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Stigma of madness in the nineteenth century
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When reading the works of both Michel Foucault and Erving Goffman, together they give a delineation of the discourse of madness. This essay delves into both of these renowned sociologists, in an attempt to explore both Michel Foucault’s finding on the treatment of the insane and Erving Goffman’s work on asylums.
It begins with a very deep and archival aspect on Foucault’s part; where close attention was paid to the evolution of language, words and the view of the mad. Foucault studied and researched in a more genealogical and archeological perspective, as he looked at the mad from inception. He focused on society as a whole and saw madness at the macro level, thereby researching society’s changing views and the interactions and treatments the patients received from the administration of these mental hospitals.
Foucault as a post structuralist was very interested and invested in studying society, more specifically the constant changing of knowledge and how society as a whole viewed other individuals within that society. This was done by grouping these individuals into unsavory categories; these categories were developed based on the acts or ideas of these individuals which were seen as being against the “norm”. Within the sixteenth and eighteenth centuries, these categories of people were comprised of the prostitutes, vagabonds, beggars, criminals and the mad; they were confined to institutions all across Europe.
With this “Great Confinement,” Foucault looked closely at the distinctions which were developed to distinguish between madness and sanity within the Age of Reason. He debunked these distinctions in more detail in his paper “Madness and Unreason: History of Madness in the Classical Age” (Foucault, 1961) After acquiring ...
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...on to major contemporary social theorists (2003): 34.
Goffman, Erving. Asylums: Essays on the social situation of mental patients and other inmates. Aldine Transaction, 1968.
Goulding, Christina. "Grounded theory, ethnography and phenomenology: A comparative analysis of three qualitative strategies for marketing research."European journal of Marketing 39, no. 3/4 (2005): 294-308.
Haralambos, Michael and Martin Holborn.Sociology: Themes and Perspectives. Harper Collins, 2010“
Madness ,the Absence of Work” . Foucault Michel , Stastny Peter , SengelDeniz ,1995
University of Chicago Press , Vol.21; no2.
Weinstein, Raymond M. "Goffman’s asylums and the social situation of mental patients." Orthomolecular Psychiatry 11, no. 4 (1982): 267-274.
"Michel Foucault - Biography." Michel Foucault. http://www.egs.edu/library/michel-foucault/biography/ (accessed March 28, 2014).
Madness: A History, a film by the Films Media Group, is the final installment of a five part series, Kill or Cure: A History of Medical Treatment. It presents a history of the medical science community and it’s relationship with those who suffer from mental illness. The program uses original manuscripts, photos, testimonials, and video footage from medical archives, detailing the historical progression of doctors and scientists’ understanding and treatment of mental illness. The film compares and contrasts the techniques utilized today, with the methods of the past. The film offers an often grim and disturbing recounting of the road we’ve taken from madness to illness.
For many, the statement “psychiatric asylum” conjures up disturbing images such as painful procedures and restrained patients, the creepy facility in the movie Shutter Island, the cruel Nurse Ratched from One Flew Over the Cuckoo’s Nest. But that image may be outdated.
" This improved the treatment of patients but the mentally ill that weren't in this asylum may have
In the 1840’s, the United States started to build public insane asylums instead of placing the insane in almshouses or jail. Before this, asylums were maintained mostly by religious factions whose main goal was to purify the patient (Hartford 1). By the 1870’s, the conditions of these public insane asylums were very unhealthy due to a lack of funding. The actions of Elizabeth J. Cochrane (pen name Nellie Bly), during her book “Ten Days in a Mad-House,” significantly heightened the conditions of these mental asylums during the late 1800s.
Through the use of insanity as a metaphor, William Shakespeare, Edgar Allen Poe, William Blake, and Charlotte Perkins Gilman, introduced us to characters and stories that illustrate the path to insanity from the creation of a weakened psychological state that renders the victim susceptible to bouts of madness, the internalization of stimuli that has permeated the human psyche resulting in the chasm between rational and irrational thought, and the consequences of the effects of the psychological stress of external stimuli demonstrated through the actions of their characters.
Mental illness has been around as long as people have been. However, the movement really started in the 19th century during industrialization. The Western countries saw an immense increase in the number and size of insane asylums, during what was known as “the great confinement” or the “asylum era” (Torrey, Stieber, Ezekiel, Wolfe, Sharfstein, Noble, Flynn Criminalizing the Seriously Mentally Ill). Laws were starting to be made to pressure authorities to face the people who were deemed insane by family members and hospital administrators. Because of the overpopulation in the institutions, treatment became more impersonal and had a complex mix of mental and social-economic problems. During this time the term “psychiatry” was identified as the medical specialty for the people who had the job as asylum superintendents. These superintendents assumed managerial roles in asylums for people who were considered “alienated” from society; people with less serious conditions wer...
What is madness? Is madness a brain disorder or a chemical imbalance? On the other hand, is it an expressed behavior that is far different from what society would believe is "normal"? Lawrence Durrell addresses these questions when he explores society's response to madness in his short story pair "Zero and Asylum in the Snow," which resembles the nearly incoherent ramblings of a madman. In these stories, Durrell portrays how sane, or lucid, people cannot grasp and understand the concept of madness. This inability to understand madness leads society to fear behavior that is different from "normal," and subsequently, this fear dictates how they deal with it. These responses include putting a name to what they fear and locking it up in an effort to control it. Underlying all, however, Durrell repeatedly raises the question: who should define what is mad?
Asylum: A History of the Mental Institution in America. Dir. Sarah Mondale. Stone Lantern Films, Inc. 1988. Film.
In 1950s the construction of new psychiatric centres took place in order to treat people with mental disorders. Local authorities provided financial resources to sustain these establishments of psychiatry. Apparently those psychiatric centres were treating the patients in unappropriated ways and inhuman acts as well as demanding them to remain inside the psychiatric centres for the rest of
Another man involved was the Dr. John Galt he himself worked at one of these insane asylums as the superintendent of the Eastern State Hospital in Williamsburg. Although there was a stream of terrible abuse in the asylum and prison movement towards the sick and insane he was one of the few that treated his patients with care he had very little use for restraints and preferred a calming medication. He was also the first influence in
Madness and Civilization: A History of Insanity in the Age of Reason. Trans. Richard Howard. New York: Pantheon, 1965.
The BBC documentary, Mental: A History of the Madhouse, delves into Britain’s mental asylums and explores not only the life of the patients in these asylums, but also explains some of the treatments used on such patients (from the early 1950s to the late 1990s). The attitudes held against mental illness and those afflicted by it during the time were those of good intentions, although the vast majority of treatments and aid being carried out against the patients were anything but “good”. In 1948, mental health began to be included in the NHS (National Health Service) as an actual medical condition, this helped to bring mental disabilities under the umbrella of equality with all other medical conditions; however, asylums not only housed people
...easily controls and manipulates the way individuals behave. Although there are no true discourses about what is normal or abnormal to do in society, people understand and believe these discourses to be true or false, and that way they are manipulated by powers. This sexual science is a form of disciplinary control that imprisons and keeps society under surveillance. It makes people feel someone is looking at them and internally become subjective to the rules and power of society. This is really the problem of living in modern society. In conclusion, people live in a society, which has created fear on people of society, that makes people feel and be responsible for their acts. Discourses are really a form in which power is exercised to discipline societies. Foucault’s argument claims discourses are a form of subjection, but this occurs externally not internally.
The controversial topic of insanity manifests itself commonly in Romantic writing, and has been one much disputed over time. Some say that people who seem crazy are so above our own level of thought and understanding that we can’t possibly begin to identify with them and that we can find genius in the form of ordinary lunatics who connect to God and divinity in ways “normal” people don’t comprehend. Throughout works such as “The Cask of Amontillado and “The Castaway”, the authors question insanity with ideas that show the possible outcomes when one looks deep inside themselves for a divine spark or intuition. Both of these stories address madness in different forms, and madness itself is Godly experiences gone wrong; the person who receives the divine vision is unable to handle its raw truth.
Sarah Snyder Professor Feola Gov’t 416: Critical Theory Assignment #2 On Foucault, “Truth and Juridical Forms” Michel Foucault may be regarded as the most influential twentieth-century philosopher on the history of systems of thought. His theories focus on the relationship between power and knowledge, and how such may be used as a form of social control through institutions in society. In “Truth and Juridical Forms,” Foucault addresses the development of the nineteenth-century penal regime, which completely transformed the operation of the traditional penal justice system.