Comparing A Lost Lady and Like Water for Chocolate

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Comparing A Lost Lady and Like Water for Chocolate The worlds about which Willa Cather and Laura Esquivel write hardly seen congruous. Written in different eras, in different styles, and in different cultures, Cather's A Lost Lady and Esquivel's Like Water for Chocolate appear, at first glance, to have little in common. Cather's Victorian realism seems totally incompatible with Esquivel's surrealistic imagery, and yet, if we look closely, we can find common threads woven between the two works. Although differences are obvious, subtle similarities exist in setting, conflict, and central characters. The above excerpt is provided to give the student an idea of the focus of this essy. The complete essay begins below. Imagine, for a moment, Marian Forrester in her kitchen preparing a tray for tea. As she works, her mind wanders to the letter she received in the post today from Frank Ellinger. "It's been too long since Frank has been out from Denver," she thinks as she glances out the window across the meadow, half expecting to see his form approaching. Instead, she sees in the distance an exotic form, a Spanish maiden, and in a cloud of dust a soldier approaches her. Without slowing his gallop, so as not to waste a moment, he leaned over, put his arm around her waist, and lifted her onto the horse in front of him, face to face, and carried her away. The horse, which seemed to be obeying higher orders too, kept galloping as if it already knew their ultimate destination, even though Juan had thrown the reins aside and was passionately kissing and embracing Gertrudis. The movement of the horse combined with the movement of their bodies as they made love for the first time, at a gallop and with a great deal of difficulty. (Esquivel 55-56) An unlikely scene in Mrs. Forrester's Victorian world? The worlds about which Willa Cather and Laura Esquivel write hardly seen congruous. Written in different eras, in different styles, and in different cultures, Cather's A Lost Lady and Esquivel's Like Water for Chocolate appear, at first glance, to have little in common. Cather's Victorian realism seems totally incompatible with Esquivel's surrealistic imagery, and yet, if we look closely, we can find common threads woven between the two works. Although differences are obvious, subtle similarities exist in setting, conflict, and central characters. Writing during the Victorian era, Cather chooses as the setting for her novel the prairie states of the United States at the turn of the century.

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