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The theme of loneliness in literature
The theme of loneliness in literature
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Comparing Literary Styles of Dickens and Hardy In order to compare the literary styles of Dickens and Hardy I will
use 'The Signalman´ by Charles Dickens and 'The Withering Arm´ by
Thomas Hardy. 'The Signalman´ features a lonely train signalman who
works in signal box by a railway cutting. He has been visited by a
"spectre" which appears just before a fatal accident takes place. The
other main character, who is also the narrator, meets the signalman
and is told of his sightings. They try to interpret the warnings of
the ghostly figure. As the two develop a friendship, the narrator
returns to the railway cutting to visit the signalman but finds that
he has been killed in an accident that the ghost had warned about.
'The Withered Arm´ features a milkmaid named Rhoda Brook whose
ex-husband, Mr Lodge, remarries a young lady called Gertrude. Even
before meeting Gertrude, Rhoda is jealous of her and begins to hate
her. Without seeing Gertrude, Rhoda dreams that Gertrude is sitting on
top of her, trying to suffocate her. Rhoda reaches out and grabs her
arm, pushing her to the floor. Rhoda wakes up but believes that her
encounter with Gertrude was too vivid and real to be a dream. She
meets Gertrude for the first time and she looks exactly the same in
person as she did in the dream. They become good friends and Gertrude
shows Rhoda the mark on her arm, it clearly resembles the hold that
Rhoda had on Gertrude´s arm and so Rhoda becomes worried that she was
the cause of Gertrude´s withered arm. Rhoda leaves the village as
gossip about the...
... middle of paper ...
...nd his opinions. He also
asks rhetorical questions. This involves us in the story as he
effectively asks us to answer the questions in our own head and think
about what we have read.
There are both similarities and differences between the literary
styles of Dickens and Hardy, but overall there are more differences
than similarities. The stories have similar themes and both authors
use characters to convey their feelings about certain issues,
especially loneliness and isolation. But, many differences between the
two stories and the two authors emerge and can be clearly identified.
Chiefly, Dickens and Hardy make use of characters, relationships,
dialogue, settings, time spans and narrative styles in very different
ways. They are different authors with similar morals and have their
own unique styles and techniques.
Comparing the Writing Styles of Bradford to Byrd In the Elements of Literature English book the excerpts from the stories of Plymouth Plantation by William Bradford and The History of the Dividing Line by William Byrd can be compared and contrasted in many ways. Whether it's the difference in writing styles, the difference purposes for writing the stories, or simply each writer's tone, this paper will give examples of each comparison or contrast.
Dickens used his great talent by describing the city London were he mostly spent his time. By doing this Dickens permits readers to experience the sights, sounds, and smells of the aged city, London. This ability to show the readers how it was then, how ...
What comes to mind first when dealing with the lively imagination of Dickens is the creative and detailed picture he gives. In describing Dr. Manette, for instance, Dickens exaggerates his characterization by saying Manette’s voice was like “the last feeble echo of a sound made long, long ago.” From this alone you can hear the faintness of his voice and feel the suppressed dreadfulness of his past. In this way, the sentimentality of it all gets the reader involved emotionally and makes the character come alive.
young boy to when he is an older gentleman in London. At the start of
Gross, John. "A Tale of Two Cities." Dickens and the Twentieth Century. Ed. John Gross and Gabriel Pearson. London: Routledge & Kegan Paul, 1962. 187-97.
...different writing style. For example, Charles Dickens used long sentences and detailed descriptions to capture the moment. Unlike Hemingway, Dickens used a lot of adjective to describe things like setting, characters, e.t.c.
Both story openings, although composed differently, draw the reader in. Both author?s, Albert Camus and Charles Dickens, use a variety of techniques, which are all very effective when the author uses them to his will. Either way we get a clear and pointed view of the spot-lit aspects that the author wants us to focus on, and maybe sometime miss the subtle, important information between the lines that are not the centre of attention at that moment in the story.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
Lets begin by outlining the lives of both men. Bourn a mere four years apart, Hardy in 1840 and Hopkins in 1844 both men bloomed during the peak of Victorian culture in England. Not only were both men bourn within the same decade, but both men also had similar backgrounds in regards to literature. Hopkins studied the classics at Oxford, and Hardy through strictly regimented self study became intimately acquainted with similar classics such as the Odyssey. Hopkins converted to Catholicism in 1866 with the scorn of his parents in tow. For Hopkins religion would remain a point of contention for the rest of his life, causing him to burn much of his poetry with the idea that the sermon was the only worthy for literary discourse. Despite Hopkins early admonition of writing he would continue to do so, often as an outlet for his religious and personal strugg...
Two key differences exist, however, between the author's novels and his journalism. First, humor, which is an essential element if many of Dickens' novels, is largely absent from his essays recommend specific medicine. However, as this paper will suggest, the author's reluctance to directly call for parliamentary action in his earlier works of fiction has been shed by the time he writes his last complete novel. The indirect approach of his early works is apparently a victim of Dickens' dissatisfaction with the pace of reform.
Both Jane Eyre, by Charlotte Brontë, and Great Expectations, written by Charles Dickens, have many Victorian similarities. Both novels are influenced by the same three elements. The first is the gothic novel, which instilled mystery, suspense, and horror into the work. The second is the romantic poets, which gave the literature liberty, individualism, and nature. The third is the Byronic hero, which consists of the outcast or rebel who is proud and melancholy and seeks a purer life. The results when all three combined are works of literature like Jane Eyre and Great Expectations. BOTH NOVELS CONVEY THE SAME VICTORIAN IDEOLOGIES COMMON FOR THE TIME PERIOD IN, WHICH THEY WERE WRITTEN. Brontë displays many of her experiences and beliefs through the main character, Jane, in her novel. As does Dickens, he portrays his own experiences and thoughts through Pip, the main character of Great Expectations.
Great Expectations and Oliver Twist are representative of the works produced by Charles Dickens over his lifetime. These novels exhibit many similarities - perhaps because they both reflect painful experiences that occurred in Dickens' past.
Charles Dickens is one of the most popular and ingenious writers of the XIX century. He is the author of many novels. Due to reach personal experience Dickens managed to create vivid images of all kinds of people: kind and cruel ones, of the oppressed and the oppressors. Deep, wise psychoanalysis, irony, perhaps some of the sentimentalism place the reader not only in the position of spectator but also of the participant of situations that happen to Dickens’ heroes. Dickens makes the reader to think, to laugh and to cry together with his heroes throughout his books.
Goldie Morgentaler, assistant professor of English at the University of Lethbridge, compares Charles Dickens’s Great Expectations with Charles Darwin’s The Origin of Species, suggesting that a Darwinian influence can be found within its text. Morgentaler argues her point using the time the two books were written and the sudden disregard of heredity as a formative influence of human identity in Dickens’s writing. Morgentaler’s arguments are somewhat weak in evidence but I agree that it probably isn’t a coincidence that Dickens’s writing on this subject matter changed around the same time as Darwin’s book was published. I will engage some of the points that I thought were strongest in favor to Dickens having been influenced by Darwin’s writing.
In the 1830s, as the capitalist system had established and consolidated in Europe, the drawbacks of the capitalist society appeared, and the class contradictions also sharpened day by day. The capitalist mode of production "has left no other nexus between man and man than naked self-interest, than calloused `cash payment'. It has drowned out the most heavenly ecstasies of religious fervor, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom --- Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation."(Marx, Engels 1972: 253). Additionally, the development of natural science and the victory in objecting to the religion and idealism struggle of materialism impelled the writers to break the traditional concept and illusion, and to watch the world and research the social realistic problems with the relatively objective even scientific eyes, so that Realism replaced Romanism to become the principal school of European literary circles. Since at that time the realistic literature was good at ferreting out to capitalist society and criticism, Maxim Gorky called it as "the criticized realism"(Gorky 1978: 110-111).