Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How culture influences health beliefs essay
Cultural dimensions of health
Cultural dimensions of health
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How culture influences health beliefs essay
Handling Illness in “The Red Convertible” and “A Place I’ve Never Been” Louise Erdrich’s “The Red Convertible” and David Leavitt’s “A Place I’ve Never Been” portray two characters, Henry and Nathan, who face unknown or misunderstood illnesses. Henry and Nathan share a few significant similarities; however, they are remarkably contrasting characters. Each character has a distinct way of dealing with his circumstances, and upon close inspection of the point of view, setting, and symbolism in each story, the reader is able to conclude that Nathan is a coward and lacks the courage to even attempt to overcome his condition unlike Henry. “The Red Convertible” revolves around Henry, but it is narrated by his younger brother, Lyman. From Lyman’s perspective, …show more content…
the reader can infer that Henry has a sound support system and that he actually utilizes it. Lyman describes how he damages the convertible that he shares with Henry knowing that Henry will not be able to resist fixing it. Henry confesses to Lyman that he is aware of his brother’s effort to help him, and he does his best to take advantage of it. Henry works on the car and temporarily improves from his previous condition. Lyman claims, “He was better than he had ever been before” (Erdrich 334). Lyman’s perspective allows the reader to understand that no one knows how to truly help Henry, but Henry is valiant enough to accept what little help he is offered. Similarly, “A Place I’ve Never Been” is written from the perspective of Nathan’s friend, Celia, to illustrate that Nathan also has a solid support system.
Once Nathan returns from Europe, Celia reveals, “In any case, Nathan was back and I didn’t dare think about myself” (Leavitt 1050). This indicates that Celia is willing to do anything for Nathan. However, from what the reader can gather about Nathan, he is unwilling to accept her help. For instance, Celia suggests practicing safe sex so that Nathan can resume life as normally as possible, but Nathan declares, “There is no such thing as far as I’m concerned” (Leavitt 1051). Celia portrays a side of Nathan that only she is familiar is to reveal that Nathan is given help but is too cowardly to accept it. The reader can analyze what is revealed by each narrator and conclude that Henry deserves much more praise than Nathan for at least attempting to exploit the help he is offered before losing all hope. Nathan and Henry are both given support, but Nathan is too cowardly to accept …show more content…
it. The settings of “The Red Convertible” and “A Place I’ve Never Been” are additionally critical in understanding that Henry is much braver than Nathan for attempting to overcome his illness.
Nathan lives in New York City where there is a considerable amount of public awareness for HIV/AIDS. This strongly suggests that Nathan not only has access to get tested for the virus, but also has access to receive available treatment. Nathan plainly refuses to even get tested. Contrastingly, Henry lives on an Indian reservation where there are no doctors, and his brother confesses, “We were afraid if we brought Henry to a regular hospital they would keep him” (Erdrich 333). Knowing he has no access to medical treatment, Henry still tries to overcome his illness with only the help of his younger brother. From the setting alone, readers can determine that Nathan has access to get help while Henry does not, and they can confirm that Nathan is a coward for not even attempting to get medical
treatment. Though the point of view and setting of each story strongly lead the reader to believe that Nathan is a coward for not even making an effort to overcome his circumstances, perhaps the symbolism used in each story most strongly convinces the reader of Nathan’s cowardice. Henry and Nathan have similar moments in which they lose all hope, and in these moments, the authors use symbolism to provide the reader with a more thorough understanding of the characters. For example, in “The Red Convertible,” as Henry is drowning, he calmly states, “My boots are filling” (Erdrich 336). The water filling Henry’s boots symbolizes Henry’s illness. The water weighs his Henry down and causes him to drown, while the mental illness Henry has inevitably bring him to the point of suicide. Erdrich uses this symbolism to illustrate how courageous Henry is for making an effort to overcome an illness that is essentially inescapable. David Leavitt uses symbolism in a similar way to portray Nathan’s final loss of hope. When Nathan confesses that he has never been in love, Celia observes, “He looked away from me, across the café, listening, I suppose for that wind-chime peal as all the world’s pennies flew his way” (Leavitt 1056). The pennies are a reference from a game Nathan plays earlier in the story in which players receive pennies for experiences they have not had. Therefore, the pennies that are coming Nathan’s way symbolize all of the experiences that he is missing in life. These missed experiences are a burden to Nathan and prevent him from living his life to the fullest. Nathan could easily change this by facing his fears and getting tested for HIV/AIDS. Nathan knows that he could change his life for the better if he addressed his problems, but he is seemingly a coward and chooses to avoid them. Ultimately, several elements of “The Red Convertible” and “A Place I’ve Never Been” lead the reader to believe that Nathan is coward and that Henry has much more courage. The point of view, setting, and symbolism in each story direct the reader to conclude that Nathan has a much greater chance of overcoming his illness than Henry. The narrators, Lyman and Celia, both demonstrate that they are willing to help Henry and Nathan, but only Henry utilizes his support. Likewise, the setting suggests that Nathan has access to medical care and chooses not to exploit it; Henry, on the other hand has no access no medical care. Even the symbolism in the end of each story demonstrates that Henry’s illness is essentially impossible for him to overcome, but Nathan has the opportunity to continue his life normally as possible. This suggests that Nathan has a much less challenging obstacle to conquer than Henry, but he acts more cowardly by choosing not to help himself.
Henry's first-person narrative is the most important element of these stories. Through it he recounts the events of his life, his experiences with others, his accomplishments and troubles. The great achievement of this narrative voice is how effortlessly it reveals Henry's limited education while simultaneously demonstrating his quick intelligence, all in an entertaining and convincing fashion. Henry introduces himself by introducing his home-town of Perkinsville, New York, whereupon his woeful g...
Academic colleagues like, David Greenburg, would have been exasperated, part from envy of McCullough’s ability in not only story telling but to sell and he would object to the approach of this book. The colleagues would tear at the lack of compelling rationale for an overused topic, as well as the scene setting, and meager analysis.
In “The Red Convertible,” Louise Erdrich through her first- person narrator Lyman, creates an unspoken emotional bond between two brothers. This emotional bond between the brothers is not directly spoken to each other, but rather is communicated through and symbolized by “The Red Convertible.” In spite of what appears as a selfless act by one brother, in turn, causes pain in the other brother, as no feelings were communicated. In this case, Lyman explains his version as he takes us through the experiences that he and his brother Henry have with the car.
The relationship of brothers usually lasts forever, but in Louise Erdrich’s short story “The Red Convertible”, the relationship of the main characters Lyman and Henry takes a turn. Erdrich takes her audience through the experiences these brothers face and how they must come to terms that their relationship has changed. Knowing that it will most likely never be the same both Lyman and Henry try to fix their relationship until eventually one falls because of the experiences he faced in life. While Lyman may think the red convertible will save his and Henry’s relationship, Erdrich makes it clear that it will not through the characterization of the brothers, the plot of the story, and the symbolism she uses to tell her story.
of how John Steinbeck uses extraordinary circumstances to create appeal and realism to the reader.
To what lengths would you go for a loved one? Would you destroy something in hopes that it would save them? That 's what Lyman Lamartine did in hopes to fix his PTSD afflicted brother. "The Red Convertible" was written by Louise Erdrich in 1974 and published in 2009 along with several other short stories. Lyman, and Henry, are brothers. The story starts by telling us about how the two brothers acquired a red convertible. Henry ends up being drafted into the Vietnam War, and comes back home suffering from PTSD. One day the pair decided to take a drive to the Red River because Henry wanted to see the high water. Ultimately, the story ends with a cliff-hanger, and we are left wondering what happens to the boys. The symbolic nature of the red convertible will play a key role in this literary analysis, along with underling themes of PTSD and war.
PTSD, also known as Post-Traumatic Stress Disorder, can cause change and bring about pain and stress in many different forms to the families of the victims of PTSD. These changes can be immense and sometimes unbearable. PTSD relates to the characters relationship as a whole after Henry returns from the army and it caused Henry and Lyman’s relationship to crumble. The Red Convertible that was bought in the story is a symbol of their brotherhood. The color red has many different meanings within the story that relates to their relationship.
Erdich , Louise “The Red Convertible” 1984.Schalfel and Ridl 126 – 133. Schakel, Pete, and Jack Ridl. Eds. Approaching Literature Reading + Thinking + Writing. 3rd Ed. Boston: Bedford/ St Martin, 2011. Sprint.
Throughout a lifetime, one can run through many different personalities that transform constantly due to experience and growing maturity, whether he or she becomes the quiet, brooding type, or tries out being the wild, party maniac. Richard Yates examines acting and role-playing—recurring themes throughout the ages—in his fictional novel Revolutionary Road. Frank and April Wheeler, a young couple living miserably in suburbia, experience relationship difficulties as their desire to escape grows. Despite their search for something different, the couple’s lack of communication causes their planned move to Europe to fall through. Frank and April Wheeler play roles not only in their individual searches for identity, but also in their search for
The Red Convertible, written by Louise Erdrich, is a short story written in the first person perspective of a Chippewa Indian named Lyman. It portrays the story of his brother, Henry, who joins the Marines and fights in the Vietnam War. Before recruiters pick up Henry, Lyman describes him and his brother’s road trip in their brand new red Olds. Lyman explains Henry’s characteristic during their joy-ride as friendly, joking, and fun. Returning from their road trip, Henry leaves for Vietnam. When he returns, Henry is not the same joyful man that he once was before he had left. Louise Erdrich’s short story, The Red Convertible, follows the life of Henry who is as funny joking guy. Although war has changed him, and it was not for the best. Louise Erdrich’s theme for The Red Convertible is that war can devastate peoples’ lives.
Being in a state of emotional discomfort is almost like being insane. For the person in this discomfort they feel deranged and confused and for onlookers they look as if they have escaped a mental hospital. On The first page of chapter fifteen in the novel Invisible Man by Ralph Ellison, the main character is in a state of total discomfort and feels as if he is going mad. From the reader’s perspective it seems as if he is totally out of control of his body. This portrayal of the narrator is to express how torn he is between his two selves. He does not know how to tell Mary, the woman who saved him and has been like a mother to him, that he is leaving her for a new job, nor does he know if he wants to. His conflicting thoughts cause him to feel and seem a little mad. The author purposefully uses the narrator’s divergent feelings to make portray him as someone uncomfortable in is own skin. This tone is portrayed using intense diction, syntax, and extended metaphors.
Evans, Robert C., Anne C. Little, and Barbara Wiedemann. Short Fiction: A Critical Companion. West Cornwall, CT: Locust Hill, 1997. 265-270.
A narrative is constructed to elicit a particular response from its audience. In the form of a written story, authors use specific narrative strategies to position the ‘ideal reader’ to attain the intended understanding of the meanings in the text. Oliver Sacks’ short story The Man Who Mistook His Wife for a Hat is an unusual short story because it does not display conventional plot development; the story does not contain conflict or resolution of conflict. The genre of the story is also difficult to define because it reads as an autobiographical account of an experience Sacks had with a patient while working as a neurologist. Although it is arguable that the narrative is a work of non-fiction, it is nevertheless a representation, distinct from a reflection of the real events. It is a construction, Sacks chose the elements that were included and omitted in the narrative and used narrative strategies to position readers to process the signs in the text and produce reach the dominant understanding. This blurring of truth and fiction is similar to that in the genre of ‘new journalism’. Although, rather than being a journalist writing a fictional piece of journalism, Sacks is a doctor writing a fictional medical analysis. To influence readers’ comprehension of the narrative, Sacks utilised the point of view strategy of subjective narration, atypical in this short story in that a characterisation or representation of Oliver Sacks is the narrator and Oliver Sacks the person is the real author. The story is character-driven rather than plot-driven and regardless of how accurate a depiction of the real people the characters are, they are constructions. Sacks gave the characters of Doctor P. and his namesake admirable and sympathetic trait...
Although at first glance the car in “The Red Convertible” may seem to only be a small part of the story, it was really much more than that. The story is told in first person from the perspective of Lyman, who co owned the car with his older brother Henry. Throughout the story the relationship between the two brothers is constantly changing, but some of the biggest changes in their relationship occur while significant changes in the car happen as well. At first the car simply seems to be a way for the brothers to bond and work together, but the car actually symbolizes the brothers' relationship, and how that relationship changes over time.
As the story progresses, the car changes with their relationship. The car being put into tip-top condition before they travel together symbolizes where they are with each other at that point in time. Their relationship was strong and they were as close as could be. Next, Henry is drafted into the war. In the duration of his service the car is barely driven, yet remains in good condition. This can be related to the sparse letters they write to each other while Henry is away. Upon Henry’s arrival, the car is not driven or talked about. Only in the thoughts of Lyman, who is haunted by the new version of his brother. His brother is always on the lookout, anxiously awaiting for something to happen. This represents the emotional disconnect Henry has due to the war. Lyman wants his brothers condition to improve and beats the car up so Henry can fix it. Once again the car is beautiful and the brothers are having a good time near the river. When Henry dies, Lyman lets the car go with him. His brother is gone, as is the relationship they once