The Menkaure and a Queen sculpture is 142.3 cm tall. It was from Giza but is located in the Museum of Fine Arts in Boston. The medium used is graywacke with traces of red and black paint. The Metropolitan Kouros sculpture is 6 feet 1 .95 m tall. It was found in Attica Greece but located in New York in the Metropolitan Museum of Art. The medium used is marble.
The Menkaure and a queen sculpture is standing against a wall or post. Its sculpted on black stone. The king is standing stiffly and expressionless with his wife holding him while walks forward. The king and queen step with their left foot forward. His hands are clenched and is wearing only a skirt. He also wears a hat. The sculpture seems smooth. The Metropolitan Kouros sculpture is
free standing and is made of a beige colored stone. He is naked with his left foot forward as well. Kouros muscles and body parts are detailed in the sculpture. His hands are clenched and he is emotionless. His hair looks like dread locks. The fisrt difference you see in the sculpture is that Menkuare and a Queen is in black. Menkuare looks like an Egyptian sculpture and you can tell by the way they are dressed. It is about four feet and six inches tall. The king hides his hair with a hat. He is wearing clothing and has his queen beside him. Metrpolitan Kouros is in beige and looks like a Greek sculpture. Kouros is taller than the other sculpture. It is about six feet and four inches tall. He shows off his long hair that look like dreads instead of hiding t in a hat. He has no clothing on and is not sculpted with his wife together. They both have the left leg in front of the other and their arms are straight down. They both even have their hands are clenched. They have that expressionless look and have a stiff stance. They are both freestanding sculptures with open spaces. The men in the sculpture show strength and power. They look like rulers. Since the characteristics look similar and Kouros was sculpted after Menkaure and Queen, I feel like the Greek artists copied the Egyptian or adopted some of their style. The Greeks stole the way the left leg is placed in front and the arms are to the sides. The clenched fists are also copied. They are stylized and constructed in stiff postures. The sculpture seems two dimensional when seen from the front. The form of the sculpture seem to have been made with verticals and horizontals to create it. The color of the black sculpture gives a dark and creepy look.The shape is geometric and with some natural details. The statue is seen as a three-dimensional sculpture. The beige color gives it a more lighter feeling and look. The lined details contour the volumes of body parts. The chests contour diminishes inward to the waist, and distends at the thighs. The volumes of mass of the body show anatomical details like the pectoral muscles on the chest. The lines are defined and muscular in the legs. You can the knee detailed where it is suppose to be. I see power and strength coming from the Menkaure and a Queen sculpture. It looks like he is ready to take charge. The pose that he gives shoes leader ship and assertiveness. The way he put his left foot in front shows power. The way he has his arms and hands places shows that he doesn’t back down and is in charge.He is shown as a man maybe in late 20's or early 30's. The Kouros gives the sense of youth and shows power because it has the same characteristic as the Menkaure and a Queen sculpture.
In this paper I am exploring “Portrait of Augustus as general” and “Khafre enthroned”. From exploring and getting to know the Statues in my Art History Book I have compared these statues (Kleiner, 2013). The first and most obvious similarity between the two is in the artists’ idealization and immortalization of their subjects. Both Khafre and Augustus are portrayed in an idealized manner, designed to give the impression of nobility, timelessness, and divinity. The two statues were the political advertisements of their times that showed the public images of reliable leaders who one
The kouros was sculpted out of marble and the statue of Menkaure was made out of slate. The kouros is completely nude while the king is clothed in a kilt and a headdress. King Menkaure is making a fist around an object in both hands and the kouros has his hands in a loose fist. The kouros also does not have as much of the stone around him for “support” as the statue of King Menkaure and His Queen do. King Menkaure and His Queen was meant to be viewed from the front and therefore two-dimensional, while the kouros is meant to be viewed from all sides and is a three-dimensional
Carved from alabaster the over-life-sized statue shows a idealized depiction of ruler Khafre sitting eloquently in his throne. Riddled with indicative symbols and motifs the written language of the ancient Egyptians allows for historian to interoperate the meanings and purpose of the sculpture, and decipher the statements of divinity and the king power left behind by this ancient people. This funerary statue represents Khafre’s eternity a well as utilizing the expensive material as a testament of his importance and
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
The Egyptians created Ramesses’ statue 1279-1212 B.C. using granodiorite. The statue is currently being exhibited at the Museum of Fine Arts Houston. Its dimensions withouts a base are 59 3/4 x 23 1/2 x 30 inches (seems bigger than life-size). One must look at the statue from various sides in order to see its entirety. Ramesses II, known also as Ramesses the Great, ruled Egypt for over sixty years. there are thousands of statues made in his honor to proclaim his power and divinity.
There are several differences between the sculpture of Menkaure and Khamerernebty, and the sculpture of Akhenaten and Nefertiti.
The statue of Hatshepsut seated down is made with the material limestone. This limestone is lightly colored, which created a larger contrast with the other statues nearby. Her face was carved bringing out her eyes, eyebrows and other facial features. Her eyebrows also come slightly together towards the middle. Her lips forming a slight archaic smile. The dimensions are larger than an average female size. The statue is of great size, yet still in proportion. The body and head fit well with each other overall. However, it is greatly exaggerated in size.
The Statue of a kouros represents a Greek male. With one foot forward, the statue at the same time, represents movement and is able to stand on it own. This also gives the over life size figure, visible weight. In this early figure, geometric forms seem to predominate, and anatomical details, such as the chest muscles and pelvic arch, are presented with somewhat of exaggerated lines. Although the exaggerated lines show where these muscles belong, the detail is still missing. Looking up and down this nude body, at this miss proportioned and lacking of detail body, the hair is what grabs my attention. The hair is carved with detail not noticeable in the rest of the body. As well, although the fists are clinched and still bonded to the body, the legs and elbows are separated. The ability to move around and inspect the statue makes a big difference than if it was up against a wall, or just looking at its picture. The legs, which support the weight of the statue, have a visible strength which is seen in the knees. The head is what carried the most detail, the ears although to far back, are intricately designed. It is the ability to walk around the entire statue that allows me to see the different aspects and places where attention to detail was placed. However, he does not expand into three dimensional space; he has a closed-off, column-like appearance
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
This paper will discuss and compare A Faun Teased by Children sculpture, of the Italian Baroque style, and the Little Fourteen Year Old Dancer of the French impressionist style. These two sculptures give us a clear insight and allows us to peer in on the moment that is taking place. The active movement, strong diagonals and dramatic facial expressions of the figures in A Faun Teased by Children tells the on looker a vivid detailed story of the actions that are taking place and what role each figure is taking on, in a mythical scene, while the stagnant and serene pose of the Fourteen Year Old Girl resonates calmness and a moment that has not taken place just yet.
Charles Champoiseau uncovered pieces of masterfully worked Parian marble in April of 1863.1 On Samothraki, the island from which Poseidon is said to have watched the fall of Troy, these segments of stone came together to form four main sections: a torso, a headless bust, a section of drapery, and a wing.2 The sections were shaped to be assembled though the use of cantilevering and metal dowels, allowing the sculptor to extend beyond medium’s gravitational limitations (fig. 2). Just one year later, the pieces were assembled (and those missing were remodeled), and the Greek goddess Nike was revealed at the Louvre.
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
We find that, in conclusion, that these pieces are very similar in many ways. They are both originally created in the same style and time period. They are Hellenistic and dramatic, although in their own, individualistic way. Each sculpture was created in different mediums and have different stories. These are both very individualistic pieces of Greco/Roman sculpture that has influenced many artists throughout time and will
Many art works such as statues are placed throughout the world in different settings. The most common setting for statues is found in funerary settings. The importance of statues in funerary settings is that they are use to project the power the person had before his death. The seated statue of Khafre enthroned from Gizeh, Egypt, illustrates the idealized pharaoh. Another sculpture is Kouros, from Anavysos, Greece that depicts the heroism of Kroisos dying in battle. The Kouros and Khafre are similar in the way that they both radiate power and serve the purpose of honoring the dead men, yet Khafre has a greater significance because it illustrates the pharaoh in a flawless form and the audience can tell that he was a great ruler by the perfect cut sculpture.