Malvolio, Walter Lee Younger, and Fortunato In the play Twelfth Night, the play A Raisin in the Sun, and the short story “The Cask of Amontillado,” Malvolio, Walter Lee Younger, and Fortunato fall victim to vicious pranks and schemes stemming from their egotistical and gullible personalities. Of the three, however, Malvolio is the most deserving of the revenge plotted against him. While Walter's behavior is worst leading up to being tricked, it is unrelated to what happens. Once the three become aware that they’ve been taken advantage of, Malvolio responds with vows of retaliation while Walter and Fortunato react with a wide range of emotions, from horror to despair. Malvolio’s arrogance and condescension lead Maria, with other characters, …show more content…
Addressing him as “fellow,” instead of by Malvolio or anything appropriate for a servant, symbolized equal social standing. Walter Lee Younger’s dreams of owning a liquor store immediately start awry with insults to his family members who don’t share the same goals as him. When his wife, Ruth, refuses to help him sway Mama’s opinion of opening a liquor store, Walter immediately berates her, saying, “You wouldn’t do anything to help, would you? You couldn’t be on my side that long for nothing, could you?” (793). He then starts to blame other black women: “That is just what is wrong with the colored woman in this world. Don’t understand about building their men up and making ‘em feel like somebody. Like they can do something” (795). Beneatha, Walter’s sister, is determined to break the cycle of poverty in their family through getting educated in the medical field, whereas Walter attempts to do so by starting up a liquor store. He goads her, saying “Who the hell told you you had to be a doctor? If you are so crazy ‘bout messing ‘round with sick people – then go be a nurse like other women – or just get married and be quiet.” …show more content…
In the beginning of the short story, Montresor recognizes that Fortunato is busy, and thus tells him that he will, instead, ask Luchresi to try his wine. However, since wine connoisseurship is strongly related to social status, Fortunato arrogantly scoffs that “Luchresi cannot tell Amontillado from Sherry” and volunteers to go with Montresor to the catacombs (83). After their descent, Fortunato begins to cough heavily as a result of the nitre air around them and takes note of the many bones scattered around but continues to follow Montresor blindly, saying “Let us go, nevertheless” (83). When Fortunato drunkenly makes a symbolic gesture of the Freemasons, Montresor cannot recognize it, and Fortunato scoffs, “Then you are not of the brotherhood” (84). When Montresor jests that he is a mason, but of the stone workers, Fortunato does not pick up on the pun and instead ridicules him, “You? Impossible! The. A mason.
Both the 1961 and 1989 film versions of “A Raisin in the Sun” had their highs and lows, but the 1961 version, I believe, was the worst of the two. The 1989 version of the film followed the play almost word for word, while the 1961 version either adds or leaves things out from the play. For example, in the 1961 version of the play they added humor, such as in the scene in which Walter ran to use the bathroom before Mr. Johnson could (Petrie). The play version of the scene reads, “Daddy, come on!” (Hansberry 28). Another issue with the film was that Ruth was downright awful in scenes where her character felt great emotion. In act two, when Travis finally came home Ruth did not look or sound mad. In the book, however, she made it sounds like she
Each character in A Raisin in the Sun has grown through out the play. The first character I will begin to talk about is Walter Lee Younger (brother). He is Passionate, ambitious, and bursting with the energy of his dreams, Walter Lee is a desperate man, influenced by with poverty and prejudice, and obsessed with a business idea that he thinks will solve all of his problems. He believes that through his business idea, he will collect all the money he will ever need. Once he has done so, he will improve himself socially and be able to impress others.
Meanwhile as Fortunato was concocting his plan beneath the earth, Montressor was heading back to his house feeling slightly guilty about what he had done. “He insulted me, he made me to be less that I am, he had it coming.”, Montressor told himself reassuringly. But that did not erase the ominous tone he now felt in the vaults. Something was not quite right since he pushed that last brick into place in Fortunato’s tomb. Shaking the feeling off as best as he could he reached the top of the catacombs and entered his home with a taste for the barrel of wine that he knew was Amontillado all along. After his drink he returned to his bedroom for the night and before he fell asleep he heard a small voice in his head saying that Fortunato was still alive and that he was coming for him.
In the Cask of Amontillado, our narrator’s situation is one he is quite happy being in. Our narrator is Montresor, an Italian man rich with pride, and you quickly learn through his narration that he is intelligent, conniving, and extremely sinister. Throughout the story, everything Montresor does is motivated by one thing, his own thirst for vengeance. Montresor explains his actions are a result of Fortunato constantly abusing him and finally going too far, but he never explains anything Fortunato has done to insult him. When we meet Fortunato, he is extremely friendly towards Montresor, albeit a little intoxicated, so much that he makes Montresor’s story of “a thousand injuries” seem unbelievable (Cask 1). Compared to Gilman’s narrator whose spiral out of control was triggered by her forced seclusion from the outside world, it seems that Montresor’s insanity come from inside his own head. There is no evidence that suggest any attempts by Fortunato to belittle or insult Montresor in any way. I believe that Montresor may have been jealous of Fortunato’s success in life, and that is what drove him to vengeance. For example, on their way to the catacombs Fortunato makes a hand gesture of the Masons, a secret brotherhood, which Montresor doesn’t understand. Fortunato ask if Montresor is a Mason and for him to prove it, and Montresor lies and shows his trowel (Cask 5). This proves that
This man, Montresor is cunning and manipulative, as he'll get what he wants through trickery or deception. Montresor is sly because he notes that Fortunato is proud for being such a renowned wine connoisseur; therefore he utilizes this exploit to lure him into his trap. And so, Montresor appealed to his confidence of wine expertise by saying, “'As you're engaged I am on the way to Luchesi.' ”(133) This stirs up Fortunato's pride and makes him offer to check Montresor's amontillado instead of Luchesi, his supposed rival in wine expertise. Additionally, he plans the date of his murder on the carnival so Fortunato would be drunk as well as being inconspicuous to wear a mask and a costume so nobody would be able to identify the person that went off with Fortunato. When Fortunato arrives at the vault he makes a scene where he seems genuinely caring and toasts him, “'And I to your long life.' ”(135) The irony is that Fortunato won't have to wait long before his demise and that Montresor only said it to advert suspicion from Fortunato. He managed to trick Fortunato until the very end which proves how clever he is.
Poverty doesn't have to effect the people's personalities that I consumes like most of the Youngers. Mama, Ruth, and Beneatha did not let being poor make them envy any one who had money. Walter on the other hand was sick of the way he and his family had to live. He was fed-up and was desperate to make money any way he could think of for his family.
Young. Ambitious. Dependant. A woman with big dreams will put everything aside to make them come true. Can her family support these dreams? In A Raisin in the Sun, Lorraine Hansberry portrays an African American woman in her mid-twenties in the 1950s with big hopes of becoming a doctor. Beneatha Younger, a childish, dependant, young woman, devoted to becoming a doctor, open minded, yet sometimes disrespectful. Ultimately, Beneatha’s need for her family’s support holds them back throughout a difficult time.
Montresor takes full advantage of the fact that Fortunato has a soft spot for fine wines. Montresor seeing that the only opportunity that he would have to exert revenge would be when wine is to be drunk in surplus decides to wait until the Carnival Season. We are told of one evening during the season when Montresor invites Fortunato over to his place. The major reason for the invite is to have Fortunato taste a sample of sherry that he had acquired to ascertain if the s...
He tells Fortunato that he has obtained a wine that could be Amontillado, but he does not invite Fortunato into his home. He knows Fortunato would never pass up an opportunity to test his intelligence knowledge of wine. By that way, Montresor can complete his plan without putting himself as responsible. He also uses a reverse psychology tactic on the servants in his home: “ I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house… I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.” He does not want any risk of suspicion, instead of telling them flat out to take the night off, he says that he does not return until morning. Fortunato insists that they can go into vaults although he begins to cough from the niter coveting the walls. Montresor’s brilliant reverse psychology is the way he suggests Fortunato leave the vaults: “ We will go back, your heath is precious. You are rich, respected, admired, beloved.” He knows Fortunato will not turn back despite his
He did not show even by words that he is going to kill. Also, he did not let Fortunato to know that he intended any grudge against him “..neither by word nor deed had I given Fortunato cause to doubt my good will... He did not perceive that my smile now was at the thought of his immolation (8-10).” One night while Fortunato was drunk, Montresor told him that he bought a barrel of wine called Amontillado “But I have received a pipe of what passes for Amontillado, and I have my doubts (25).” He understood that Fortunato “prided himself on his connoisseurship in wine (12).” He attracted him to going to his house to check the drink by saying that he might invite Luchresi to do it, a seeming rival of Fortunato 's, instead “As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me (37-38).” When they left, Montresor put on a mask and quickly took the way to his property. He was sure nobody could see them together on Fortunato 's last night. Moreover, Montresor completely knew Fortunato and used the knowledge versus him. He planned his deed carefully and carried it out slowly. It seems that Montresor anticipated his revenge with joy. While they traveled down the cavern, Montresor gives Fortunato many opportunities to leave. Fortunato looks weak against the niter, which is growing on the walls, and repeatedly coughs. Montresor commented on Fortunato 's health and asked
“A Raisin in the Sun” is set at in an area where racism was still occurring. Blacks were no longer separated but they were still facing many racial problems. The black Younger family faced these problems throughout the play. The entire family was affected in their own way. The family has big dreams and hope to make more of their poor lives. Walter, the main character, is forced to deal with most of the issues himself. Ruth, his wife, and Travis, his ten-year-old son, really don’t have say in matters that he sets his mind to. Beneatha, his sister tries to get her word in but is often ignored. Lena (Mama) is Walter’s mother and is very concerned about her family. She tries to keep things held together despite all of the happenings. Mama’s husband had just recently died so times seemed to be even harder. They all live in a small apartment when living space is very confined (Hansberry 1731). They all have dreams in which they are trying to obtain, but other members of the family seem to hold back each other from obtaining them (Decker).
A Raisin in the Sun The creativity of Hansberry played a crucial role in the development of African-American drama since the Second World War. A Raisin in the Sun was the first play by an African-American author to be set on Broadway and was honored by the circle of New York theater critics. Drama of A Raisin in the Sun (1959) brought Hansberry to the Society of New York Critics Award as the best play of the year. A Raisin in the Sun shows the life of an ordinary African-American family who dreams of happiness and their desire to achieve their dream.
Many obstacles can prevent people from accomplishing their goals. The play, A Raisin in the Sun by Lorraine Hansberry, is about a lower class, colored family that has to overcome many obstacles. Lena, often referred to as Mama, receives a life insurance check of $10,000 due to the death of her husband. Her son, Walter Lee, wants to use to money to go into business and invest the money in a liquor store. However, her daughter, Beneatha, hopes that the money goes toward her schooling to become a doctor. Walter Lee’s wife, Ruth, believes that Mama should spend the money how she wants to without the influence of her children. Mama has been pondering the idea of buying a new house because it has always been a dream of hers. It is very difficult
The reader and Montresor know that it is only lucky that Montresor found Fortunato so he could kill Fortunato. Poe shows Montresor supposedly caring for Fortunato by saying “we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible” (375, lines 82-85). however, this is just another example of dramatic irony. Montresor doesn’t care about Fortunato’s health; he knows that Fortunato will not stop until he finds the pipe of amontillado. Montresor uses this to lure Fortunato deeper into the catacombs. When the two characters are in the catacombs, they stop to have a drink. Fortunato drinks “to the buried that repose around us” (Poe 375, lines 96-97). This in itself is an example of verbal irony. Fortunato doesn’t realize that he is about to join the dead around them. Fortunato was dressed as a
Montresor meets his fake friend Fortunato and tells him about amontillado. Montresor had probably been humiliated or embarrassed by this jest, because he is angered once he lays eyes on him from a distance. Fortunato was wearing a jester outfit which makes him seem that he is not meant to be taken seriously. Once met he then manipulate Fortunato into following him into the catacombs of the montresor’s. Once in the catacomb, Montresor then precedes to tell Fortunato about his cough. Trying to lead Fortunato into thinking that he deeply cares about his health, but Fortunato not wanting Luchresi to come along he keep moving forward. While walking