The focus of the novella, what is hidden and what is revealed, is ultimately dependent on other people. However, O’Dell fails to mention how the information is constantly revealed through the hands of people, and it all ends up, literally, in the hands of Utterson. The most outstanding moment when hands are an important turning point is when Jekyll wakes up and describes, “my eyes fell upon my hand…But the hand which I now saw, clearly enough, in the yellow light of a mid-London morning, lying half shut on the bedclothes, was lean, corder, knuckly, of a dusky pallor and thickly shaded with a swart growth of hair. It was the hand of Edward Hyde” (Stevenson 81-82). Jekyll wakes up and does not realize he is Hyde until he sees his hand. He is
In reference to the comparison of Hyde and Jekyll’s handwriting, Utterson is told “‘Well, sir,’ returned the clerk, ‘there’s a rather singular resemblance; the two hands are in many points identical: only differently sloped’” (Stevenson 54). The resemblance of the handwriting is what clues one into suspecting Jekyll of illicit acts. Utterson does not come to the correct conclusion, but he does think “‘Henry Jekyll forge for a murderer!’” (Stevenson 54). This is not the complete truth, but the handwriting does reveal a fact that was previously hidden to him: Jekyll is somehow involved in the murder of Carew. The reason why Utterson is incredibly shocked is because of Jekyll’s high-class status. As O’Dell argues, Utterson is concerned in maintaining social order, and Jekyll being a murderer destroys the image of gentlemen that Utterson is attempting so hard to keep up. Unfortunately, the truth is revealed through a series of handwritten letters from different people, leaving the burden, and trust, on Utterson to decide what shall be done with the
Stevenson narrates: “The night after the funeral, at which he had been sadly affected, Utterson locked the door of his business room, and sitting there by the light of a melancholy candle, drew out and set before him an envelope addressed by the hand and sealed with the seal of his dead friend” (Stevenson 57). The letter contains all the hidden secrets that have been withheld from Utterson and the reader. It is further emphasized that it is “written by the hand of Lanyon” (Stevenson 57). The emphasis on the fact that it is written is meant to highlight what it is not. The opposite of something written, is something spoken. The reason it is not spoken is because it is too serious and terrifying to speak it. By revealing the truth through dialogue, it makes the truth much more real and heavy. The truth is never revealed face to face with another person, Utterson only receives letters from Lanyon and Jekyll. He physically holds the truth in the form of the letters. O’Dell suggests, “The inclusion of lengthy documents from Lanyon and Jekyll point to Utterson’s continued control of the public realm after Hyde’s death and suggest that, whatever we are to make of the novel’s peculiar course of events, we can assume that the status quo will persist without interruption” (O’Dell 511). It is true that the letters permit Utterson to maintain control and
The criticism by Vladimir Nabokov, supports the claim that Stevenson uses symbolisms to express ideas and to create suspense. Finally Stevenson’s certain tone when he describes Hyde or the evil things the Hyde commit allowed him to express Hyde’s evil and created an unusual atmosphere. When Hyde was described he was described as small and the facial expression of his was very odd and hard to explain “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with some sort of murderous mixture of timidity and boldness, and he spoke with a husky, whispering somewhat broken voice” (Stevenson 16). After Utterson’s first encounter with Hyde, he is just amazed and shocked because of Hyde’s physical appearance. Also in their first encounter, the setting was very dark and gloomy which adds to the claim. Also the description of Hyde symbolizes Hyde’s evil. Hyde’s ugliness and his deformed face symbolizes his evil, his small size symbolize Jekyll’s evil side inside him that was repressed for so long along with the dark setting. Another symbolism used in the book is between Jekyll’s laboratory and his house. Jekyll’s house is described as a place of wealth and comfort but his laboratory is described as “a certain sinister block of building thrust forward its gable on the streets” (Stevenson 6). The wealthy house represents the respectable man Jekyll and the laboratory represents the corrupt Hyde. Normal people will not see the two structures as one just like how they won’t be able to see the relationship between Hyde and
The previous chapter before the two confessions is reasonably remarkable. Poole, Dr. Jekyll’s butler, provides another portrayal. He offers many comparisons between Dr. Jekyll and Mr. Hyde. (“My master (…) is a tall, fine build of a man, and this was more of a dwarf.” (p.38)). The affirmations of the poor butler are all correct except perhaps the most important: This “thing” that is in the cabinet is in fact Dr. Jekyll.
When Mr. Utterson and Dr. Jekyll are first together in The Strange Case of Dr. Jekyll and Mr. Hyde, Stevenson describes Dr. Jekyll as, "-a large, well-made, smooth-faced man of fifty, with something of a slyish cast, perhaps, but every mark of capacity and kindness-- (12)." We are also told that Dr. Jekyll has a handsome face (13). Through the text, we learn that Dr. Jekyll was a hardworking, likable gentleman with a deep interest in science.
Stevenson starts the novella by introducing us to Mr. Utterson who is a discrete lawyer who is ‘never lighted by a smile’ and his enigmatic friend Mr. Enfield. He does this because he is using the technique of foreshadowing when the authors put in little hints to then explore in further detail later in the story. Further on we can see that Utterson is microcosm of the rest of the story; however this isn’t the only reason that Utterson is in the story because soon after this he starts to become the narrator along with Enfield. While they are talking to each other the audience is finding out what is happening. Next, later in the novella we find out that Utterson is actually representing schizophrenia and duality that is in the personality of Jekyll.
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
In Dr. Jekyll and Mr. Hyde, Hyde becomes Jekyll's demonic, monstrous alter ego. Certainly Stevenson presents him immediately as this from the outset. Hissing as he speaks, Hyde has "a kind of black sneering coolness . . . like Satan". He also strikes those who witness him as being "pale and dwarfish" and simian like. The Strange Case unfolds with the search by the men to uncover the secret of Hyde. As the narrator, Utterson, says, "If he be Mr. Hyde . . . I shall be Mr. Seek". Utterson begins his quest with a cursory search for his own demons. Fearing for Jekyll because the good doctor has so strangely altered his will in favor of Hyde, Utterson examines his own conscience, "and the lawyer, scared by the thought, brooded a while in his own past, groping in all the corners of memory, lest by chance some Jack-in-the-Box of an old iniquity should leap to light there" (SC, 42). Like so many eminent Victorians, Utterson lives a mildly double life and feels mildly apprehensive about it. An ugly dwarf like Hyde may jump out from his own boxed self, but for him such art unlikely creature is still envisioned as a toy. Although, from the beginning Hyde fills him with a distaste for life (SC, 40, not until the final, fatal night, after he storms the cabinet, can Utterson conceive of the enormity of Jekyll's second self. Only then does he realize that "he was looking on the body of a self-dcstroyer" (SC, 70); Jekyll and Hyde are one in death as they must have been in life.
Stevenson’s most prominent character in the story is the mysterious Mr Hyde. Edward Hyde is introduced from the very first chapter when he tramples a young girl in the street, which brings the reader’s attention straight to his character. The reader will instantly know that this person is a very important part of this book and that he plays a key role in the story. This role is the one of a respectable old man named Dr Jekyll’s evil side or a ‘doppelganger’. This links in with the idea of duality. Dr Jekyll is described as being ‘handsome’, ‘well-made’ and ‘smooth-faced’. On the other hand, Mr Hyde is described as being ‘hardly human’, ‘pale and dwarfish’, giving of an impression of deformity and ‘so ugly that it brought out the sweat on (Mr Enfield) like running’! These words all go together to conjure up an image in the mind of an animal, beast or monster. During the novel...
Many mysterious events occur throughout this novel. Stevenson foreshadows the imminent end of Dr. Jekyll in the very beginning. As Utterson reads the will of Dr. Jekyll, he is perplexed by the statement that “in the case of Dr. Jekyll’s disappearance” (6), all of his money will go to Mr. Hyde. This questionable intent of Dr. Jekyll leads the reader to assume that there is something for complex connecting Mr. Hyde with Dr. Jekyll. Utterson not only tries to protect Dr. Jekyll from Mr. Hyde, but Utterson wishes to solve Jekyll’s entire problem. In the first description of Mr. Utterson, the reader learns that he is “inclined to help rather than to reprove” (1). This simple description implies that Utterson will be helping to solve a problem in this novel, though it is not identified whose problem he will try to solve. This also foreshadows a problem in the book; Utterson leads the reader to believe that a horrid situation will arise between Jekyll and Hyde. Mr. Hyde is driven purely by the temptations of evil; the urges that Dr. Jekyll is unable to act on. This temptation causes Mr. Hyde to murder Sir Carew with the wal...
... chapter to find out what is says in the letter which creates tension. Utterson does not call the police straight away to cover up for Dr Jekyll so he doesn’t get accused of Hyde’s murder. He is trying to sort it out without implicating Jekyll. The ending of the chapter also confounds our expectations: we expected an answer, but we don’t get one.
This was a world of appearance not truth with Victorian oppression, fighting against basic human nature. Throughout the story is an omniscient narrator who tells the story. from a full view of different people with different perspectives (e.g. The view of the maid lets us into her feelings and attitudes towards Hyde. The author could have chosen another route by possibly telling the story as a confession from Jekyll's point of view.... ...
In Robert Louis Stevenson’s famous novel about dual identity, Dr. Henry Jekyll, an affluent surgeon, creates a potion by which he can transform into Edward Hyde, the physical manifestation of his evil side. After many months of thrilling nighttime criminal escapades through the streets of London, his antics under the cloak of Hyde get him in trouble when he slays prominent public figure Danvers Carew. Jekyll is so shocked by this deed of evil that he decides an end will be put to his transformations, a science he calls transcendental medicine. Much to his alarm, Jekyll finds that he now turns into Hyde without his wanting it, undeniably a side effect of the drug. After locking himself into his cabinet, in order to facilitate his use of the drug in case of spontaneous transformations, his concerned butler Poole alerts good friend Gabriel Utterson, a lawyer. Together, they break into the cabinet, only to find they body of Hyde, lifeless on the floor. The pair finds an envelope addressed to Utterson which shall supposedly explain why they cannot find the body of Henry Jekyll.
The story takes place during the Victorian age, a time when there were only two categories of people: good people and bad people. There was no way that one man could be considered acceptable without suppressing his evil side almost entirely. The reason that Jekyll restrained his evil side for so long was because of this dichotomous Victorian society. Most people, including Jekyll’s friends, Lanyon and Utterson, are content to stay molded in this ideal. However, Dr. Jekyll soon became tired of this hypocritical mindset and states that he “it was rather the exacting nature of my aspirations…. that made me who I was and…. severed in me those provinces of good and ill which divide and compound man’s dual nature” (123). He had determined that he would find a way to indulge his more human nature while still yet living in acceptance among his colleagues. Dr. Jekyll soon did discover a method, but it inevitably came with a curse. Stevenson uses this to display that people generally tend to go with the societal flow and conform to other people’s ideas so that they will fit in.
When Jekyll first turns into Hyde, he feels delighted at his newfound freedom. He states: "... And yet when I looked upon /that ugly idol in the glass, I was conscious of no repugnance, /rather of a leap of welcome..."(131). Now he could be respected as a scientist and explore his darker passions. Stevenson shows duality of human nature through society.
The will’s wording itself is disquieting to Utterson, as it states that Hyde inherits Jekyll’s
In the novel The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson's, the story focuses on the qualities that make up close relationships. For example, Utterson, a long-time friend and lawyer of Dr. Jekyll, shows a deep commitment to Jekyll even though his behavior is increasingly strange and his relationship with Mr. Hyde is even stranger. A second quality of close relationships is professional ethics, also a quality present in the story. Utterson, when discussing the strange tale of his Jekyll to Enfield, still presents the story with care and professionalism. He talks about Jekyll and Hyde but presents the facts rather than opinion that could malign Dr. Jekyll. Despite the weirdness of Dr. Jekyll’s transformations and the increasing violent nature of Mr. Hyde, Mr. Utterance continues to support his friend.