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Theme of the cask of amontillado by edgar allan poe
The cask of amontillado – edgar allen poe essay
The cask of amontillado – edgar allen poe essay
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Recommended: Theme of the cask of amontillado by edgar allan poe
As a story opens, an unnamed narrator first words says, “The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge.”(164) Montresor who tells a story is taking revenge on Fortunato because he has suffered a “thousand injuries” although he never mentions exactly what happened. Edgar Allan Poe creates a perfect crime in a murder story “The Cask of Amontillado” through the use of a character that exhibits characteristics of a psychopath, a horrifying plot and a dramatic irony. Montresor who confesses his crime without emotion the story of his killing of Fortunato fifty years before is a wealthy man living in a large “palazzo” with servants. He uses the precise and cunning tactics to seek revenge
He tells Fortunato that he has obtained a wine that could be Amontillado, but he does not invite Fortunato into his home. He knows Fortunato would never pass up an opportunity to test his intelligence knowledge of wine. By that way, Montresor can complete his plan without putting himself as responsible. He also uses a reverse psychology tactic on the servants in his home: “ I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house… I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.” He does not want any risk of suspicion, instead of telling them flat out to take the night off, he says that he does not return until morning. Fortunato insists that they can go into vaults although he begins to cough from the niter coveting the walls. Montresor’s brilliant reverse psychology is the way he suggests Fortunato leave the vaults: “ We will go back, your heath is precious. You are rich, respected, admired, beloved.” He knows Fortunato will not turn back despite his
Montresor must trick and manipulate Fortunato to accomplish his goal of revenge. He tells Fortunato the reason he is at the ...
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Have you ever met someone so clever, determined, and cruel to leave a man to die over an insult? Montresor is the perfect example of these character traits. In “The Cask of Amontillado”, by Edgar Allan Poe, Montresor uses all of these character traits to get revenge on Fortunado for insulting his family name. Montresor’s clever planning, determination for revenge, and cruel murder are the perfect combination for his unequaled revenge.
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
In "Cask of Amontillado", Montresor is the narrator. "The thousand of injuries of Fortunato he has borne as he best could; but when he ventures upon insult, Montresor vows revenge" (Poe 528). As the story unfolds, "Montresor's idea of perfect revenge" is "characteristically precise and logical in detail" as to how he commits his crime (Delaney 1).
The author introduces the readers to the narrator who is known as Montresor when he is talking to an unknown audience. In the course of the discussion with the unknown audience, Montresor attests to the fact that Fortunato, who is a close friend of his has morally insulted. Due to the moral insult labeled against him, Montresor intends to revenge. “Part of Montresor's vengeance plan, however, is to ensure that he does not expose himself neither to Fortunato nor to the society at large” (Johnson et.al, 8). To this effect, he does not let open the ill feelings that he harbors against Fortunato. Montresor asserts to the fact that he would consider his vengeance plan a failure if at all Fortunato found out and exerted revenge. That notwithstanding though, he says that he would let Fortunato know that he is the mastermind of all his misfortunes when he will be satisfied that his vengeance plan will not backfire.
He did not show even by words that he is going to kill. Also, he did not let Fortunato to know that he intended any grudge against him “..neither by word nor deed had I given Fortunato cause to doubt my good will... He did not perceive that my smile now was at the thought of his immolation (8-10).” One night while Fortunato was drunk, Montresor told him that he bought a barrel of wine called Amontillado “But I have received a pipe of what passes for Amontillado, and I have my doubts (25).” He understood that Fortunato “prided himself on his connoisseurship in wine (12).” He attracted him to going to his house to check the drink by saying that he might invite Luchresi to do it, a seeming rival of Fortunato 's, instead “As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me (37-38).” When they left, Montresor put on a mask and quickly took the way to his property. He was sure nobody could see them together on Fortunato 's last night. Moreover, Montresor completely knew Fortunato and used the knowledge versus him. He planned his deed carefully and carried it out slowly. It seems that Montresor anticipated his revenge with joy. While they traveled down the cavern, Montresor gives Fortunato many opportunities to leave. Fortunato looks weak against the niter, which is growing on the walls, and repeatedly coughs. Montresor commented on Fortunato 's health and asked
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
Edgar Allen Poe’s tale of murder and revenge, “The Cask of Amontillado”, offers a unique perspective into the mind of a deranged murderer. The effectiveness of the story is largely due to its first person point of view, which allows the reader a deeper involvement into the thoughts and motivations of the protagonist, Montresor. The first person narration results in an unbalanced viewpoint on the central conflict of the story, man versus man, because the reader knows very little about the thoughts of the antagonist, Fortunato. The setting of “The Cask of Amontillado”, in the dark catacombs of Montresor’s wine cellar, contributes to the story’s theme that some people will go to great lengths to fanatically defend their honor.
Edgar Allen Poe is a man that had written many stories and plays in his lifetime. One of them was a play called, "The Cask of Amontillado". In Poe's play, "The Cask of Amontillado", dramatic, situational, and verbal irony is vital to making the story.
Carefully, cautiously the Montresor plotted precisely how he would exact revenge upon Fortunato. Much time and great energy was devoted to this plan, selecting a time that would be best: during carnival when the town would be celebratory, his servants apt to run off and join the celebration, when the two could silently disappear without notice or question. No detail is forgotten; he allows for no deterrents. He follows through with such a confidence that never does he stumble or hesitate in carrying out his plan. The Montresor indicates that he had never given. To continue with this ploy, he even goes so far as to express false concern for Fortunato as they pass through the catacombs. Blaming the nitre and damp, the Montresor suggests that they turn back as not to compromise Fortunato’s ill health, though he has no intent of doing so. Never once until the very end did Fortunato have cause to suspect that there were any foul plans afoot.
The Cask of Amontillado” by Edgar Allan Poe describes how Montresor confesses the sequence of his well-designed or nearly flawless murder or revenge against Fortunato due to he is a threat to him. In his confession of a perfect crime, Montresor, who “vowed revenge” because of Fortunato’s “thousand injuries,” first say that his “heart grew sick” and then immediately add, “ it was the dampness of the catacombs that made it so because he believes Fortunato insults him many times that his hatred against him become bigger and bigger. This makes him cannot stand for Fortunato’s behavior anymore as well as the setting completely makes everything prefect as he believes Fortunato deserves the punishment. The nature and family hold a significant role
Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up and killing Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
The story of “The Cask of Amontillado,” has the lack of evidence that goes along with Montresor’s claims to Fortunato’s “thousand injuries” and “insult.” The story is about revenge and secret murder as a way to avoid using the proper channels for justice. The law is nowhere on Montresor’s mind, and the horror of the story is the fact of punishment without proof. Montresor uses his unfortunate experience of Fortunato’s insult to name himself judge, jury, and executioner in this short story, which also makes him a hard to believe narrator. Montresor confesses this story fifty years after it happens and such a significant time between the event and the story of the event makes his story all the more unbelievable. Montresor’s believability is very low and it makes one question the rational consideration of evidence, such as the specific insult that would necessarily have to come before any guilty sentence in the real world. “The Cask of Amontillado” takes interpretation and the fact that some people interpret things differently, to a terrible end.