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Recommended: Nature in poetry
Beauty of Nature Every known poem no matter how many lines or how complex the words are, cannot be interpreted in one particular manner. Based on personal experiences we are able to decipher poems in unique ways. “The Haunted Palace” by Poe and “Ozymandias” by Shelly, have various interpretations, but the main focus these poems make are towards the environment. These poems link the description of the environment to human life by adding certain elements such as, “Radiant palace-reared its ugly head” (4) and “Wrinkled lips and sneer of cold command” (5) in order to hint the readers that the poem has a connection to human behavior. The Haunted Palace tells us the story of how a beautiful palace decorated and shining was destroyed and laid to …show more content…
We know from the title that he is talking about Egypt. The traveler told the speaker a story about an old, fragmented statue in the middle of the desert. The statue is broken apart, but you can still make out the face of the person. The face looks stern and powerful, like that of a ruler. In line 2 the traveler describes two “legs of stone” (2) with no torso, thus giving us our first hint that the statue is partly destroyed. In line 4 the head of the statue is “shatter’d” and partially buried in sand. “Visage” (4) was also used as a stand in for the statues head. It is well known in ancient civilization to carve statues of rulers for display, but this specific statue gives a deeper meaning that is used to capture what kind of ruler this was. In line 6 and 7, the sculptor is praised for his ability to represent the rulers “passions” (6) in the statue, which are “stamp’d” (7) in stone. The stones may be lifeless but they still give life to the passions that still survive. “The hand that mocked” (8) was still referring to the sculptors work at imitating the ruler, and “The heart that fed” gave a new idea about the ruler. This introduced a new kind side to the ruler that was originally not known. In line 11 and line 12 Ozymandias explains how no matter the size and strength, everything always crumbles just like the statue. In line 13 the poem tells us
“Ode to Enchanted Light” by Pablo Neruda expresses and “Sleeping in the Forest” by Mary Oliver show deep appreciation of nature using a free form and narrative style formats. Pablo has a positive message about the lights under the trees, and has
“Trees of the Arctic Circle” and “Heat” depict nature as having its faults such as the trees being a disappointment in Purdy’s case and the weather being too intensely hot in Lampman’s case but by the end of each poem find clarity is almost essential not only physically but internally. The two works give nature characteristic views as well as personification that differ from 20th century modernist works to impressionist ideals upon nature. Both poems bring out realizations in ones self within coming to terms with shifting out of the negative to a positive and demonstrating that nature is always capable bring out
‘Ozymandias’ by Percy Shelley and ‘My Last Duchess’ have many links and similar themes such as power, time and art. ‘Ozymandias’ shows the insignificance of human life after passing time whilst ‘My Last Duchess’ speaks of his deceased wife in a form of a speech.
Sculpture is a medium that artists in ancient Greek commonly used to express spoken truths in an unspoken form. Every piece of ancient Greek sculpture has more than what the eye sees to explain the story behind the [in this case] marble.
Perceptions of the natural world have fluctuated throughout humanity’s short time on this earth, going in and out of style as societies and technologies have grown and died. As is the the very nature of literature itself, literature and its authors have managed to capture these shifting views, expressed and illustrated by the art of written word. Naturally, the literature chosen for us to read based on this fluid theme of nature encompasses an array of perspectives. One of these views is that nature is sublime and above all else, a reflection of all that which is perfection. Another is that nature is cold, uncaring, and indifferent to the vanities of humanity.
In the poem Tintern Abbey by William Wordsworth nature’s is portrayed to its readers. The speaker says,
The poem “Thanatopsis” by William Cullen Bryant reveals a very unusual aspect of nature. While most people think of nature as beauty and full of life, Bryant takes a more interesting approach to nature. He exposes a correlation between nature, life, death, and re-birth. Using nature as a foothold, Bryant exercises methods such as tone, setting, and imagery in a very intriguing way while writing “Thanatopsis.”
In this poem, Shelley uses symbols, imagery, incidents, and contrasts to establish the harmful effects of pride and overconfidence. Shelley’s utilization of symbols establishes the harmful effects of Ozymandias’ pride and overconfidence. Shelley uses the symbol of “the colossal wreck” to represent the enormity and intensity of his self-promotion. Through this reference, Shelly demonstrates Ozymandias’ high view of himself in believing that he was the greatest. Shelly further establishes the connection between his pride and the abrupt ending of his empire, and establishes the necessity for humility.
In the first stanza, the poet seems to be offering a conventional romanticized view of Nature:
Nature Some of the most beautiful passages in classic British literature depict a character within the story one usually doesn’t think about. Stories like Sir Gawain and the Green Knight and The Faerie Queene often depict nature as a character within the story itself. The role that nature plays within this literature can be divided into two parts; the setting and the theme. Using beautiful imagery the writers seek to convey to their readers that the activities of nature represent the danger, unknown, and mysterious aspect of life.
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
According to lines 2, the symbol of ruins is shown in the word “trunkless” this means that the statue is without a torso. This shows incompleteness of the statue. “Nothing beside remains: round the decay” ii. The word “remains” show that there was an empire there but the empire is gone by the time. The time is also changed Ozymandias works to be decayed things “Of that colossal wreck, boundless and bare” iii.
In “Kubla Khan,” Coleridge expresses his desire to use the inspirations from nature to create his own “Paradise” of poetry (54, p.1634). In the first stanza, Coleridge creates an exotic oriental garden, where the trees, gardens, hills, and the “Alph” river, together present the beauty of Mother Nature (3, p.1633). Here, the poet carefully observes his surroundings, as the nature will serve as the source of inspiration for his poetry. The “pleasure dome” (2, p.1633) in line two has two functions, one representing the creation of human beings on earth, and the other being the foundation of Coleridge’s poetic paradise. As the clash between nature and humans takes place in the second stanza with a “woman wailing for her demon-lover” (16, p.1633) the poet calls upon nature for his inspiration, represented by the powerful activity of nature. The energy of nature is released in forms of “a might fountain” (19, p.1633), “rebounding hail” (21, p.1633), or “dancing rocks” (23, p.1633) and eventually the natural disasters will accompanied by man-made destruction as “Kubla heard from far Ancestral voices prophesying war” (29-30, p.1634)! Coleridge on one hand reinforces that man and nature are inseparable and one the other uses the energy of nature to represent the spontaneous spurring of emotions in the poet’s mind.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.