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Sonnet 18 literary analysis
Sonnet 18 literary analysis
Sonnet 18 literary analysis
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Shakespeare's Sonnet 18 and Keats' Grecian Urn Shakespeare's sonnet 18 ("Shall I compare thee to a summer's day?") and Keats' "Ode on a Grecian Urn" were written with a common purpose in mind; to immortalize the subjects of their poems by writing them down in verses for people to read for generations to come. By doing so, both of the poets are preserving the beauty of the subjects, which are the young friend of Shakespeare and Keats' "Grecian Urn." Beginning with Sonnet 18, and continuing here and there throughout the first major grouping of sonnets, Shakespeare approaches the problem of mutability and the effects of time upon his beloved friend in a different fashion. Instead of addressing the problem of old age, he emphasises his friend's attributes: "Shall I compare thee to a summer's day? Thou art more lovely and more temperate... (lines 1-2)" Though time and death work together to rob man, and particularly the friend, of his youth and beauty putting ugly wrinkles in his face and finally causing his death, the friend's beauty can be made immortal in spite of the ravages of time and death. Shakespeare asserts that his poetry will survive the destructive effects and, since the subject of this poetry is his friend's beauty, it will immortalize his beloved friend's beauty. The poet can make the young man immortal in his verse.
Sonnet 18 and Sonnet 130, by William Shakespeare, are two of the most well known Shakespeare sonnets. Both are similar in theme, however, the two poems are very much contradictory in style, purpose, and the muse to who Shakespeare is writing.
Keats’ “Ode on a Grecian Urn” is written in iambic pentameter, featuring five stanzas (signatory of the ode), mainly making use of poetic devices such as apostrophe, personification, and paradox. Throughout the poem, the urn is personified through metaphor as the speaker describes the urn as a “still unravish’d bride” (1), the “foster-child of silence” (2), and the “Sylvan historian” (3). These descriptions of the urn are also paradoxical, as although the urn is an old and rustic artefact it is simultaneously being described as something young and naïve. Also paradoxical within these lines is in describing the urn as silent, also calling it a sylvan historian suggests that it has the capacity ...
In the closing line, "beauty is truth, truth beauty (49), it summarizes the whole intellectual content of the poem. The beauty of the urn has preserved life of Greece and passed it on in truth. Keats inspiration of Greek art has been interbred with life. The poem is a hybrid of life and Greek art.
Through the form of sonnet, Shakespeare and Petrarch both address the subject of love, yet there are key contrasts in their style, structure, and in the manner, each approaches their subjects. Moreover, in "Sonnet 130," Shakespeare, in fact, parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Through his English poem, Shakespeare seems to mock the exaggerated descriptions expanded throughout Petrarch’s work by portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, upon a review of "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” one quickly perceives that Petrarch's work is full of symbolism. However, Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan style.
After defining the many terms of people groups and the location of where they can be found the task can be inaugurate. Christians around the world can obey the commission given by Jesus Christ to all believers. The commission is the make disciples of all nations, baptize them, and teach them to obey his commandments. With various ways of mass communication agencies, churches, families, individuals, leaders, organizations, and pastors must come together and work as a team to complete the task given 33 AD years ago.
The Ode can be analysized through the breakdown of an element necessary- that is created by the sonnet-ekphrasis. Kelley’s definition is easiest to begin with as it creates room for a more detailed definiton, but leads the pathway to conclusion, which Hofmann explicates. “Ekphrasis: to speak out, to tell in full; an extended and detailed literary description of any object, real or imaginary.” (Kelley 170) The Ode is by definition ekphrasis. Here I want to engage in Kelley’s take on Keats’ “ekphrasis” while incorporating a second reading-other than my own- Klaus Hofmann’s egagement with the poem since it both defends my analysis and makes sense of Kelley’s, but his reading establishes the poem in a much more inventive way. Kelley’s immersion into ekphrasis, though generalized, in Ode on a Grecian Urn, is the occupation of “sister arts”-image and poetry- also incorporating history of “still” art that , in addition to the id...
Keats's "Ode on a Grecian Urn" offers a paradoxical concept of Beauty. It describes the frozen beauty portrayed on the Urn as sweeter than reality, for its expiration is a locked impossibility. The lover's kiss is sweeter when in waiting, and her timeless beauty and devotion are worth the kiss's impossibility. Thus, the observation of beauty is more sweet than its reception, and objects in their prime are best just before their expiration. This poem is reminiscent of Shakespeare's sonnets in its zeal for permanent youth and disdain for time's drain on youth's beauty. Yet, after all the desires for the Urn's timeless youth and beauty (an impossibility in reality), the poet ends with, "Beauty is truth, truth beauty-that is all / Ye know on earth, and all ye need to know." Keats objectifies and works to define beauty through his description of the Urn, or art in general. If the beauty found in the urn is an impossibility in reality, how can it be undeniable truth? "La Belle Dame sans Merci" further complicates this question. Here, beauty is false trickery. The knight is pulled in by a mythical creature whose beauty and pleasing actions draw him into her lair, where she leads him to tragic ending on the cold hill's side. It can be deduced from this poem that Beauty is deceiving, and, consequently, not Truth. So what are we left with? "Ode on a Grecian Urn" implies that art represents Beauty. But this Beauty is impossible in the realm of reality; it can only be in the unmoving atmosphere of an Urn's surface. After four and a half stanzas supplying evidence of the scene's impossibility, the finishing lines inextricably link Beauty to Truth. The only way the art on the Urn can be viewed as having a place in reality, is the Urn's physical timelessness: "When old age shall this generation waste, / Thou shalt remain.
“More happy love! more happy, happy love!” (Keats, line 25). When one reads lines such as this, one cannot help but think that the poet must have been very, very happy, and that, in fact, the tone of the poem is light and filled with joy. However, this is not the case in John Keats’s poem, Ode on a Grecian Urn. At first glance, the tone of the poem seems light and flowery. However, when one looks deeper into the poem to find its underlying meanings, one discovers that the tone of the poem is very morbid. This is because the poem has two separate levels. Keats’s Ode on a Grecian Urn has a superficial level of happiness and joy, which acts as a façade for a deeper level of morbidity and death, most likely because of the fact that Keats was dying as he wrote this poem.
In the poem ““Ode on a Grecian Urn”, John Keats analyzes the theme of the passage of time in by comparing the theme with the art depicted on the Grecian urn. Time is defined by what it is, what time is in the present, how it flows from one moment to the next, and how it alters the conditions of the environment, and how it alters the human body. Time is an omnipresent element, and, although it cannot be physically seen, held, nor heard, its influence is certainly noticed by humans today. Time holds many roles and serves many purposes, constantly moving forward while affecting everything it passes with its influence, and yet it is mostly hidden in the world of art. It is powerful, yet hidden, influential, yet mysterious. Time is an element which wears more than one mask as it progresses from the present into the future. It acts an organizer, an effect upon objects and people, and in the end, it acts as a reminder for humans about their lives and it helps to define their lives so that people can either feel content about their lives when they leave this world, or they may regret
ideal of the poem. Ode to a Grecian Urn, Ode to a Nightingale and On
The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens himself to the Greek God, Eros, which made him feel immortal when he gazed upon the Grecian Urn. However, he knew of pending death as he wrote his odes at such a young age is truly distressing. However, unlike Keats lifespan his literary work shall last an eternity. Indeed, his esoteric poetry in my opinion is unmatched even today; as is Keats’s love for the goddesses in mid-dance frozen in time on the Grecian Urn.
After reading the song “I Surrender All” means to give everything to Jesus. There will come a time in one’s life to submit your will to Jesus daily. After trying to fix the situation or make necessary changes in life, we can’t live without Jesus. Jesus is the key to true happiness. As we surrender ourselves to him, we are giving Jesus permission to make changes and alteration to our lives. The song is filled with poetic language. The author was able to reveal his love to Jesus in a graceful expression. The language chosen was symbolic. The author is letting go of everything to worship and spend time with Jesus. The author is requesting Jesus to do something in his life. He asked Jesus to take me now and to make me wholly.
point of enjoyment. In doing this Keats felt the only way to achieve his goal of "moving his
Keats, John. "Ode on a Grecian Urn." The Norton Anthology of English Literature. Ed. Stephen Greenblatt. 9th ed. Vol. D. N.p.: W.W. Norton &, 2012. 930-31. Print.
Wood, Kerry. "Poetry Analysis: Ode on a Grecian Urn, by John Keats – by Kerry Wood."