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Gilgamesh and Enkidu
How gilgamesh and enkidu are different and how they are alike
Gilgamesh and Enkidu
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For my World Literature research project, I was tasked to formulate a research question based on one of the three stories we’ve read in class, investigate from a variety of sources about my topic, and present a digital visual presentation about my research. I decided to focus my project on the ambiguity of Gilgamesh and Enkidu’s relationship and whether or not their relationship would be classified as homosocial or homoerotic by Babylonian standards. Throughout my process, I have conducted extensive research on my topic, learned how to distinguish facts from biased analyses, and organized my information in a way the audience can understand.
When I was first assigned this project, I immediately decided on my topic. During my experience reading The Epic of Gilgamesh, I noted that the epic
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constantly used erotic language to describe the interaction between Gilgamesh and Enkidu. I wondered why such language was so prevalent throughout the chapters and what was the purpose of it. After conversing with my classmates about it, I also noticed that my classmates had very interesting perspectives on the nature of their relationship. They mentioned that the text seemed to suggest that the two heroes could possibly be lovers, which was something I wanted to look further into. Before I conducted any research, it was so easy to assume that Gilgamesh and Enkidu must be romantic partners based on our modern conceptions of homosexuality. However, for this project, I needed to draw on historical facts about homosexuality in ancient times and literary criticisms about the epic to have better judgement when I make my final conclusion. For the past two weeks, I spent my time analysing several books, scholarly articles, and different translations of the epic. I first focused on learning more about same sex relationships back in the Mesopotamian time period when the epic was written. According to The Origins and Roles of Same Sex Relations in Human Societies, homosexual activity was prevalent and even considered commonplace. Among archeological ruins, there were “statuettes, dating from as early as the beginning of the third millennium B.C., that depicted two men engaging in sexual intercourse (Neil 83).” Then I started to explore several scholarly articles exploring the different views of Gilgamesh and Enkidu’s relationship and similar relationships from other stories. I had to balance my sources so that I wouldn’t be biased towards one conclusion. Susan Ackerman’s When Heroes Love was a particular book that explores the stories of Gilgamesh and Enkidu, David and Jonathan, and Achilles and Patroclus, examines their relationships through the ancient understanding of gender roles defined as either active (male) or passive (female), and argues that shows the texts' language and erotic imagery suggest more than just an intense male bondings. which possibly suggests that the two heroes had sexual relations. In contrast, Jerrold Cooper’s Buddies in Babylonia discusses Jacobsen’s gradual conclusion that the relationship between Enkidu and Gilgamesh is not sexualized through a series of articles Jacobsen wrote from the 1930s-1990s and how “Enkidu symbolized a rejection of growing up for a boyhood friendship (74).” Lastly, for my actual analysis, I read several translations of the epic which included the Akkadian, Babylonian, Foster, and Mitchell versions and noted down the differences between the language used and what erotic imagery prevailed between the four versions. As I created my Google Slides presentation, I followed an outline to help guide my process.
The first two slides were used for background information of the epic and the controversy that surrounds a certain relationship. Following the background info, I introduced the question whether the two heroes’ relationship could be seen as homosocial or homoerotic. For the actual research portion of my presentation, I discussed the nature and treatment of same sex relations in ancient times, broke down key events in the epic regarding Gilgamesh and Enkidu and examined the significance of the erotic language (from Gilgamesh’s dreams about Enkidu through Enkidu’s death), and the parallels between the stories of David and Jonathan and Achilles and Patroclus, As for my concluding thoughts, I concluded that while erotic language plays a significant role in the epic and should not be discarded, but it does not automatically mean that the two characters were in a homoerotic relationship. The relationship between Gilgamesh and Enkidu went beyond In addition, I also included a class survey at the end to see how my research influenced the audience’s perspectives on Gilgamesh and Enkidu’s
relationship. Deconstructing the strong yet ambiguous bond of the ancient Sumerian heroes proved to be a challenge. Through weeks of research, I had to learn how to disregard my modern conceptions of homosexuality and look at the literary piece by the standards of ancient Mesopotamians. Creating this research project, I expanded on my previous knowledge of interpreting literary works and distinguished facts from biased sources. I hope to achieve with my research that more people will dare to question more about what they read and not be afraid to draw their own literary criticisms about issues that are important to them.
The Epic of Gilgamesh served the purpose to shed some light on the culture of Sumeria. The story has helped give factual information even though the epic many not be true in whole, it may have some truth in parts. It has given us more knowledge on the architectural craftsmanship of Sumerian people, and also shows us the belief of many gods in Sumer's polytheistic society.
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
Gilgamesh, without Enkidu, is like fire without oxygen. Enkidu is needed by Gilgamesh in order to flourish; not being able to survive long without his sidekick. Both men were created, by the God’s, for each other. They were built to be together and work off each other’s strengths, being able to accomplish great things together. Without Godly intervention, the two may have gone unmatched and never met their other half. The question is: would the story, The Epic of Gilgamesh, have the same outcome without Enkidu and what would become of Gilgamesh.
The Epic of Gilgamesh. Trans. Foster, Benjamin R. New York: W W Norton & Co Inc, 2001. Print.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
Karahashi, Fumi and Carolina Lopez-Ruiz. “Love Rejected: Some Notes on the Mesopotamian Epic of Gilgamesh and the Greek Myth of Hippolytus.” Journal of Cuneiform Studies 58 (2006): 97-107. JSTOR.com - "The New York Times" Web. The Web.
Gilgamesh was two thirds of a god who possessed beauty, a gorgeous body, and great amounts of courage and strength that surpassed all other humans. His greatness was established through the wonderful walls he built around Uruk, a rampart, and a temple for Anu and Ishtar (Gilgamesh & Sandars, 61). Enkidu on the other hand was initially an uncivilized man created by the goddess of creation, Aruru. His appearance was strictly barbaric with his long hair and hairy body, whose innocent mind knew nothing of a civilized human culture (Gilgamesh et al., 62). He ate grass and lived among the other animals in the woods until a trapper spotted him while trying to catch his game and noted to his father that he “was the strongest man in the world [and] is like an immortal from heaven” (Gilgamesh et al., 62). The trapper indicated his feeling of inferiority to Enkidu in the woods as he says he is afraid of him. One could say that Enkidu rules the woods of the uncivilized just as Gilgamesh rules over the city of Uruk; over the civilized. Both men are characterized as powerful, strong men in their domain yet Gilgamesh is in fact stronger and more powerful than his brother, Enkidu whom he calls his servant, fore he is the king of Uruk and is two thirds god. Enkidu also dies halfway through the adventure the two have while Gilgamesh, who is afraid of death, goes on to find a way to live immortally. Though inferior to his king brother, Enkidu completes the other half of Gilgamesh: while Gilgamesh knows the ins and outs of the city he rules, he is not familiar with the woods or nature in the ways that Enkidu is. Though they are different from each other, they both hold parallels with one another by bringing out the best in each other, thus reasonabl...
"Epic of Gilgamesh." Academy for Ancient Texts. Ancient Texts Library. Web. 12 Oct. 2011. .
The “Epic of Gilgamesh” is a historic story of the king of Uruk, Gilgamesh. The story portrays the short lived friendship of Gilgamesh and Enkidu. The story begins as Shamat the prostitute seduces Enkidu and convinces him to go to the city of Uruk and meet Gilgamesh. From that moment on, the two were very close. They planned a trip to the forest of cedars to defeat the monster known as Humbaba so that Gilgamesh could show his power to the citizens of Uruk. However, Enkidu tried vainly to dissuade Gilgamesh in going to the forest. Despite Enkidu’s plead, the two continued on their adventure to the forest where Humbaba lives. Once they arrived, they found the monster and killed him.
Gilgamesh, The Epic of. Vol. A. The Norton Anthology of World Literature. Ed. Martin Puchner, et al. 3rd ed. New York: W. W. Norton and Company, 2012. 95-150. Print.
Throughout time, people of all cultures have told stories of heroes and kings. The most ancient story we have on record is the tale of King Gilgamesh. This story is an account of the King's journeys and accomplishments. Although it was written over four thousand years ago, many comparisons can be made between the society in which the story was written and our own modern society. In this essay, differences and similarities between the two societies will be examined.
Everyone has qualities that are heroic and noble, and everyone has their flaws. No matter who they are, or how perfect others think they are, people still have some negative qualities that can hurt their heroic ones. In the book, The Epic of Gilgamesh, by Benjamin Foster, both Gilgamesh and Enkidu had positive and negative characteristics that affected the outcome of their journey and their adventures they experienced throughout their lives.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
The Epic of Gilgamesh is one of the oldest text in history. Gilgamesh is a powerful king and an awe-inspiring warrior who is 2/3 divine and 1/3 human. I think it is interesting that the epic has so many factors that I can relate to in our current time. There are a lot of lessons that can be gained from reading the epic. The text relates to me as a college student in a various ways. It has a few key experiences that reminds me of my own personal life experiences. The epic is an important text that should be read because it has life lessons for modern humans from centuries ago.