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The use of symbolism in the novel
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Stories are powerful devices that “are all we have, you see, to fight off illness and death” (Silko 1). Within the novels Ceremony by Leslie Marmon Silko and Haroun and the Sea of Stories by Salman Rushdie, stories serve exactly this purpose. Each protagonist, Tayo and Haroun respectively, has an obstacle they must overcome. Tayo is a Native American World War II veteran who suffers from an illness of the mind, which is implied to be Post Traumatic Stress Disorder. He is told that a Ceremony is the only way to cure him. The ceremony mentioned involves stories. Haroun is a young Indian boy who has gone through tragedy at a young age. His mother has left and his father has lost his job as a storyteller. Haroun feels that both of these occurrences are his fault. Stories are how Haroun saves his sad city, his father’s job, and brings his mother back. Both of the protagonists have burdens to carry upon their shoulders. The authors, though from two different cultures, use stories in their novels in similar fashions: as healing devices. This proves that stories are universal elements that can be utilized in the same way no matter what the culture.
In both Ceremony and Haroun and the Sea of Stories, stories are central elements that show up constantly throughout each novel. They are woven through each novel like a spider web. The spider web is also a metaphor Silko uses for fragility. In these novels stories are fragile and constantly in jeopardy. The antagonists in each book “try to destroy the stories” (Silko 2). In Ceremony the destroyer of stories is forgetfulness. Tayo, a racially mixed individual, must remember his Native American heritage to cure himself of the illness from which he suffers. Alana Brown author of “Pulling Silko’s ...
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...mic Search Premier. Web. 6 Apr. 2014.
Brown, Alanna Kathleen. "Pulling Silko's Threads Through Time: An Exploration Of Storytelling." American Indian Quarterly 19.2 (1995): 171-179. Academic Search Premier. Web. 6 Apr. 2014.
King, Thomas. The Truth About Stories: A Native Narrative. Minneapolis: University of Minnesota Press, 2005. Print.
“Leslie Marmon Silko”. Encyclopedia Britannica. 2013. Britannica Online. Web. 8 Apr. 2014.
Rushdie, Salman. Haroun and the Sea of Stories. London: Penguin Books. 1990. Print.
Silko, Leslie Marmon. Ceremony. New York: Penguin Books. 1977. Print.
“Sir Salman Rushdie”. Encyclopedia Britannica. 2013. Britannica Online. Web. 8 Apr. 2014.
Teverson, Andrew S. "Fairy Tale Politics: Free Speech and Multiculturalism In Haroun And The Sea Of Stories." Twentieth Century Literature 47.4 (2001): 444. Academic Search Premier. Web. 6 Apr. 2014.
King, Thomas. “Let Me Entertain You. The Truth About Stories: A Native Narrative. Minneapolis: University of Minnesota Press, 2005. 61-89. Print.
In Thomas King’s novel, The Inconvenient Indian, the story of North America’s history is discussed from his original viewpoint and perspective. In his first chapter, “Forgetting Columbus,” he voices his opinion about how he feel towards the way white people have told America’s history and portraying it as an adventurous tale of triumph, strength and freedom. King hunts down the evidence needed to reveal more facts on the controversial relationship between the whites and natives and how it has affected the culture of Americans. Mainly untangling the confusion between the idea of Native Americans being savages and whites constantly reigning in glory. He exposes the truth about how Native Americans were treated and how their actual stories were
Stories are a means of passing on information, acting as a medium to transport cultural heritage and customs forward into the future. In his essay titled "You'll Never Believe What Happened," King says that, "The truth about stories is that that's all we are” (King Essay 2). Contained within this statement is a powerful truth: without stories, a society transcending the limitations of time could not exist. Cultures might appear, but they would inevitably die away without a means of preservation. Subsequent generations would be tasked with creating language, customs, and moral laws, all from scratch. In a way, stories form the core of society's existence.
Tindall, G.B. & Shi, D.E. (2010). America a narrative history 8th edition. New York, NY: W.W. Norton & Company, Inc. p.205-212.
Discuss the distinctive qualities that define the way stories are told in Native American cultures. How do these differ from what you might have thought of as a traditional story?
This is an explorative essay on the theme in Patricia Grace’s novel Potiki that ‘telling and retelling stories is an important and valuable part of being human’.
In “The Truth about Stories”, Thomas King, demonstrate connection between the Native storytelling and the authentic world. He examines various themes in the stories such as; oppression, racism, identity and discrimination. He uses the creational stories and implies in to the world today and points out the racism and identity issues the Native people went through and are going through. The surroundings shape individuals’ life and a story plays vital roles. How one tells a story has huge impact on the listeners and readers. King uses sarcastic tone as he tells the current stories of Native people and his experiences. He points out to the events and incidents such as the government apologizing for the colonialism, however, words remains as they are and are not exchanged for actions. King continuously alerts the reader about taking actions towards change as people tend to be ignorant of what is going around them. At the end people give a simple reason that they were not aware of it. Thus, the author constantly reminds the readers that now they are aware of the issue so they do not have any reason to be ignorant.
LaDuke, Winona. All Our Relations: Native Struggles for Land and Life. Cambridge, MA: South End Press, 1999. Print.
A narrative is specified to amuse, to attract, and grasp a reader’s attention. The types of narratives are fictitious, real or unification or both. However, they may consist of folk tale stories, mysteries, science fiction; romances, horror stories, adventure stories, fables, myths and legends, historical narratives, ballads, slice of life, and personal experience (“Narrative,” 2008). Therefore, narrative text has five shared elements. These are setting, characters, plot, theme, and vocabulary (“Narrative and Informational Text,” 2008). Narrative literature is originally written to communicate a story. Therefore, narrative literature that is written in an excellent way will have conflicts and can discuss shared aspects of human occurrence.
Brands, H.W.: Breen, T.H.: Williams, R. Hal.: Gross, Ariela J. American Stories A History of the United States. Upper Saddle River: Pearson Education, Inc. , 2012.
O’Brien’s The Things They Carried asks the question of what stories are and their function. Throughout his novel and the character tales within it he unravels a story’s ability to tell the emotional truth of an event—even at the expense of the historical truth—and its power to keep the dead alive in the hearts and minds of those who remember
Romance narrative is a type of writing that usually features a hero and his journey or quest. The hero reaches a transcendent goal through tests or trials. The narrative is often represented as a circle because the story begins with the hero’s goal. It then continues with the hero’s journey through the difficulties that he must overcome to achieve that goal and finishes with the initial goal accomplished. It’s a popular format because it externalizes the internal struggles that people face in their own lives in overcoming problems and especially in defining themselves as they transform from childhood to adulthood. The narrative follows a pattern of initial innocence, acceptance of duties and trials, then failure and despair. The failure is
Worsnop, Richard L. "Native Americans." CQ Researcher 8 May 1992: 385-408. Web. 14 Nov. 2013.
At its most basic level, the American Captivity Narrative is a biographical or autobiographical account of an individual’s captivity at the hands of the Native Americans. Though understood to be an accurate account of the individual’s experience, these narratives contain a number of common rhetorical features that serve to augment the emotional impact of the events described. Frequently, the customs and practices of each individual’s captors are the source of these notable occurrences. Common themes include: torture or suffering, adoption, hunting, and the sharing or discussion of spiritual beliefs. Taken as a whole, these major events weave a narrative of self-transformation. Though these texts do not typically end with the narrator converting
Edmonds, Margot. and Clark, Ella. "Voices of the Winds:Native American Legends". New York: Facts on File, 1989.