Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How to write a textual analysis essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
A poem by Shashikant Nishant Sharma titled “Determination for Success” reads, “Nothing is impossible if you wish/every hurdle can be moved if you push” (Sharma). The author states that anyone can accomplish anything as long as you believe in yourself. Through boldness and determination, one can persevere through any hardship. In A Midsummer Night’s Dream, Romeo and Juliet, and Hamlet, Shakespeare gives his audience a picture of his ideal woman, conveying his admiration for boldness, determination, and beauty. In Romeo and Juliet and A Midsummer Night’s Dream, Juliet and Hermia both demonstrate their boldness when they disobey their father’s wishes and run away with their forbidden loves. Not only does Juliet run away with Romeo, but she also proposes to him herself saying, “If that thy bent of love be honorable, / Thy purpose marriage, send me word tomorrow” (Shakespeare, Romeo and Juliet). Typically, it is the man’s responsibility to propose to the woman, but Shakespeare chose to make Juliet the dominant one in this relationship. In addition to merely proposing marriage, Juliet agrees to marry him in secret, as she knows it is against her father’s will to marry a Montague. Similarly, Hermia defies her father when she agrees to escape to the forest with Lysander. …show more content…
Both Hermia and Juliet do whatever it takes to be with their loves, despite the fact that they could face death.
When Hermia’s father, Egeus, consults Theseus, the king of Athens about her duties, the two men present Hermia with two options: marry Demetrius or enter into a nunnery. Hermia is not afraid to strike back saying, “So will I grow, so live, so die, my lord,/Ere I will yield my virgin patent up/Unto his lordship, whose unwishèd yoke/My soul consents not to give sovereignty” (Shakespeare, A Midsummer Nights Dream). She informs the two men that she would rather die than give up her virginity to someone she didn’t love, thus demonstrating her determination and commitment in marrying her true love,
Lysander. In Romeo and Juliet, Hamlet, and A Midsummer Night’s Dream, Shakespeare puts an emphasis on each women’s beauty. Specifically in Hamlet, Gertrude, Hamlet’s mother, describes her as pretty when recounting her death saying, “When down her weedy trophies and herself/Fell in the weeping brook. Her clothes spread wide,/And, mermaid-like awhile they bore her up” (Shakespeare, Hamlet). Ophelia’s death was filled with pretty song and lovely flowers; even her clothes made her look like a mermaid as she slowly floated down beneath the river, thus conveying Shakespeare’s admiration for a beautiful woman. The women presented in Shakespeare’s comedy, A Midsummer Night’s Dream, as well as his tragedies, Romeo and Juliet and Hamlet, share the same attributes of boldness, determination, and beauty, expressing Shakespeare’s respect for women who possess these qualities. Shakespeare makes a point of developing the women’s characters so that the audience can see the different layers of their personalities. Instead of only giving his women characters the quality of beauty, he adds other characteristics, which allows the women to have the opportunity to make a strong effect on the plot.
Romeo and Juliet, written by William Shakespeare, is a story of two young lovers. These two hearts, Romeo Montague and Juliet Capulet belong to feuding families. The family feud causes them to keep their love a secret and therefore only Romeo, Juliet, Benvolio, the Nurse and Friar Lawrence know of their love. Romeo and Juliet are able to look past the feud and let themselves fall in mad love with the other. They let themselves do almost anything for the other and at times it seems like too much to do, even for the one they love. Although fate and character traits play a key role in the play, ultimately Rome and Juliet’s personal choices lead to their downfall.Fate originates all of the conflicts in Romeo and Juliet, from when they met until they die.
In Act I Scene I, Egeus, father of Hermia, is clearly upset with his daughter’s choice in Lysander as a suitor. Egeus’ has so much love for Demetrius that he has chosen him to be Hermia’s husband in an arranged marriage. Egeus’ desire to have Hermia marry Demetrius is so strong that he would rather Hermia be dead than marry another. Egeus implores upon Theseus, “As she is mine, I may dispose of her, which shall be either to this
Exerting the type of power that is influenced by malicious intentions can cause one to make decisions that are not beneficial to others. A Midsummer Night’s Dream is written within a time period and setting that favors men instead of woman. In other words, men have all the authority to control the events that occur in their own lives as well as the lives of others whom are considered insignificant. The plot displays the catalysts that ignite many characters’ desire for control that is misused by higher status people. Shakespeare’s use of characterization demonstrates how the wanting of control causes the characters to act irrationally through the misuse of power. Shakespeare’s use of setting, plot and characterization causes the ordeals that the characters ultimately face. In turn, the deceitful choices of a few individuals with status impacts whether the lives of lower status people are enhanced.
In act 1, Scene 1, we are introduced to the paternal love of Egeus and Hermia. Egeus, being Hermia’s father has all right over who she marries and so he chooses Demetrius as Hermia’s to-be husband however she doesn’t truly love Demetrius and has her heart set in Lysander. This led to troubled times for her as if she didn’t marry Demetrius she had two options: execution or becoming a nun.
Through the flaws in the characterization of his characters, Shakespeare allows their weakness to manipulate and cloud their judgment. This fundamentally leads to the outcome of Romeo and Juliet, with each weakness presenting a conflict that alters the characters fate. Being especially true with the star-crossed lovers, William Shakespeare leads their perfect love into tragedy with these conflicts. In Romeo and Juliet, Juliet, Friar Lawrence, and Tybalt all contribute to conflicts that enhance the plot. From destructive flaws in their characterizations, Juliet, Friar Lawrence, and Tybalt are all consequently controlled by their weakness, therefore affecting the outcome of the play.
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
In response to Hermia’s defiance toward marrying Demetrius, Theseus offers Hermia three choices in the first scene: to obey her father’s will; to become a nun and forever stay an unwed virgin; to die. The extremity of these punishments presented by Theseus, and Hemia’s decision to accept these punishments rather than marry Demetrius, exaggerates how love can lead to irrational sacrifices. Shakespeare then compares a married woman to a plucked and distilled rose, and an unwed woman to a withering unplucked rose on a “virgin thorn.” This potent imagery contrasts the sweet smell of perfume to the harmful touch of a thorn. If Hermia continues to defy the desires of her father, she is sacrificing a happily married life in hopes of following he...
When we first meet Hermia in the play called A Midsummer Night's Dream, written by William Shakespeare, she is a girl in love against her father's wishes. From the very start of the play we can see how much enamored she is with Lysander. We can also see that Hermia is a woman with her own desires, and does not liked to be forced to do things that she does not want. She does not want to marry the man that her father betrothed to her, even though it could mean her demise. Her choices of living in a nunnery and live the life of chastity was not an option for Hermia. She loved Lysander and all she wanted was to be with him.
In Act One of William Shakespeare’s play, Romeo and Juliet, we meet Romeo, Mercutio, and Tybalt. Right away, we get an idea of who these characters are and what kind of role they will play throughout the story. Romeo, Mercutio, and Tybalt share many distinctive characteristics and personalities in the story. We learn that Romeo is the romantic and handsome son of the Montagues. In the beginning of the story, he was depressed, but his mood quickly changed as the story went on. We also learn that Mercutio is Romeo’s closest and good friend who tries to make Romeo forget about his first love, Rosaline. He is a great entertainer and he’s very sarcastic too. Instantly, we learn that Tybalt is a Capulet and Juliet’s cousin. He is very hot-headed, aggressive, and violent. He loathes the Montagues very much. Finally, in Act One of William Shakespeare’s play, Romeo and Juliet, we meet three characters, Romeo, Mercutio, and Tybalt and we directly get an idea of what the characters are like.
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
A Psychological Analysis of Romeo and Juliet Romeo and Juliet was obviously not written to fit the psychoanalytic model, as the theories of Freud were not developed for centuries after Shakespeare. Shakespeare wrote about Renaissance England, a culture so heavily steeped in Christianity, that it would have blushed at the instinctual and sexual thrust of Freud’s theory. However, in order to keep literature alive and relevant, a culture must continually reinterpret the themes and ideas of past works. While contextual readings assure cultural precision, often these readings guarantee the death of a particular work. Homer’s Iliad, a monument among classical works, is currently not as renowned as Romeo and Juliet because it is so heavily dependent on its cultural context.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
To her, my lord, was I betroth'd ere I saw Hermia: but, like in sickness, did I loathe this food; but, as in health, come to my natural taste, now I do wish it, love it, long for it, and will for evermore be true to It". Theseus decides to override Egeus's plans for Hermia to marry Demetrius and now will have all three of the weddings in Athens that day. They eventually all depart for Athens Theseus says, "Fair lovers, you are fortunately met: of this discourse we more will hear anon. Egeus, I will overbear your will; for in the temple by and by with us these couples shall eternally be knit: and, for the morning now is something worn, our purposed hunting shall be set aside.
The concept of contrast plays an important role throughout Shakespeare’s A Midsummer Night’s Dream. Shakespeare provides many examples of contrast signifying it as a motif. He groups the ideas of contrast together into those of some of the most important roles in the play. Helena is portrayed as tall and Hermia is short. Titania is a beautiful fairy who falls in love with Bottom, who is portrayed as graceless. Moreover, the main sets of characters even have differences. Fairies are graceful and magical creatures, yet tradesmen are clumsy and mortal. Additionally, the tradesmen are always overjoyed while the lovers are always serious with their emotions. Contrast layers throughout the whole play, as examples are shown in nearly every scene. Contrast becomes a constant, important motif to Shakespeare’s playwrite.
2. Mormon men who still practice polygamy today refer to Joseph Smith’s (founder of Mormonism) ideas and believe that if they have at least three wives, that they will become “Gods” in Heaven. And women who refuse to join polygamist families will be denied entree into Heaven. (Layton, 2004).