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Exile, as from a conventional dictionary, is defined as “the state of being barred from one’s native country”. This puissant term is critically elucidated in Edward Said’s Reflections of Exile and Alison Bechdel’s Fun Home by illustrating the idea of being forcefully suppressed from orthodox nature and routine and suddenly being dispatched in unfamiliar territory. Bechdel dissects the relationship between Bruce and herself from the war of confusion and sexual thoughts that engulfs her journey through the tragicomic, while Said constructs on his own past situation as a victim of exile as well as on the stories of other deported scholars to further account the intense struggle and despair that built up the despondent passage of banishment. Hence, …show more content…
An example of that being in Said’s text through the sentence: “New York sheltered him anew, but so did endless bouts of drinking and idleness. His life was in ruins…” (175). Said unravels the condition of Rashid Hussein and utilizes it to display the egregious effects of isolation and hopelessness. Similarly, Bechdel undergoes the same mental encounters where she begins to realize the loss of her father: as she comments, “Maybe it was the converse of the way amputees feel pain in a missing limb.” we realize the genuine pain that was felt during that occurrence (23). Going back to Said, The word “sheltered” is unveiled to represent the ongoing penury the exiled poet faced through his journey of exile. He fabricates the mood simply by manipulating this word which, as a matter of fact, describes the safe haven Rashid Hussein took from the Arab world to pursue his “life” of literary purpose. Characters from each of the texts feel the same type of protection. Bechdel suddenly realizes this through her father by his intense sentiment of concern towards her while, on the other hand, Rashid feels it through his house in New York. By executing this, “sheltered” from Reflections of Exile unlocks the key to Bechdel’s state, the sexual exploration and meaning of existence within herself. Thus, exile is shown as being adrift in the isolation from what is known and the unlatching the door of one’s spirit and
Could you imagine a cold breeze that just cuts you up left and right? Or perhaps long days of starvation, with the sight of grass pleasing your stomach. For Elie Wiesel this was no imagination, nor a dream, this was in fact reality. Such a horrifying experience in his life he felt he had to share in a book called Night. Gertrude Samuels, who wrote the review, "When Evil Closed In," tries to help you depict on what devastating situations Elie was put through.
In 1888, tragedy hit the Bourn family once again, as Sarah Bourn’s country home in St. Helena had burned to the ground. Even through all of the family’s priceless possessions were ruined, the Bourn’s moved forward and rebuilt the estate larger than before. William gave attention ...
The comparisons and contrasts between The Hiding Place and Night. Both books were written with struggles, tenderness, agony, and fear in mind. Of these two books only one comes out and realizes that what they have gone through was not a cruse but some what a blessing from God, Himself. The struggles both face is more than just man against man but it is also a struggle within to find who they truly are and whom they truly believe in. Both main characters, Eli and Corrie, faced something they never knew they could face but only one comes out stronger than the other.
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
This extract emphasises the lonely, outworld feeling that would have been felt living in such settings. This puts into perspective the feeling that will be felt during the coarse of the plot development.
Exile and the consequences of it has presented itself throughout this course as a central topic. This theme was experienced in one of the inaugural Jewish literary pieces, “Shem and Japeth on the Train” by Mendele Mochner Sfrorim. The story is set on a bustling train and focuses on a family forced into exile after, “Count Bismarck arose and decreed the expulsions of all the sons of Shem who were not of German nationality” (Sforim 26). The toll of exile can be perceived from the descriptions of the mother, “an unattractive-looking woman with a bleak nose faced me…Her eyes dry and compressed, and her whole countenance shrived like a baked apple (Sforim 22) , and equally the daughter, “[the] daughter would sigh from time to time and tremble convulsively
In Alison Bechdel’s Fun Home, Bechdel uses the theme of appearance versus reality to highlight her relationship with her father. Bechdel utilizes her illustrations and short sentences to reveal these things about herself and her father. Bechdel opens her memoir with a chapter entitled “Old Father, Old Artificer”. Bechdel refers to her father, Bruce Bechdel, as an artificer because she sees him as a skilled craftsman. Bechdel describes, “His greatest achievement, arguably, was his monomaniacal restoration of our old house.” (Bechdel 4). Her father restored their old house to make it look like a huge mansion. Bechdel knows that this is just the appearance of their household because it is not an accurate representation of their family life inside the house. Bruce created an appearance that was the opposite of reality to cover up the actual wealth of their family. He hides the fact that his family may not be as wealthy and perfect as they appear to be. In this case, Bruce reveals he believes that appearance is more important than the reality of a situation. Appearance is also important on the inside of the home as well. Bechdel mentions, “Sometimes, when things were going well, I
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
Motion, Andrew. “The Asylum in the Forest.” The Guardian. Guardian News and Media, 2 May 2009. Web. 6 Feb. 2014.
From a young age we are taught the saying “Sticks and stones may break my bones, but words will never hurt me.” While this may be helpful for grade school children that are being bullied by their peers, it has some problems as it trivializes the importance that words can have. The words that people choose for themselves, as well as the words that others ascribe to a person, have an unmeasurable importance to how people can understand themselves. These labels can be a significant source of oppression or liberation for many people who identify within them. In Eli Clare’s memoir, Exile and Pride, looks at the importance of words as he explores the labels he’s associated with. He does this through mixing discussion of the histories and modern representation
“Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed…“(Wiesel 32) Livia-Bitton Jackson wrote a novel based on her personal experience, I Have Lived a Thousand Years. Elli was a Holocaust victim and her only companion was her mother. Together they fought for hunger, mistreatment and more. By examining the themes carefully, the audience could comprehend how the author had a purpose when she wrote this novel. In addition, by seeing each theme, the audience could see what the author was attacking, and why. By illustrating a sense of the plight of millions of Holocaust victims, Livia-Bitton Jackson explores the powerful themes of one’s will to survive, faith, and racism.
When people are placed in difficult, desolate situations, they often change in a substantial way. In Night by Elie Wiesel, the protagonist, Elie, is sent to the Auschwitz concentration camp where he undergoes many devastating experiences. Due to these traumatic events, Elie changes drastically, losing his passion in God, becoming disconnected with his father, and maturing when it matters most.
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...
The literary devices in Alison Bechdel’s Fun Home are used in a high degree. The plot of fun home is about a young girl named Alison Bechdel and her complicated relationship with her father. The protagonist is Alison and the antagonist, much like the conflict,
The inner world exile in The Wanderer and The Wife’s Lament have in common that both exiles are affected by emotions. Both of these poems address exile in different ways; The wanderer in the inner world of exile is centered around loneliness and isolation, and self expression of wisdom. Whereas The Wife’s Lament is a poem where exile is seen from a female who has no one to turn too and has been abandoned from her husband, even though his love for her is still present.