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Difference between drama theatre and performance
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Live performance art and theatre are two different forms of art work. Live performance is a unique and temporary form of work. This means that you don't usually repeat what you do for another audience. However, in theatre, you act out a "show" for an audience to see, which can be repeated as many times as you want. In live performance, everything that happens is real. An example Marina Abramovic gave in one of her videos was "In theatre you can cut with a knife and there's blood. The knife is not real and the blood is not real. In performance, the blood and the knife and the body of the performer is real." This shows that in performance art, you are yourself and anything can happen to you. But in "theatre you play somebody else" and you use props to make the act more lively and realistic.
Marina Abramovic is one of the most successful performance artists. She performed a touching piece titled: "The Artist is Present," where she saw her ex boyfriend, Ulay, for the first time in thirty years after their breakup in China. Her live performance consisted of spending one minute of silence with a stranger in the Museum of Modern Art in New York. In the video, one witnesses her expression as she first opens her eyes to realize Ulay is seated before her.
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This performance by Marina Abramovic was temporary like most performance arts. The performance was experienced only once. The whole performance was a surprise to Abramovic because she didn’t know who to expect or what was going to happen. Unlike theatre, roles aren’t given out in performance arts. If this was theatre, then Abramovic would have known everyone that sat in front of her before it all happened and it wouldn’t have been random. If she would have known that her ex boyfriend, Ulay was going to be one of the people who sat in front of her, then her emotion shown through the video wouldn’t have been so real and
... middle of paper ... ... In addition, attending live theatre develops a person’s artistic sense in the context that they are able to react to the play and enjoy the aesthetic experience. In essence, Adam Burke’s perception of directing and theatre production is a very useful insight.
In each and every culture theater exists. However, they are not always portrayed in the same way and could take up many different forms. What differ them from others is influenced by the convention of what governs them. What happen on stage depends on the conventions of the theater. Convention is define as “Rules governing a given style of theater, such as fourth-wall verisimilitude or bare stage. These rule should not be violated, but often are, as when actors “break” the fourth wall by delivering a line directly toward the audience” (Altshuler and Janaro 208). The condition governing the staging and performance are known as theatrical conventions, in which what the audiences agree to accept as what is real (Altshuler and Janaro 173). In comparing an Elizabethan and a modern theater to each other there are many differences and similarities between the two. By comparing William Shakespeare “Hamlet” to Lorraine Hansberry “A Raisin in the Sun”, we can see that there is a major difference between the two
When I first read about Marina Abramovic, I found her performance art can be both shocking and hold the attention of one. Her work ranges in physical intensity, emotional exposure, and sadness. Marina Abramovic work is about self abuse, self discipline, and unreasonable punishment and great courage. Through the conditions she puts herself and her audience in her performance. In my opinion, I feel Marina Abramovic and my main goal as an artist is not only to completely change the way art is seen by the public, but to push the performance the same line as fine art.
Jones, Jonathan. “Yoko Ono show at Guggenheim Shines Light on Pioneering Conceptual Artist”. The Guardian. 13 Mar. 2014. Web. 1 May. 2014.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Theatre-In-Education The theatre education industry/movement has seen some rapid changes since its initial developments and establishment in the 1960’s. However its origins mainly lie in the early years of the last century. It was the initial establishment of companies such as Bertha Waddell’s in Scotland and Esme Church’s in the north of England that thoroughly established the main roots of TIE.
... a way for audiences and performers to connect on a closer level. They are both experiencing the surreal, disassociating themselves from the performance taking place. They both become more introspective. The performance becomes a vehicle for self-understanding, metacognition.
Theatre serves to reflect society. From Shakespeare to Sophocles, a playwright’s work illustrates the different mechanics within a culture or time period or society. Theatre offers viewers the experience of taking a step back and looking in on themselves. In this way, theatre is a mirror for the world and the way it functions.
Applied Theatre work includes Theatre-in-Education, Community and Team-building, Conflict Resolution, and Political theatre, to name just a few of its uses. However, Christopher Balme states that “Grotowski define acting as a communicative process with spectators and not just as a production problem of the actor” (Balme, 2008: 25). Applied Theatre practices may adopt the following “theatrical transactions that involve participants in different participative relationships” such as Theatre for a community, Theatre with a community and Theatre by a community Prentki & Preston (2009: 10). Whereas, applied theatre one of its most major powers is that it gives voice to the voiceless and it is a theatre for, by, and with the people. However, Applied Theatre practitioners are devising educational and entertaining performances bringing personal stories to life and build
Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live, and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time.
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
Theatre is a more language driven medium, while movies and television are driven by what you see. Theatre relies solely on excellent script, and acting. Theatre has a live element, a more heightened sense of realism. Some argue that we are losing the very essence of theatre, its live-ness, because of recorded media seeping into plays and performances (Trueman). With technology things can more easily go wrong. Lyn Gardner says that if the show relies too heavily on technology, it can cause performances to be canceled completely due to technical glitches that instead of adding to performances, the technology has become the show. The spectacle has began to make actors obsolete, leaving the audience to feel alienated and passive to the performance rather than part of it as they should feel
The type of theatre can be changed, by changing the three properties, for example, the space in which the actors perform.There is street theatre, in which the actors generally mark out an area of the street and perform a piece of drama whilst the audience gather round or watch a short part as they walk past. On the other hand there is rehearsed theatre; this is usually performed by highly skilled actors that perform for a living. The space that is used for this would have a large stage, seated audience, and special lighting to help the performance come to life.