Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Use of irony in Shakespeare tragedy
Use of irony in Shakespeare tragedy
Literature as Imitation
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Use of irony in Shakespeare tragedy
“Good artist borrow, great artist steal,” (Picasso) This statement rings true throughout all forms of art including literature. It reflects why we can find similarities in different pieces of literature, despite being written by different people, at different times, in different places. Throughout history authors have borrowed themes, ideas, genres, and even characters from each other, this is true of the three works the author has chosen to examine. By using genre criticism the similarities between these works become rather obvious. Sir Gawain and the Green Knight, The faerie Queene, and The Rape of the Lock, are all works written by different authors at very different times, yet they are all heroic satires, that look at human characteristics …show more content…
and borrow from previous works. Genre criticism looks at aspects of the story to first determine the genre, as well as look at works of the same genre and compare them. This form of criticism is perfect for these works in particular because in addition, to all being the same genre, they have several other similarities that can be looked at through a critical lens. Sir Gawain and the Green Knight, The faerie Queene, and The Rape of the Lock, all have the characteristics of the mock epic or satire genre. There are several aspects of a mock epic, however the most noticeable are drama, mockery of heroic poems, similar style to that of an epic, and in many cases exaggerated heroism. These qualities of a satirical epic appear in all three works and is one of the threads that binds them together. In Sir Gawain and the Green night, the characteristics of drama, mockery, and the style of an epic are used to create this work.
The author creates a dramatic setting throughout the story by keeping up with an exciting plot. Both drama and mockery are at work in the character of Sir Gawain. He seems to be an over exaggerated character who in some cases is used to poke fun at king Arthurs knights. The author also seems to be making fun of stories of “True love,” this is shown most when the lady of the house gives Gawain a longwinded dramatic speech about true love as she tries to seduce him. Although, the author may be trying to show the qualities of a knight it comes off pretentious and self-glorifying on Gawain’s part. The work also uses a similar writing style as some of the other Arthurian tales written previous to Sir Gawain’s publication. In addition to using characters from previous Arthurian …show more content…
works. While the characteristics of the mock epic are less obvious in Spenser’s The faerie Queene, using genre criticism they become a bit clearer. The work itself is a satire written to please Queen Elizabeth. The work also utilized the satirical epic theme of mockery, instead of mocking the follies of man, Spenser uses evil characters to parody and mock Catholicism. Spenser also takes advantage of the style of an epic. Despite Spenser, having his own unique stanza rhythm and set up, he is still inspired by Christian texts much like other epics of the Early Modern period. The faerie Queene borrows characters from Mort De’ Arthur and other Arthurian works. However, Arthur is not the only work that inspired Spenser’s work, he takes inspiration and themes from the works of Homer, Dante and Virgil as well. Lastly, The faerie Queene, like many satirical epics looks at the characteristics of man. In spite of this being a common aspect The faerie Queene, is unique in the way it represents the positive characteristics of man in allegory while also mocking some characteristics by using the character of Duessa. The work that shows the most characteristics of a mock epic is The rape of the lock, by Alexander Pope.
Like other mock epics The rape of the lock, takes advantage of the characteristics of drama, exaggeration, humor and mockery. Drama is an important piece of all mock heroics and no work uses it better than Pope’s The rape of the lock, the entire story itself is an over dramatized version of a regular day. Pope uses exaggeration of trivial everyday things such as playing cards in the first canto to an over exaggerated tale about recovering a lock of severed hair. The humor in the story shines through using the expressions of exaggeration and overdramatized tales of everyday life. Similar to the first two works The rape of the lock, uses mockery to look at both the downfalls of man such as pride and vanity as shown through the character of Belinda who for vanities sake continues to try to get her hair back despite being told that grace and forgiveness would suit her better. Pope also uses the The rape of the lock, also mocks the daily tasks of life by giving them an overdramatized narration similar to how a sports newscaster tries to add drama when they talk about a game. Alexander Pope uses they story of a group wealthy young people to mock the lives of those consumed with greed and vanity. Pope uses the style of a typical epic poem and utilizes the rhythm of heroic poems similar to the Iliad a work that inspired much of The rape of the lock. Using this style makes the
story an interesting read and while appearing much more serious than it is, the style of the story helps add to the humor of the work. Using genre criticism one can also compare one genre to another using this we can look at the comparison of Pope’s work to the Iliad an actual epic. It becomes apparent that Alexander Pope uses a lot of themes and ideas from the classic heroic story such as the use of magical creatures and allusions to Greek gods as we can see when Pope calls on a muse. The rape of the lock, is regarded as one of if not the best mock epic written thus far. With the aid of genre criticism you can look at three different works from different areas written by extremely different authors and see the parallels in the writing that bind them all together. Looking at the three works, Sir Gawain and the Green Knight, The faerie Queene, and The rape of the lock, you can see the unique characteristics that make these works all mock epics as well as how they borrow from other works to benefit themselves. In , Sir Gawain we see mockery of overly chivalrous knights and tales of true love, while The faerie Queene looks at what the audience saw as the downfalls of Catholicism and The rape of the lock shows the over dramatic lives of wealthy young people.
In Sir Gawain and the Green Knight, a stranger rides into King Arthur's court with a challenge. This stranger, green in color from head to toe, proposes to play a game with a member of King Arthur's court. This game will be played by each participant taking a blow from a weapon at the hands of the opponent. The person that dies from the hit is obviously the loser. On top of this, the Green Knight offers to let his opponent take the first swing. This sets up the action in the passage beginning with line 366 and ending with line 443.
Sir Gawain is King Arthur’s nephew and one of his most faithful knights. Although Gawain modestly refutes it, he has a reputation of being an honorable knight and courtly man. He prides himself on his adherence of the five parts of chivalry and is a pinnacle display of humility, piety, integrity, loyalty, and honesty that all other knights strive for. Though Gawain sits at the high table during the New Year’s celebration at Arthur’s court, he defines himself as the least of King Arthur’s knights in terms of both physical ability and mental aptitude. Gawain continually seeks to better improve his inner self throughout the story. His only known flaw proves to be his love to preserve his own life, so much that he will sacrifice his honor in order to save himself.
There are many parallels that can be drawn from the three temptations and hunting scenes and the three blows exchanged by the Green Knight. All of these scenes are interlocked together in the way that Gawain's quest is told and his trails he endures leading up to his meeting with the Green Knight to fulfill his promise made the year before.
In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his theme by leading Gawain on a journey in which nothing is what it seems. Sir Gawain and the reader are confronted with several contrasts of characters’ actions and intentions, symbolic meanings, and Christian and secular virtues. Mainly by showing the difference between actions and attitudes while inside in a social situation and outside in a more wild, untamed environment, these contrasts help to emphasize the importance of unbending faith and loyalty.
When Gawain spurns the lady 's advances, she questions the validity of his reputation: "So good a night as Gawain is rightly reputed / In whom courtesy is so completely embodied / Could not easily have spent so much time with a lady / Without begging a kiss, to comply with politeness / By some hint or suggestion at the end of a remark. " Here we see the first example of Gawain 's values being thrown into opposition: he cannot hope to hold his honor, fellowship, and chastity without calling his chivalry and courtesy into question. Gawain faces a fork in the road in the first bedroom scene, yet it quickly becomes clear that neither road ends with perfection. The perfect, archetypal knight, one who seamlessly, simultaneously embodies all of the qualities so harmoniously unified on Gawain 's shield, cannot exist, as the five points of Gawain 's pentangle cannot fully be kept
Sir Gawain and the Green Knight – A Test of Chivalry Essay with Outline: Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be the least of any" (Sir Gawain, l. 354-355).
Sir Gawain is presented as a noble knight who is the epitome of chivalry; he is loyal, honest and above all, courteous. He is the perfect knight; he is so recognised by the various characters in the story and, for all his modesty, implicitly in his view of himself. To the others his greatest qualities are his knightly courtesy and his success in battle. To Gawain these are important, but he seems to set an even higher value on his courage and integrity, the two central pillars of his manhood.
From the power of persuasion to the value of honor and beyond, one can witness many facets of human nature played out among the pages of “Sir Gawain and the Green Knight”. No theme of which can be seen more impeccably than the showcase of virtue verses sin. As Gawain is launched into tests of courtesy it is clear that much more is being examined than just his execution of courteous behavior, it is the nature of those around him that is also being taken into account. It is interesting how an author uses the combination of a negatively imbued foe and a positively inspired hero to highlight the traits most desirable for the mere mortals reading such a tale. In “Sir Gawain” the author uses some of the seven deadly sins to poetically draw their reader numerous and highly elaborate verbal pictures. For instance, in the opening passages of “Sir Gawain” the reader is told of rich and sumptuous clothing, decadent banquets hosted by Arthur and the lavish finery in his court. The reader might find that Arthur’s court is gluttonous in these displays of wealth while reading this section. Opulence, however, is laced thoroughly as reoccurring theme through many of the court and hall scenes in this particular romance. Another specific instance of the seven deadly being used is when the reader is shown that courtesy is a “big deal” for Arthur and his court. On display here is pride, chief of the seven deadly sins, which obviously reigns supreme when it comes to the reputation of courtesy in Arthur’s court. It comes into question here if these traits are entirely good or if they have a darker, more sinful nature attached to them. Thus as Gawain was tested for his diligence to courteous behavior, here and thence five of the seven deadly sins that a...
When Gawain shows up at the Green Knight’s chapel, his mere presence provides comfort to his host, who greets him: “Sir so sweet, you honour the trysts you owe.” Perhaps the green gallant had been expecting Gawain, as representative of the crumbling House of Arthur, to be derelict in his duties. Gawain lives up to his good name. Similarly, he resisted the unbearable temptations of Lady Bertilak on numerous occasions, providing a mere kiss, in accordance with the code of chivalry.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Tragic and hero may not be words that easily reveal a relationship, but throughout literature the two have been linked to create an enthralling read. The emergence of the tragic hero seemed to take shape in ancient Greece where such works as Oedipus and Antigone were popular among all classes of people. Aristotle defined a tragedy as "the imitation of an action that is serious and also, as having magnitude, complete in itself. It incorporates incidents arousing pity and fear, wherewith to accomplish the catharsis of such emotions." Though Greece may be credited with the creation of tragic heroes, the theme is seen in literary works across many different cultures, including England. Sir Gawain and the Green Knight is one such English work where the development of the main character, Gawain, follows the pattern of the classical tragic hero. In this paper, we will explore the characteristics of the tragic hero and show how these traits are demonstrated in Gawain.
The Character of Sir Gawain in Sir Gawain and the Green Knight and The Wedding of Sir Gawain and Dame Ragnell
The Green Knight is a character in the 14th-century Arthurian poem Sir Gawain and the Green Knight. In Sir Gawain and the Green Knight, the Green Knight appears before Arthur's court during a Christmas feast, holding a bough of holly in one hand and a battle axe in the other. Despite disclaim of war, the knight issues a challenge: he will allow one man to strike him once with his axe, under the condition that he return the blow the following year. At first, Arthur takes up the challenge, but Gawain takes his place and decapitates the Green Knight, who retrieves his head and tells Gawain to meet him at the Green Chapel at the stipulated time. In Sir Gawain, the Green Knight is so called because his skin and clothes are green. The meaning of his greenness has puzzled scholars since the discovery of the poem, who identify him variously as the Green Knight; nature, magic and a Christian symbol or death symbol, all exemplifies the color. Not only is green associated with the knight, but the color also comes into play when he arrives at the castle; throughout the poem and throughout his journey.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
“The Rape of the Lock” is a poem written by Alexander Pope that uses Horatian satire to satirize the trivialness of a lock of hair being cut from a woman’s head without her knowledge. Pope writes the poem in a mock-epic style to help trivialize this minor incident. Pope uses the conventions and techniques of epic poetry in his mock epic. These techniques include heroes that are elaborately described, use of supernatural beings, and description of trivial things as battles.