. Words in the story like humorlessly and awkwardly help the reader feel the tension in the town. In the story, “She held her breath while her husband went forward” proved that the characters was dealing with ...
works of literature have tremendous amounts of similarity especially in the characters. Each character is usually unique and symbolizes the quality of a person in the real world. But in both stories, each character was alike, they represented honor, loyalty, chivalry, strength and wisdom. Each character is faced with a difficult decision as well as a journey in which they have to determine how to save their own lives. Both these pieces of literatures are exquisite and extremely interesting in their own ways.
Updike is famous for taking other author's works and twisting them so that they reflect a more contemporary flavor. While the story remains the same, the climate is singular only to Updike. This is the reason why there are similarities as well as deviations from Joyce's original piece. Plot, theme and detail are three of the most resembling aspects of the two stories over all other literary components; characteristic of both writers' works, each rendition offers its own unique perspective upon the young man's romantic infatuation. Not only are descriptive phrases shared by both stories, but parallels occur with each ending, as well (Doloff 113).
An authors style defines itself as the way in which the author expresses themselves throughout the piece of literature. They express themselves through their word choice, word order, rhythm, imagery, sentence structure, figurative language, and literary devices. Sandra Cisneros’, “The House on Mango Street”, is a short story encompassing the events and thoughts of an un-named child narrator as they describe their family’s living arrangement. Sandra uses a distinct type of style throughout her writing which fits the short story well. On the other hand, William Carlos Williams’, “The Use of Force”, is a short story about a doctor’s visit to an unusual patients home. The stories have their own distinctive style which is unique to each but, there
Both narratives compare as timeless tales of reputable heroes. They both include similar plots of long journeys back home. The main characters’ flaws are arrogance which is the source of many of their troubles.
...op as a result of violence of some kind. Similar themes such as love being essential for one`s survival, are also factors that link the two books. However, the lack of a government impact in The Road in contrast to the immense government impact in 1984 is a key difference between the two novels. The lessons that can be learned from both novels are the importance of memories. Memories are clips and images of things that happened in the past stored in the brain. They are important because they remind people of past mistakes. Memories of past mistakes lessen the chances of making the same mistake again.
Writers throughout history have always influenced or have been influenced by the era that which they live in. Many famous authors arose during The Age of Discovery and The Romantic Period all of whom had very distinctive writing styles that held true to their era. To find the differences between the two eras, it is important to understand the era at which time the literature was wrote, the writing style, and the subject matter.
In Cormac McCarthy’s Sci-Fi novel, “The Road”, two mysterious people, a father and his curious son, contact survival of the fittest during tragic apocalyptic times. With a shopping cart of food and supplies, they excavate into the remains of tattered houses, torn buildings and other sheltering places, while averting from troublesome communes. In the duration of the novel, they’re plagued with sickness that temporarily unable them to proceed onward. Due to the inopportune events occurring before the apocalypse, the wife of the son and father committed suicide due to these anonymous survivors lurking the remains of earth. The last people on earth could be the ‘bad guys’ as the young boy describes them. In page 47, the wife reacted to this, stating, “Sooner or later they will catch us and they will kill us. They will rape me. They'll rape him. They are going to rape us and kill us and eat us and you won't face it. You'd rather wait for it to happen. But I can't.”
similarities that are inevitably beyond mere coincidence. One could surmise that both of these stories might have a basis in common historical occurrence. However, despite the fact that both of these works discuss a common topic, the portrayal of this event is quite different. Like identical twins raised in different cultures, the expressions of these works are products of their environment.
Both readings were written in a time of immense promise and hopefulness. But they also both deal with choices and endurance of consequences from
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
The authors of both of these short stories use tone to provide a better understanding of what they wanted us, as readers, to feel while reading. Since Robert’s described the theory of tone as referring to the attitudes or feelings
From the beginning of both stories one can get an immediate sense of where each story is headed. The author’s very appropriately set the tone to each of their stories early on. The first sentence in London’s “To Build a Fire” said, “Day had broken cold and gray, exceedingly cold and gray, when the man turned aside from the main Yukon trail and climbed the high earth-bank, where a dim and little- traveled trail led eastward through the fat spruce timberland” (561). From that very first sentence the audience can immediately tell that this is going to be a dramatic story. The strong and descriptive language prepares us for the rest of the story. The beginning of Updike’s “A&P” sets a much different tone for the story to follow. He wrote, “In walks these three girls in nothing but bathing suits. I’m in the third checkout slot, with my back to the door, so I don’t see them until they’re over by the bread. The one that caught my eye first was the one in the plaid green two-piece” (612). The beginning of this story has a relaxed and enjoyable tone. We, the audience, are now prepared for some easy reading.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...