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The main theme of the work, "The Bluest Eye," written by Toni Morrison
The bluest eye as racial prejudice
The bluest eye thematic concerns
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Haddaway addressed one, if not the most, contemplated questions: what is love? The ultimate dream for people in our world today is to fall in love and live happily ever after. From culture to cinema to literature, love is what people strive to have. Although love is a common theme in literature, the ideas and conceptualizations are different, which can be seen by comparing “The Bluest Eye” and “Song of Myself”. In “The Bluest Eye” Toni Morrison uses false ideals and ambiguity in order to portray that love is damaging, while “Song of Myself”, by Walt Whitman, uses loving oneself and others to show the positive relationships built through love.
Morrison conceptualizes romantic love as a false ideal. As Pecola strives to be accepted, the idealized image of love created by society leads her to believe that she must be physically beautiful in order to be loved. Pecola was not only introduced to romantic love, but was also introduced to physical beauty which was described as “...the most destructive idea in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion” (Morrison 122). Pecola’s envy towards Pauline, the white baby dolls, and Shirley Temple resulted in an idealized perception of
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“The Bluest Eye” is told through a first person point-of-view and third person point-of-view. This allows the reader to see different characters ideas about love. The beautiful language that Morrison uses in the novel allows the reader to see the ugliness of love that is depicted throughout the novel. The use of fiction helps the reader develop a deeper relationship with the characters and events of the novel. The beginning, middle and end provide a structured piece of literature where the reader can watch the characters develop and overcome conflict, whereas as poetry generally focuses more on specific
As one progresses through life, they may find him or herself spending a substantial amount of time attempting to find love. Day after day they try to find the perfect person for them; the one they could spend the rest of their lives with. However, it is not until one turns off his or her searchlight for love, that love makes itself apparent. In the short story “A Bolt of White Cloth” by Leon Rooke, the idea that love is a noticeable, yet unexpected force is presented. Rooke used a plethora of symbols to depict love, with one of the more prominent symbols being the sun. Love can often “come out pure, without any grief to bind it”, just like a sunrise. When the sun rises, it symbolizes purity; a purity that signals to those who are struggling
Has anyone ever deliberately left you? Left you alone, feeling deserted, isolated, and by yourself? Imagine you were abandoned by those who were supposed to love you from the day you were born until this present day. How would that make you feel? In Toni Morrison’s first novel, The Bluest Eye, she examines the causes, effects, and consequences of abandonment through one character, Cholly Breedlove. As well as the ways he eventually destroys himself and also those around him.
Love and affection is an indispensable part of human life. In different culture love may appear differently. In the poem “My god my lotus” lovers responded to each other differently than in the poem “Fishhawk”. Likewise, the presentation of female sexuality, gender disparity and presentation of love were shown inversely in these two poems. Some may argue that love in the past was not as same as love in present. However, we can still find some lovers who are staying with their partners just to maintain the relationship. We may also find some lovers having relationship only because of self-interest. However, a love relationship should always be out of self-interest and must be based on mutual interest. A love usually obtains its perfectness when it develops from both partners equally and with same affection.
..., the society begins to see love as a goal. Romantic love becomes a noble trait and just quest if one wishes to embark on it.
After a more detailed examination of the stories, however, it becomes evident that each individual is striving to find love. Though love is a universal goal, each person's criteria for a meaningful, fulfilling and loving relationship varies. This is clearly demonstrated by the different situations in which the characters find themselves. The conventional, stereotypical, and almost cliché demonstration of love can be seen in stories A & D, where the characters simply "fall in love and get married".
The Symposium, The Aeneid, and Confessions help demonstrate how the nature of love can be found in several places, whether it is in the mind, the body or the soul. These texts also provide with eye-opening views of love as they adjust our understanding of what love really is. By giving us reformed spectrum of love, one is able to engage in introspective thinking and determine if the things we love are truly worthy of our sentiment.
With The Bluest Eye, Morrison has not only created a story, but also a series of painfully accurate impressions. As Dee puts it "to read the book...is to ache for remedy" (20). But Morrison raises painful issues while at the same time managing to reveal the hope and encouragement beneath the surface.
She faces constant criticism, has an aggressive home life, and lives in a society that considers beauty as being white, which negatively affects Pecola and leads her to fantasize about becoming more beautiful. She feels the only way to Morrison uses Shirley Temple to show Pecola’s fondness for beauty. Shirley Temple was a popular young actress during the 1930’s, and was known for her curly blonde hair and blue eyes. Pecola developed a fascination for Shirley Temple cups, “she was fond of the Shirley Temple cup and took every opportunity to drink milk out of it just to handle and see sweet Shirley’s face”(pg.23). This image shows that Pecola believes that having blue eyes will maker her life like Shirley making her more like a white child. Another instance showing this is when Pecola goes to the store she buys the candy Mary Jane, which has a girl with blue eyes on the wrapper. We see her fascination with Mary Jane’s blue eyes, and she felt if she ate the candy she would become Mary Jane. This is shown when Morrison writes, “To eat the candy is somehow to eat the eyes, eat Mary Jane. Love Mary Jane. Be Mary Jane”(pg.50) When it comes to Pecola mother, there is similar racial self-loathing manifested in her as
Cummings theme of how strong someones love can be appeals to readers minds, because everyone wants that connection with their partner, That undying love for one another. Some people long for a love...
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
Brought up as a poor unwanted girl, Pecola Breedlove desires the acceptance and love of society. The image of "Shirley Temple beauty" surrounds her. In her mind, if she was to be beautiful, people would finally love and accept her. The idea that blue eyes are a necessity for beauty has been imprinted on Pecola her whole life. "If [I] looked different, beautiful, maybe Cholly would be different, and Mrs. Breedlove too. Maybe they would say, `Why look at pretty eyed Pecola. We mustn't do bad things in front of those pretty [blue] eyes'" (Morrison 46). Many people have helped imprint this ideal of beauty on her. Mr. Yacowbski as a symbol for the rest of society's norm, treats her as if she were invisible. "He does not see her, because for him there is nothing to see. How can a fifty-two-year-old white immigrant storekeeper... see a little black girl?" (Morrison 48). Her classmates also have an effect on her. They seem to think that because she is not beautiful, she is not worth anything except as the focal point of their mockery.
The word “love” has always caught attention with its meanings. There have been many definitions used for this word throughout history, beginning with its start during the ninth century. With the examples of current use(from Urban Dictionary, Twitter, a student survey, a song, and a film) it is obvious that the definition of this word has been lost in translation in many different ways. Looking closely at the synonyms, along with the history and current use, the true definition is clearly seen through a usual worldly haze.
Love has been the cause of some of the greatest feats, discoveries, and battles in the history of man. It has driven men to insanity and despair, while it has lead others to happiness and bliss. This idea that love has a strong influence on man’s decisions can be seen in the poem, “Love is not all” by Edna St. Vincent Millay. The most prominent theme presented in “Love is not all” is that although love is not a necessity of life, it somehow manages to provoke such great desire and happiness that it becomes important.
In the novel Pecola questions her perception of beauty and the ideal family. She often compares her life with the life of the primer Dick and Jane. Throughout the novel Pecola tries to counter act the tyranny in her life by praying for blue eyes hoping that with this feature her life would change for the better and she would be beautiful. Within the novel the author uses the theory of Marxism. Created by Karl Marx in the 19th century, Marxism is the central analysis of the complex development of relationships between two social classes (Ollman). In the novel “The Bluest Eye” Toni Morrison questions the essence of true beauty and its influence on societal standards threw the theory of
According to the principles of Hippocratic medicine passionate love almost invariably turns into ‘love melancholy’ - a form of depression. Moreover, anybody who has experienced falling in love will know something of love’s illness- an emotional roller coaster that seems to carry the occupant between the two extremes of heaven and hell (Paul, 1993, p. 91). Even a superficial examination of artistic works on the theme of love will reveal a striking duality. Love is rarely described as a wholly pleasant experience. It is an amalgam of seemingly incompatible