A constant topic in life is whether change is good or bad. In Kafka’s novella, “Metamorphosis,” and Camus novel “The Stranger,” adjustment is persistently discussed. Meursault, the main character in “The Stranger” feels he gets through every pro or con in life with no mention of “change.” In contrast, Gregor and his family, in “Metamorphosis,” are forced to undergo alternation, and find a coping mechanism for it. Meursault in “Metamorphosis,” believes that nothing in life requires any sort of change, contrary to Gregor’s idea that change is uncontrollable, it is required in certain situations. At the start of the novel, Meursault is forced to attend a funeral. Leaving work, and abruptly getting on a train, he sits quiet. Even though there …show more content…
The narrator informs the bad dream Gregor underwent as it states, “When Gregor Samsa woke up… he found himself changed in his bed into a monstrous vermin”(11). Clearly, when there is any transformation in ones outer stature, change is required. Gregor, who was previously the entity in the family who supported everyone financially is now inhumane, and recurrently dehumanized. His father undergoes change because he needs to obtain the family money; “even in the course of the first day the father already lied down their entire financial situation”(28). His father is forced to go back to the workplace, and adapt to what has previously happened; his son turning into a bug. He could not just sit on the couch and hope that maybe he would still be able to work, even as a bug. He needed to take initiative and action. As the story progresses, Gregor passes, and the family continues on with their life. The narrator states the family’s ability to cope with change as it is written,”They decided to spend that day resting and strolling” (51). Prior to Gregors passing, the family never went on any excursion, however now that he isn’t there anymore, their life is changing, and they are going into the
Franz Kafka's The Metamorphosis is so strikingly absurd that it has engendered countless essays dissecting every possible rational and irrational aspect of the book. One such essay is entitled "Kafka's Obscurity" by Ralph Freedman in which he delves down into the pages of The Metamorphosis and ferrets out the esoteric aspects of Kafka's writing. Freedman postulates that Gregor Samsa progresses through several transformations: a transformation of spatial relations, a transformation of time, and a transformation of self consciousness, with his conscious mutation having an antithetical effect on the family opposite to that of Gregor. His conjectures are, for the most part, fairly accurate; Gregor devolves in both his spatial awareness and his consciousness. However, Freedman also asserts that after Gregor's father throws the wounding apple, Gregor loses his sense of time. While his hypothesis certainly appears erudite and insightful, there really is no evidence within the book itself to determine whether if Gregor has a deteriorating sense of time. If Freedman had only written about Gregor's spatial and conscious degradation, then his entire thesis would be accurate.
Thesis: The similarities between Gregor Samsa's physical transformation and my chronically ill uncle, how both experienced the inability to communicate with family members, all of the changes that occur in their lives, with their family, jobs and physical appearance after the transformation. Gregor Samsa and my uncle Carlos, went to bed and woke up different physically and mentally without a clear explanation of why this happened.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
Franz Kafka, in his novel The Metamorphosis, explores two conflicting ideas through his protagonist Gregor: unity and isolation. Gregor’s transformation created a whole life of distress for him, but on the other hand also formed a deeper and better relationship for the rest of the family.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
In the stories of the Metamorphosis by Franz Kafka and The Elephant Vanishes by Haruki Murakami, there are events of magical realism and marxism that occur. In the Metamorphosis, Gregor had to adapt to his new environment and also deal with the financial crisis from his family. In the Elephant Vanishes, the people in the city, had to deal with the disappearance of the town’s symbol, the elephant.
“Life can either be accepted or changed. If it is not accepted it must be changed. If it cannot be changed it must be accepted.”- Winston Churchill. Change is frightening, but without change you can never accomplish a greater goal. Gregor experienced a dramatic change in his life. He may or may not have experienced the physical change described, but he did experience a mental change. The mental change opened Gregor’s eyes to what really mattered in life. Once Gregor accepted his physical change he was able to begin his mental change. Gregor’s values in life had changed dramatically from beginning to end. Though Gregor was subjected to ridicule, he was given the greatest gift. The opportunity to change is the greatest gift anyone can
Kafka’s The Metamorphosis takes on an wide variety of main themes. One of the most important of these is the collapse of morality and mercy, even among those people who are expected to be most fair and compassionate. Gregor’s metamorphosis is indeed terrible, but more terrible still is the psychological corruption of Gregor’s family. Their inability to adapt to the changes that have occurred signal a total breakdown in the family structure, and offer a cautionary tale about the fragility of notions of justice and mercy and how a certain change can change a persons perception of them.
Conrad changes the environment to cause his protagonist struggles, and Kafka does the same but through internal contrasts. Kafka’s transformation of Gregor into a disgusting vermin causes doubt within him. These doubts place his family in a position where they lose any love and care they ever had in their son. On what should have been a normal morning, Gregor awoke and “found himself changed in his bed into a monstrous vermin” (Kafka 3). Gregor's surreal transformation forces him to doubt and deny anything happening around him.
Before Gregor’s transformation, he was functioning. In other words, Gregor was working as a salesman, which helped him to provide for his family and paying off their debts. “ Gregor set to work with unusual ardor and almost overnight had become a traveling salesman instead of a little clerk, with of course much greater chance of earning money, and his success was immediately transformed into hard cash which he could lay on the table before his amazed and happy family” (Kafka 442). Gregor providing for his family gave him control over family issues or them, thus making his family to not function.
It seems to be very rare to stumble upon an honest, crystal-clear self reflection and criticism, a true necroscopy of one’s self, because it is much easier to “beholdest [..] the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye” [Matthew 7:3]. Perhaps it is only through the eyes of a vermin that Franz Kafka was finally able to open up completely to his father but, most importantly, to himself, reaching a level of frankness that could not even be attained in “Letter to His Father”. In “The Metamorphosis”, the theme of humanness and identity is revealed through the eyes of Gregor Samsa, who, in his claustrophobic, anxiety-ridden state of being trapped in the body of a vermin, experiences having his whole conception of identity changed while watching his life slip away in front of his eyes, as his family contributes to his final act of giving up. Franz Kafka’s “The Metamorphosis” completely messes with any conceptions of humanness and identity a reader might hold, and perfectly captures the element of anxiety that emerges simultaneously with accepting that you do not know yourself at all. At first, the book seemed like an abandonment of common sense, a completely absurd situation, nothing more than an “entomological fantasy”.
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.