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Sandra cisneros writing style
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An authors style defines itself as the way in which the author expresses themselves throughout the piece of literature. They express themselves through their word choice, word order, rhythm, imagery, sentence structure, figurative language, and literary devices. Sandra Cisneros’, “The House on Mango Street”, is a short story encompassing the events and thoughts of an un-named child narrator as they describe their family’s living arrangement. Sandra uses a distinct type of style throughout her writing which fits the short story well. On the other hand, William Carlos Williams’, “The Use of Force”, is a short story about a doctor’s visit to an unusual patients home. The stories have their own distinctive style which is unique to each but, there …show more content…
Both “The House on Mango Street” and “The Use of Force” have similar characteristics in their styles. One similarity is how the sentences are constructed. Short and concise sentences are used in order to provide extra emphasis on specific areas in the stories. For example, in “The House on Mango Street”, quick short sentences are used when the narrator explains the move between the houses and when they describe the new house to illustrate the importance and the impact the events have on their family. In, “The Use of Force”, short sentences add extra drama to the already dramatic events like, the doctor having to pry open the patients mouth and the patient clawing at his eyes. Another similarity is the use of long, run-on sentences. Both stories use the long, complex sentences to describe background details like the old house and neighbor and the aftermath of the diagnosis. In addition, both stories have a good rhythm to them as they stay on topic and stick to the main idea; always keeping the reader interested. Furthermore, neither of the stories have out of the ordinary word order and both use great descriptions when necessary. All these elements combined are important to the idea of the story because they help explain it better. The sentence lengths add extra emphasis on key points, the descriptions add depth and the rhythm keeps a nice flow; all of these help the reader stay interested and keep the story
In David Sedaris’s story, “A Plague of Tics”, he effectively demonstrates vivid imagery by describing how “if he mashed the right amount of force, a blow to the nose can be positively narcotic. Touching objects satisfied a mental itch, but the task involved a great deal of movement; run upstairs, cross the room, remove a shoe” (365). His use of imagery through words such as “mashed” and “blow to the nose”, appealing to the sense of touch, paint a clear picture in the reader’s mind of the amount of force he uses in order to satisfy a mental itch. The imagery illustrates to the reader how much force is used instead of directly saying it in the text, allowing the reader to stay involved in interpreting the story. Also, Sedaris writes about his
The House on Mango Street is a novel by Sandra Cisneros. It is set in a poor, Latino neighborhood around 1960. The main character, Esperanza, is expected to get married in order to support herself. However, Esperanza strives for independence, and seeks to end the cycle of abusive patriarchy that holds Mango Street in thrall. Through the use of syntax and figurative language, Cisneros establishes that a sense of not belonging can fuel an individual’s desire for a better future.
In The House on Mango Street by Sandra Cisneros, and in A Raisin in the Sun by Lorraine Hansberry, majority of the characters have dreams. Many of the dreams that reveal in the stories are unrealistic to come to a reality, considering where they come from, their backgrounds, and the environment around them. In The House on Mango Street, the main character Esperanza struggles to find her true identity and wishes she was a grown up making her own decisions and experiencing new things. While in Raisin in the Sun, Walter thinks he has everything under control, and only does what is best for him, not what is best for his family. In both The House on Mango Street and Raisin in the Sun, the authors reveal that maturity begins when you have to make
Reading is similar to looking into a mirror: audiences recognize themselves in the experiences and characters on the pages. They see the good, the bad, and are brought back to experiences they had overlooked to learn something more about themselves. Some characters touch readers so intimately that they inspire readers to be better than they already are. House on Mango Street, by Sandra Cisneros, follows a young girl named Esperanza and her experiences while living on Mango Street. She is introduced with her desperate wish to escape her poor mostly-Latino neighborhood and live in a house of her own. Esperanza compares herself to her family, innocently knowing what she wants from a young ages. She is observant and holds insights into the lives of others, learning lessons from each person she encounters. While
Syncretism is the fine line between Christianity and Native American Religions because it is the ambivalent, simultaneous attraction of choice and identification to the influences of two or more religious belief systems. Syncretism is most common among minority groups such as Hispanics. The definition applied to their unique position of culture is brought about by the Native American and Spanish ancestry. Ambivalence is shown even by the word Hispanic, which is an "umbrella" term. The novels, Rudolfo Anaya's Bless Me Ultima(1972) and Sandra Cisneros' The House on Mango Street(1984) explore syncretism and how it enhances and exemplifies the issue of ambivalent behavior in regards to the combined use of Native and Christian religions.
Both authors used syntax to help convey their purpose. Thomas and Didion both used simple and complex sentence structures interchangeably in different parts of their essays to make the audience react differently. When Didion explains the “unnatural stillness” of Los Angeles, implying that the winds are coming, she follows a long, descriptive sentence about the winds with a simple, powerful sentence explaining h...
As humans grow and mature, they obtain knowledge of the world around them as they go through self-discovery and learn from past events. In the story, “The House on Mango Street,” by Sandra Cisneros, Esperanza undergoes a series of transformations from someone who was clueless about the world, to someone who is experienced. Cisneros uses transformation to show how Esperanza changed from a clueless inexperienced girl, to an experienced adult. As one grows older, they go through self-discovery and experiences that help them gain knowledge of reality.
Over time, the image of men has changed. This is due mostly to the relaxation of rigid stereotypical roles of the two genders. In different pieces of literature, however, men have been presented as the traditional dominate figure, the provider and rule maker or non-traditional figure that is almost useless and unimportant unless needed for sexual intercourse. This dramatic difference can either perpetuate the already existing stereotype or challenge it. Regardless of the differences, both seem to put men into a negative connotation.
Imagine. You are sitting in complete silence, even the nearby crickets won't dare to let out even the slightest of croaks. You stare down at your cluttered, dimly lit desk. Your hand grasps your pen, and the other rubs back and forth across your temple in angst. Your eyes pass over each paper, containing each incomplete thought, and your mind floods with memories of your past. Trapped by writer’s block, you are all alone with only your experiences, surroundings, and philosophy aiding you in the fall that is the dark reality of alcoholism and depression. For renowned authors F. Scott Fitzgerald and Ernest Hemingway, these influences all played a crucial role in identifying their style techniques, as well as determining similarities and differences
Sandra Cisneros born on December 20, 1954 grew up in Chicago settling with a neighborhood known with Hispanic immigrants. Until then her migrating with her six brothers, from different communities in Chicago, and visiting her grandmother in Mexico, she has never really make ones home in. Being the only girl with no sisters, Cisneros only way that would deprive her from loneliness, is by reading books where she found her talents in writing. Fast forwarding to college Sandra Cisneros worked on her master’s degree at University of Iowa Writers Workshop where found her interest as Mexican-American woman with a self-reliant passion and how being a Hispanic were different in the American culture.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Another way the author develops his consistent style is in the way he describes certain images. For example, there are a few different occasions where his way of describing what he sees around him are similar to eachother in a way that they all make reference to the fact that the day is going by and it will soon reach dusk. Like when he said 'the soft dew of morning which had glistened and twinkled on the blades of grass which grew in clumps by the side of road quietly disappeared.'; This indicates that the day is going on. At another point in the story the author makes reference to the shadows saying that they have grown longer, which would indicate the sun was setting. Also, the author never exactly comes right out and says the obvious. He uses his descriptive ways to give you an idea of what is going on or happening. For example, he never exactly says that the man he encounters on the road is an old man. He just gives certain physical characteristics that would associate with an old man. I feel his reasoning for this was to also indicate that this man was not just old but a man of wisdom, which very often is associated with old age.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...