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Othello character analysis shmooop
Othello character analysis shmooop
Critics of iago jealousy
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Have you ever been jealous of someone due to some reason? One can understand how jealousy can affect him or her to do horrible things. Jealousy causes people to perform stupid actions that they would not have done if they were not jealous of something or someone. The protagonist and the antagonist are mostly driven by love and filled with the feeling of jealousy. Due to the feeling of jealousy felt by the antagonist, Iago about not getting the job he wanted, he makes a plan to somehow destroy Othello’s love for Desdemona. As the play progresses, the protagonist, Othello begins to appear more like Iago, as his jealousy destroys his wife and consumes his life. Therefore, jealousy is personified as a “green eyed monster” through the combination of Othello’s credulous nature and Iago’s malicious villainy. It is the reason for the change in Iago’s and Othello’s behavior, impacts the insecurity …show more content…
Above all, at the pivotal point in the play, it is Othello, ultimately who determines the outcome of his raged jealousy. But, his anger towards Desdemona and Cassio, leaves him very little of another option, but to continue his plan. Othello demands that he will "make me to see 't” (3.3.364) “or woe upon thy life!" (3.3.366) and this expresses his emotions, such as his love for Desdemona. Furthermore, when Othello says “when I love thee not” (3.3.91) “chaos is come again" (3.3.92) , it can be seen as how Othello feels towards his insecurity due to his race. Iago uses Othello 's position of a "stranger from here and everywhere" (1.1.136-137) to exploit his insecurities; he says that "in Venice they do let God see the pranks” (3.3.202) “they dare not show their husbands" (3.3.203). As Othello is not a Venetian, he cannot defend himself from this accusation of his wife. Therefore, jealousy might be a result of the insecurity that he is feeling, but also caused by Iago who takes advantage of
Shakespeare’s work “Othello” emphasizes the dangers of jealousy. The play demonstrates how jealousy is powered by affirmations that can easily be proven false. Therefore, resulting in the destruction of many lives, including the tragic hero himself. It is extremely apparent that jealousy is a behavioral propellant on the entire plot. Specifically, the play begins in the midst of Iago’s jealous behavior towards Cassio. Lago’s twisted actions refer to the source of jealousy, indicating that he takes revenge on the people around him and is the least discontent with the lives he damages. As the play progresses, both the tragic hero and Iago’s jealous behavior develops. Othello’s Moorish values make him obscure in comparison to other Venetians suggests that the reason for his jealousy is unreasonable. Notably, Shakespeare exhibits that jealousy is unreasonable throughout the play as a result of the tragic hero’s fatal flaw, an issue that is psychological. The action and behavior Othello performs in enviousness is not a source of a reasonable act of
“O, beware, my lord, of jealousy;It is the green-eyed monster which doth mock.The meat it feeds on; that cuckold lives in bliss. Who, certain of his fate, loves not his wronger; But, O, what damned minutes tells he o'er. Who dotes, yet doubts, suspects, yet strongly loves” (3.3.163-168). In Shakespeare’s Othello, jealousy is the common theme that becomes Othello’s undoing. Through text in the play, the audience can notice Othello slowly begin to become crazed through his speech.
In Othello, the jealousy factor is deliberately introduced by Iago, with the precise intention of destroying those whom he feels have wronged him. Since it is intentionally used with malicious intent, it has catastrophic results. Iago himself is jealous of Cassio; he feels that he should have been appointed to Cassio's position by Othello, and since he wasn't he hates both Othello and Cassio. Iago channels the jealousy that Othello and Cassio have made him feel, and uses it against them in a hateful plan. Iago starts the process by planting the seeds of jealousy in Othello's mind, telling him Desdemona has been unfaithful. He then proceeds to cultivate the growing jealousy by feeding it with more lies, and twisting innocent events into situations which would serve his needs (his telling Othello that Cassio and Desdemona met in secret, and convincing him that Desdemona vied for Cassio's reinstatement as lieutenant because she loved him, for example). When the seeds had flourished, and Iago had succeeded in driving Othello mad with jealousy, Iago harvested his crop and convinced Othello to kill Desdemona. Othello's killing Desdemona would both rid Iago of Desde...
That’s Othello’s weakness that Iago deems as useful. Othello’s love turns to jealousy. The question is how sympatric is Othello to the reader. Othello feels betrayed. But Othello loses his look of a gullible, good guy when he decides he wants Cassio and Desdemona dead. The rage of his jealousy turns the character of Othello the readers know on its head and creates a different look. Only during and after the death of Desdemona can the reader see the good that was once in him. Othello shows regret and kind of a sense of torment. Clearly parts of him doesn’t want this to happen. And after the death of Desdemona he sees the misplaced change and rage he had. When Othello hears of Iago’s disseat he changes back to the good Othello that was present in the start of the play. He might be filled with regret and a new rage for Iago, but is morals seem solid
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.
A.C. Bradley describes Othello as "by far the most romantic figure among Shakespeare's heroes"(Shakespearean Tragedy, 1). This is an unusual description of a man who murders his own wife. However, Othello's feelings of hate for Desdemona started as an overwhelming love for her when their relationship began. This transformation from love to hate also inflicted the characters Iago and Roderigo and like Othello their hatred resulted in the murder of innocent people. Roderigo's love for Desdemona was transformed into hate towards any man that he thought was loved by her. Iago's love for his job and his wife, Emilia changed into a destructive hatred of Cassio and Othello. As a result of their hatred Cassio, Emilia, and at the end themselves were killed. The connection between love and hate in William Shakespeare's "Othello" is the ugly feeling of jealousy that caused such transformations. Jealousy can be described as a fear of losing something or someone that is valuable (Godfrey 2). As minor as this feeling appears to be by that definition, it can take on varying degrees of damaging behavior. Othello, Roderigo, and Iago became paralyzed by jealousy. Their thoughts, actions, and behaviors were ruled by it. Jealousy caused their inability to the act rationally. They became paranoid and unable to love. This paper will examine the jealousy that caused love to turn into hate for Roderigo, Othello, and Iago.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Jealousy can sometimes be an inevitable feeling to have towards other people in relationships or even in friendships, and that feeling can negatively affect the bonds with these certain people. One of the main themes in Shakespeare’s Othello, was how friendships and marriages can be ruined all because of one person’s jealousy, which can ring true in real life.
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
Othello has many positive traits, including being a great leader and loyal. He also has one negative trait that ultimately leads to his death; jealousy. Iago provokes deep, strong emotions in Othello, jealousy being the strongest. Jealousy is a nasty little emotion. It causes people to do terrible things because once it is on a person’s conscience, it stays for quite some time. Because of these effects, jealousy can impact some of the strongest people such as Othello. The love between Desdemona and Othello was portrayed so elevated and pure and was filled with religious words and phrases that just added to the strength and sanctity of their love. Othello has such a strong mind, but jealousy caused by the manipulation of Iago, negatively impacts him. Iago convinces Othello that Desdemona is cheating on him with his friend Cassio. When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love
In writings In many of William Shakespeare plays such as Hamlet and Romeo and Juliet, jealousy is an obvious theme seen throughout. Although, I feel as if jealousy in these plays is uncomparable towards others, perhaps being the main theme of the play. In fact, the amount of jealousy escalated so much to the point where it left some characters begging for their life and asking what they’ve done wrong or either being betrayed by an old friend. In modern terms, I would have to say that this play mimics the events foreseen throughout Captain America: Civil War. Friends who have fought and lived together turn on each other till they are dead or have given up for the most incoherent reasons.
The critic Roland Barthes once said, “Literature is the question minus the answer.” William Shakespeare's tragedy, Othello, can be used to exemplify this quote. One of the themes that Shakespeare discusses in Othello is: the effect jealousy has on people. Several of the characters become jealous over the course of the tragedy. Brabantio became jealous because Desdemona fell in love and married Othello. Roderigo became jealous because Desdemona didn’t fall in love with him. Bianca became jealous because she thought that Cassio was cheating on her with another woman. Othello became jealous because he thought Desdemona was cheating on him with Cassio. Iago became jealous because Othello gave Cassio the position of lieutenant. These characters’
It does not take long after reading the first couple scenes of Othello to realize jealousy is one of the main themes of the plays. Iago, the mastermind behind all the mayhem that occurs throughout the play, shows jealousy quite early in the play, “One Michael Cassio, a