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Gender roles shaped in literature
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Tennessee William’s “The Glass Menagerie” and John Updike’s “A&P” are both stories of anguishing confinement and the wish to escape. Tom and Sammy are trapped in a place where they work away their lives, unable to leave from their miserable situations because of their families. Both have jobs which are stable, however, they wish to do otherwise to pressure what they really want. Their families rely on them mostly for their income, and neither Sammy nor Tom wants to let down those who depend on him. The men have ambition to become independent. Sammy achieved his freedom, however; Tom is free yet left with the memory of his sister Laura. One of the main reasons Sammy and Tom feel so trapped in their situations is the pressure to help support …show more content…
He informs his mother in exasperation that “man is by instinct a lover, a hunter, a fighter, and none of those instincts are given much play at the warehouse” (Williams 1180). Amanda laughs at his argument and demands that he continue with the job he has secured at the warehouse. He realizes that his job at the warehouse is much more stable than a job as a writer would be, but it is the very unchanging nature of his work that leaves him feeling sad and unaccomplished. Sammy and Tom are chasing dreams that lie beyond their lives, so they run as far from the occupations as they can in order to achieve a level of personal contentment with their lifestyle. The girls’ humiliating treatment by the manager of A&P sparks Sammy’s protest, giving him the push he needs to quit his job to search for a better one. Tom was fired for writing a poem on the lid of a shoe-box. He thinks of this as a chance to leave his family and the town for good. Able to leave at last, the two men find their own form of freedom despite the disagreement of their families and in Sammy’s case, the disapproval of his manager. Tom does not, however, find the same feeling that Sammy does. At first, Sammy is worried about what is to come, for he describes his boss’s reaction to his exit, saying “his face was dark gray and his back stiff, as if he’s just had an injection of iron, and my stomach kind of fell as I thought how hard the world was going to be to me hereafter” (Updike
The main character in John Updike's short story “A&P” is Sammy. The story's first-person context gives the reader a unique insight toward the main character's own feelings and choices, as well as the reasons for the choices. The reader is allowed to closely observe Sammy's observations and first impressions of the three girls who come to the grocery store on a summer afternoon in the early 1960s. In order to understand this short story, one must first recognize the social climate of the era, the age of the main character, and the temptation this individual faces.
But life is not a fairytale. Standing there lonely, having no job is our Sammy. This is when Sam realizes his path, the true way to become mature. The moment when “Lengel sighs and begins to look very patient:” Sammy, you don’t want to do this to your mom and dad” (Updike) hold him back a little bit, we can feel the regret in his heart. But he cannot go back anymore, decision has been made. He gives up his last chance; from now on, he’s on his own. Sammy finally understands that it is responsible behavior but not playing “adult-like” game that will make him a true
During the two moves, The Glass Menagerie and A Raisin in the Sun some of the characters are strange and diverse, but the similarities and difference of their views, values, and problems, could be universal. It is universal since people all over the world have the same issues, thoughts, and reactions. Even in my life, finances, success, and family are of utmost concern. The characters in The Glass Menagerie are Amanda, Laura, Tom, and Jim. And the characters in A Raisin in the Sun are Mama, Ruth, Benitha, and Walter Lee. The characters I enjoyed the most is Amanda and Tom and Mama and Walter Lee. I would examine the mothers and the sons of each move.
Sammy, the protagonist in John Updike’s “A&P,” is a dynamic character because he reveals himself as an immature, teenage boy at the beginning of the story and changes into a mature man at the end. The way Sammy describes his place of work, the customers in the store, and his ultimate choice in the end, prove his change from an immature boy to a chivalrous man. In the beginning, he is unhappy in his place of work, rude in his description of the customers and objectification of the three girls, all of which prove his immaturity. His heroic lifestyle change in the end shows how his change of heart and attitude transform him into mature young man.
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
Before the girls enter the store, Sammy is unaware that the setting he is so judgmental of reflects his own life. Sammy feels that he is better than the rest of people at the A&P, referring to them as "sheep" and "house-slaves" because they never break from their daily routines. He also condescendingly talks about "whatever it is they[the customers]...mutter." Reinforcing his superiority above the people in the store, Sammy sees himself as a person that can seldom be "trip[ped]...up." Although he sees himself being superior to the store, the reality is that the store closely reflects Sammy's life. He seems to have a long-term commitment to the store since his apron has his name stitched on it, and he has been working at the store long enough to have memorized the entire contents of the "cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft drinks-crackers-and-cookies." His day is also filled with the routine of working at the register, a routine that is so familiar that he has created a cash register song. Sammy also identifies with his co-worker Stokesie, "the responsible married man," and therefore wishes to someday be the manager of the store, like Lengel. Even the "checkerboard" floor represents a game of checkers, a simple one-directional game that closely models Sammy's life. Although Sammy is nineteen ...
Along with Sammy, the other characters involved in this story are three girls shopping in the A & P in their bathing suits, whom Sammy names Plaid, Queenie and Big Tall Goony-Goony; Stokesie, Sammy's married co-worker; and Lengel, the A & P manager. The "A & P" is told from Sammy's point of view. Sammy presents himself as a nonchalant and flippant young man. He appears to be somewhat contemptuous of the older people shopping in the store. However, near the end of the story, we see that he does take responsibility for his conscience-driven behavior and decision, revealing his passage out of adolescence into adulthood through the courage of his convictions.
...p and you are not happy with where you are in life, and truly want a change. With Sammy he always wanted to quit but never had the guts to stand-up and go through with it, mostly cause he did not have that free thinking mentality like the girls. Even though when he finally did walk out of the store and the girls were not there, he had no idea what was next in life, but he did know that he was free to make his own decisions. Sammy no longer had to take Mr. Lengel’s nonsense, or stick around and watch Stocksie become manger. This was his time to stop being a push over and pave the path to his own future. His parents may have been upset, but this gave him an opportunity to stand up for his own actions and be confident in his choices he had made, regardless if they were for the right or for the wrong. Sammy was able to press forward and start a new chapter in his life.
We’ve seen and read the views of what other critics thought of Updike’s character Sammy and his reasons for leaving the A & P but it’s doubtful that a young adult would quit his job for “ the girls” or “standing up for his belief system “. The third critic Thompson gives us the thought and makes us really think of being in Sammy’s shoes. “The text suggest, however, that Sammy is not frustrated because he cannot woo Queenie but because of the length of time he has been working at the super market and his daily encounters with customers. Sammy wishes to quit, but he resists doing so because his parents would’ regard his decision.” I couldn’t agree ever so more with Thompson and his way of viewing Sammy’s situation. It is understandable to get tired too of working there and feeling trapped looking for a way to escape, an excuse to get out just to breathe from all the pressure of working and staying at the job just to please what your parents might so think of it. “Presumably he has begun to realize that the incident offers him the perfect opportunity to free himself from his dead-end job. Sammy should not be regarded as a hero, but rather as a young man who takes full advantage of an opportunity to free himself from a responsibility- filled life that he desperately wants to
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
The Glass Menagerie, written by Tennessee Williams in 1944, tells a tale of a young man imprisoned by his family. Following in the footsteps of his father, Tom Wingfield is deeply unhappy and eventually leaves his mother and sister behind so he may pursue his own ambitions. Throughout the play, the reader or audience is shown several reasons why Tom, a brother to Laura and son to Amanda, is unhappy and wishes to leave his family. However, the last scene describes Tom’s breaking point in which he leaves for the last time. Amanda tells Tom to “go to the moon,” because he is a “selfish dreamer.” (7. Amanda and Tom) The reasonings for Tom’s departure are due to his mother’s constant nagging, hatred for
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
The family dynamics for Tennessee Williams are evident of a lifestyle of despondency and tension within the household. Tennessee Williams mother Edwina Williams she considered herself a Southern Belle, and his sister Rose Williams was a sickly adolescent whom he shared his imaginative dramatizations with as he transcribed his plays. While Williams was in graduate school at the University of Iowa, Rose was institutionalized for schizophrenia and was underwent a pre-font lobotomy. “The symbolization of lobotomy in the “Glass Menagerie” play signifies the hurt that Tennessee Williams felt by his parents by not collaborating to him that his sister underwent surgery. In the play, Williams substitutes the mental illness of his real sister, with a physical limitation “a limp” which Williams substituted for the mental illness of his real sister, Rose. Even the father’s absence reflects periods when his bullying sales man father, Cornelius Coffin Williams, would go on the road, leaving Tom, Edwina and Rose at one another’s mercies (Charles Matthews, 1996-2016).”
Sammy begins to notice how different the girls are since they are walking around the store in just bathing suits and begins to talk about his manager Mr. Lengel and coworker that’s working beside him Stokesie. Saying how Mr. Lengel hides in his office. Which some can incur that Sammy doesn’t want to have that life where he’s hiding who he is as a person. Next, he goes and mentions Stokesie, who is married and has two kids already at the age of twenty-two. To him it seems neither of the men seems happy. Just off my observation of Sammy, he likes the idea of being an individual rather, than being the same as everyone else who just come and go every day with not much to change to their day. Sammy begins to realize that, he doesn’t want to be stuck in the grocery business for the rest of the life. Finally, when Sammy see’s Mr. Lengel ridicule the girls for dressing in just bathing suits. After that situation Sammy takes it upon himself to try and stand up for the girls against his boss, seeing that he was their unsung hero. In which after he does that, he quits his job. Making a big decision like shows a lot of growth and dedication. Instead of just standing like a Stokesie was, he takes a stand. After that Sammy leaves the store and sees the girls are not there waiting to see him but instead sees just a mother and her kids that are crying. Sammy begins to see how the world is and that even good deeds can go
In Tennessee Williams' play, The Glass Menagerie, each member of the Wingfield family has their own fantasy world in which they indulge themselves. Tom escaped temporarily from the fantasy world of Amanda and Laura by hanging out on the fire escape. Suffocating both emotionally and spiritually, Tom eventually sought a more permanent form of escape.