Comparing Jealousy In Othello And Nelson's O

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Good morning students. Jealousy is a human flaw that remains unchanged throughout all contexts. In the texts of Othello by Shakespeare and O by Tim Blake Nelson we can see that although the context in which each text is set changes significantly, the central theme of trust versus jealousy remains analogous. The situations that both protagonists, Othello and Odin, face leave them in positions of deleterious insecurity, which inevitably leads to jealousy. Both texts explore similar aspects of the perpetuity of jealousy but also show how context has little effect on the core traits of jealousy as an emotion.
The theme of trust versus jealousy runs throughout the whole of Othello and Shakespeare uses characterisation and imagery to explore this …show more content…

Iago states that “Our bodies are our gardens”, this metaphor is particularly applicable to many in Othello that have voices that they allow to grow in themselves. The origins of jealousy can be sourced from Iago's exploitation of these voices that sets chaos into motion. Othello begins his journey as a great leader, calm and reasoned as illustrated in the scene where Brabantio confronts him and Othello says “Keep up your bright swords, for the dew will rust them.” The values of reputation, honour and respect are emphasised as Brabantio’s gang stop and heed Othello’s words. He shows great rationality and is the embodiment of order. However, as Iago sets his plans of corruption and jealousy into motion, Othello abandons all reasoning when judging Iago’s ‘proofs’ and his abandonment of language also marks a descent into jealousy, “I’ll tear her all to pieces!”. Othello’s world becomes ruled by chaotic, jealous emotions and primal urges seem to be taking over the more civilized aspects of Othello. Shakespeare uses imagery to portray jealousy as the ‘green-eyed monster’ and the recurring ‘monster’ motif reinforces this. The word ‘monster’ brings along negative connotations …show more content…

His jealous rage is illustrated by the pure ferocity in his dunk, which shatters the glass; a visual metaphor for Odin’s demise. Odin’s reputation is tarnished when he forcibly pushes the small kid, he has fallen off his pedestal and it is him against the world. Tim Blake Nelson successfully utilises imagery to portray trust versus jealousy. An example of this can be seen in the scenes of the hawk and white doves. In one of the scenes, the hawk is caged and the white doves are littered around in the mise en scene. The imprisonment of the hawk suggests that Odin has become a prisoner of his jealousy and irrationality, while the general calmness of the doves is parallel to Odin before he is exposed to Hugo’s deception. This is contrasted to when Odin and Hugo are scheming to kill Mike. In the mise en scene, the hawk has been released out of its cage and is being stroked by Hugo. This is a visual metaphor for the powerful beast that has been released from within Odin because of Hugo’s lies. Trust versus Jealousy is an important theme in O as Odin’s lack of trust and the predominance of jealousy is the main factor in his

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