Compare And Contrast Dr Jekyll And Mr Hyde

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Recommended: Importance of settings in literature

Compare and contrast the description of the building (including the door) with Enfield's description of Mr Hyde. How does Stevenson use setting to convey a sense of the man? Stevenson uses setting to convey a sense of the man by linking elements between the two to amplify the meaning and emotion being portrayed. The building and Hyde are seen as being quite dark and out of place to the rest of the scene, especially the strong contrast between the building with the door and the shops further up the street. The building “showed no window … the door which was equipped with neither bell nor knocker” which shows how the building is not at all welcoming and rather secretive, which reflects the nature of Hyde described throughout the narrative. There are also hints of unknown activity in the two, described by Enfield noting on seeing …show more content…

The fog used in this description signifies Utterson’s confusion because he does not understand the situation between Jekyll and Hyde and why such a respectable man would be in any correlation to someone Utterson compares to Satan. The lower-class setting of Hyde’s address used in the description signifies how Hyde is an unknown and dark character and further confuses Utterson as well as how the people who live in this area of town have a wider span of ethnicities than other areas, which signifies how Hyde is a kind of outsider and in the time the book was written, not looked upon in a positive manner. This description as a whole also creates a sense of anticipation, especially the hidden aspect created by the fog for the reader as to the outcome of Utterson and the policeman’s visit. The effect of this description on our understanding of Hyde is how he is a highly mysterious character and further widens the gap between Hyde and Jekyll from the supposed lower class of Hyde and Utterson’s view of this part of town being out of a

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    The criticism by Vladimir Nabokov, supports the claim that Stevenson uses symbolisms to express ideas and to create suspense. Finally Stevenson’s certain tone when he describes Hyde or the evil things the Hyde commit allowed him to express Hyde’s evil and created an unusual atmosphere. When Hyde was described he was described as small and the facial expression of his was very odd and hard to explain “Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile, he had borne himself to the lawyer with some sort of murderous mixture of timidity and boldness, and he spoke with a husky, whispering somewhat broken voice” (Stevenson 16). After Utterson’s first encounter with Hyde, he is just amazed and shocked because of Hyde’s physical appearance. Also in their first encounter, the setting was very dark and gloomy which adds to the claim. Also the description of Hyde symbolizes Hyde’s evil. Hyde’s ugliness and his deformed face symbolizes his evil, his small size symbolize Jekyll’s evil side inside him that was repressed for so long along with the dark setting. Another symbolism used in the book is between Jekyll’s laboratory and his house. Jekyll’s house is described as a place of wealth and comfort but his laboratory is described as “a certain sinister block of building thrust forward its gable on the streets” (Stevenson 6). The wealthy house represents the respectable man Jekyll and the laboratory represents the corrupt Hyde. Normal people will not see the two structures as one just like how they won’t be able to see the relationship between Hyde and

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    In both The Strange Case of Dr. Jekyll and Mr. Hyde, and the 1941 movie adaptation, Dr. Jekyll and Mr. Hyde, a strong representation of evil is present. Both the film and the novel are surrounded with sense of immorality and sin. The text and the film have economical and historical characteristics that help define evil. While the film alone has a strong representation of evil surrounding gender and relationships.

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    Stevenson uses many methods to achieve and sustain an atmosphere of mystery and suspense in the novel of Dr. Jekyll and Mr. Hyde. He does this by using a clever sense of setting, vocabulary, surroundings and the manner of his characters which are used to describe and slowly reveal the appearance of Hyde . Some of these are highlighted in the depiction of the Dr Jekyll’s house, such as Mr. Enfield's story, Henry Jekyll’s will and the meeting with Hyde.

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    In Robert Louis Stevenson’s novel, Dr Jekyll and Mr. Hyde, Dr. Jekyll, in grave danger, writes a letter to his good friend Lanyon. With Jekyll’s fate in Lanyon’s hands, he requests the completion of a task, laying out specific directions for Lanyon to address the urgency of the matter. In desperation, Jekyll reveals the possible consequences of not completing this task through the use of emotional appeals, drawing from his longtime friendship with Lanyon, to the fear and guilt he might feel if he fails at succeeding at this task. Through Jekyll’s serious and urgent tone, it is revealed that his situation is a matter of life and death in which only Lanyon can determine the outcome.

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    In Dr. Jekyll and Mr. Hyde, Hyde becomes Jekyll's demonic, monstrous alter ego. Certainly Stevenson presents him immediately as this from the outset. Hissing as he speaks, Hyde has "a kind of black sneering coolness . . . like Satan". He also strikes those who witness him as being "pale and dwarfish" and simian like. The Strange Case unfolds with the search by the men to uncover the secret of Hyde. As the narrator, Utterson, says, "If he be Mr. Hyde . . . I shall be Mr. Seek". Utterson begins his quest with a cursory search for his own demons. Fearing for Jekyll because the good doctor has so strangely altered his will in favor of Hyde, Utterson examines his own conscience, "and the lawyer, scared by the thought, brooded a while in his own past, groping in all the corners of memory, lest by chance some Jack-in-the-Box of an old iniquity should leap to light there" (SC, 42). Like so many eminent Victorians, Utterson lives a mildly double life and feels mildly apprehensive about it. An ugly dwarf like Hyde may jump out from his own boxed self, but for him such art unlikely creature is still envisioned as a toy. Although, from the beginning Hyde fills him with a distaste for life (SC, 40, not until the final, fatal night, after he storms the cabinet, can Utterson conceive of the enormity of Jekyll's second self. Only then does he realize that "he was looking on the body of a self-dcstroyer" (SC, 70); Jekyll and Hyde are one in death as they must have been in life.

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    Mr. Utterson then stakes out and paces around the area that Mr. Hyde was supposedly in from the gossip he heard. “ Mr Utterson began to haunt the door in the by street of shops.” The ‘haunt’ is as if he’s like a ghost hovering around them. The dark things have been happening during the night like Mr. Utterson meeting Mr. Hyde. This happens during the night....

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