Compare And Contrast Da Vinci Vs Van Der Weyden

749 Words2 Pages

Da Vinci VS. Van Der Weyden

Leonardo Da Vinci would often paint religious painting, later become quite well known for them. He made no exception when he painted the Virgin of the Rocks also known as the Madonna of the Rocks. This painting features Mary, the mother of Jesus, baby Jesus, baby John the Baptist, and an angel. They all sit together on a rocking background pointing to Jesus as he prays. This painting is actually a set of two paintings that depict the same image for the purpose of this painting the focus will be on the Louvre version, or the first version of the painting. (Vinci, 1452) Painted for the chapel for a church in Milan, it was said to not have fit the picture that da Vinci’s client had in mind, which led to the creation of the second version of the painting.
The painting is by no means a disappointment to Da Vinci’s name in fact it followed the stylistic similarities found in his other works. It was one of the first of his Milan paintings to show the holy figures of Mary, Jesus, John, and …show more content…

A form that likely came from his apprenticeship with Robert Campin. It was masterfully put together to connect the view to the people in the painting. Used to draw you in to observe each finely detailed part. From the style to the color and to the smallest detail in the faces Wayden made a way for the views to connect to his painting in a way that rare to see.
Both Da Vinci’s painting and Wayden’s represent religious moments painted for churches and used as show of skill. Both involve Jesus and feats in his life. Da Vinci with the start of his life praying at a young and Wayden with the end being removed from the cross after crucifixion. Both paintings create a connection between the subjects in the painting and the viewer of the painting. Both painters create that connection through use of detail in the figures and

Show More
Related

  • Madonna And Child Giotto Comparison

    1013 Words  | 3 Pages

    The history of the Madonna and Child starts in the Byzantine era. In this era paintings were not meant to look realistic, but rather were supposed to remind the viewer of a story or theological concept, in this case usually the concept that Jesus was both fully God and fully human. The years progressed and these paintings became more and more realistic as the Renaissance era was ushered in. During this time period artists strove to paint more accurate representations of their subjects. Even during this time, however there was still a use of iconology. Though all of these paintings have basically the same content, with the addition of various saints and angels, the theology that we can see in each painting differs greatly.

    Read More

  • The Crucifixion Analysis

    273 Words  | 1 Pages

    A common topic of artwork throughout history has been the crucifixion of Christ. Since it is such a common topic, it makes it very easy to see how artwork changed and developed from the Middle Ages to the Renaissance. The painting on the left, The Crucifixion by Pietro Lorenzetti, shows the usual characteristics of a painting from the Middle Ages. The facial expressions are not varied or very in depth, Jesus and the other saints have the typical halo that is used very often, and the colors are mostly all bright, making nothing in particular stand out. The second painting, on the right, is by Caravaggio and is titled The Flagellation of Christ. There is an obvious shift from one painting to the next. Caravaggio’s piece is much more realistic.

    Read More

  • Leonardo Da Vinci: The Quintessential Renaissance Man

    1231 Words  | 3 Pages

    These paintings are famous for a variety of qualities which have been much imitated by students and discussed at great length by aficionados and critics (“Leonardo Da Vinci.” Biography Online.) Among the qualities that make Leonardo's work unique are the innovative techniques which he used in laying on the paint, and his detailed knowledge of anatomy, light, botany and geology. These combined with his interest in physiognomy and the way in which humans register emotion in expression and gesture and his innovative use of the human form in figurative composition, blend with subtle gradation of tone (“Simplifying a Genius.”). All these techniques are evident his most famous painted works: the Mona Lisa, the Last Supper and the Virgin of the Rocks (“The Secret Revealed: How to Look at Italian Renaissance Painting.”

    Read More

  • Leonardo Da Vinci's Life

    1269 Words  | 3 Pages

    His first painting was the “Virgin of the Rocks”. The painting was of a the Holy Family in a cave and symbolized respect and tradition. Once commented that artists should practice drawing at dusk in courtyards with walls painted black. In 1499 the Milan government was overthrown by the French, so he left to Venice. This was only for a brief amount of time. Leonardo was asked to do Military projects for the senate and left to

    Read More

  • Fourteenth Century Art

    678 Words  | 2 Pages

    The piece Madonna with Saints and scenes of the life of christ ,a portable altarpiece and tryptic painting series by artist Maso Di Banco one of the most gifted pupil and associate of Giotto(The Brooklyn Museum,European art).Illustrates the life of christ from the birth of christ from right the birth of christ,center the annunciation of christ,left the crucifixion and top center the resurrection of christ.This piece shows just how much christianity was valued.This art form was so significant to this period they pass the practice down.Through books like ll Libro dell'Arte c.1370-1440 with step by step instructions on this technique cennino cennini on panel painting(cothren And stokstad 544).These artist created shrines to christ as seen in the piece by Maso Di Banco.The three dimensional portable gold altarpiece with decorative relief...

    Read More

  • Martha and Mary Magdalene by Caravaggio

    892 Words  | 2 Pages

    ‘Martha and Mary Magdalene’ sometimes known as ‘Martha Reproving Mary’ or ‘The Conversion of the Magdalene’ was painted by Caravaggio in 1595 and completed in 1596. The piece was done in oil and tempera on canvas, measuring at 39 and three eights by 53 inches. Art historians believed it to be a copy until the 1970’s. It wasn’t until after, that the DIA purchased this painting in 1974, where it has resided since. This composition is said to be where the artist has fully devel...

    Read More

  • Lamentation and the Evolution of Technique

    920 Words  | 2 Pages

    One of the very first well-known portrayals of this narrative was by Giotto di Bondone. From around 1304, it is an Early Renaissance painting. Jesus is lying down, cradled by the Virgin Mary, and Mary Magdalene is cares...

    Read More

  • Analysis Of Madonna And Child With Two Angels

    864 Words  | 2 Pages

    Piero della Francesca presented an iconic image of the Renaissance in Italy in his own way, highlighting the two most important idols of the Catholic church, Jesus Christ and the Virgin Mary. Through oil paint, he connected sacred biblical meanings into his own masterpiece. He devoted Christ to portray him in a scene of blessing with his surroundings and other holy figures. The Madonna and Child with Two Angels (Senigallia Madonna), is a piece created with such emphasized meaning and such divinity of the holy, Jesus Christ and his mother the Virgin Mary.

    Read More

  • Antonio Da Correggio: A Renaissance Artist

    814 Words  | 2 Pages

    ...nciples of design used within the artwork help convey the message of confusion and turmoil. They also help make the piece more appealing to the eye, able to gaze at it for long periods of time. Since most Renaissance painters often depicted sciences from the Bible, there are plenty of illustrations depicting the same event. Despite this, I feel that Correggio did an outstanding job of capturing the event in such an articulate and accurate manner. As a result of the success from this painting and its skill, "His use of bold foreshortening, his brilliant, highly original approach to color and light, and the exquisite grace of his figure establish him as one of the most inventive artists of the High Renaissance" (2).

    Read More

  • An Analysis Of Leonardo Da Vinci's The Last Supper

    719 Words  | 2 Pages

    Leonardo da Vinci used flawless subject matter, form, content, and iconography to create his painting The Last Supper. Leonardo da Vinci painted his interpretation of what the Last Supper looked like through his work of art. In the center of his painting he painted Jesus Christ, the son of God, in the middle of all of his disciples. On each side of him there are an even number of six disciples sitting at a table pointing to themselves and to each other. Da Vinci painted this scene inside of a dark room with three windows, eight doors, and a beautiful outside environment. In order to paint this scene da Vinci used flawless form.

    Read More

  • Comparing Madonna And Child With Two Donors

    456 Words  | 1 Pages

    Two paintings: Holy Family and Fragment of a Portable Triptych: Madonna and Child with Two Donors are both contain Virgin Mary. These two paintings have huge differences on style, and the charactors in the Holy Family is more vivid than the Madonna and Child with Two Donors. The Holy Family consists of the Virgin Mary, the Child Jesus and Saint Joseph. In the foreground, Mary is holding the Child Jesus and sitting next to Saint Joseph.

    Read More

  • Art Conservation and Restoration

    1192 Words  | 3 Pages

    Clearly, the piece is not in its original form, nor was it even twenty years after completion. However, due to the concern, care, diligence, and expertise of many art lovers, there remains at least a remnant of da Vinci’s masterpiece to be studied and enjoyed by future scholars and visitor.

    Read More

  • Descriptive Essay On The Last Supper

    631 Words  | 2 Pages

    To this day the Last Supper continues to be one of the most famous art pieces created by da Vinci. It is considered the first great configuration of the High renaissance and visual interpretation of its theme focus. Although several other artist has attempted to paint a portrait of The Last Supper da Vinci remains the most studied and well known of all.

    Read More

  • A Comparison of Da Vinci's and Tintoretto's The Last Supper

    660 Words  | 2 Pages

    The two paintings and artists I am going to compare and contrast are "The Last Supper" by Leonardo Da Vinci (1452-1519) and "The Last Supper" by Jacopo Tintoretto (1518-1594). Although I am not a religious person, the sight of the painting by Tintoretto amazed me for the simple fact that it is so different from "The Last Supper" I grew up with.

    Read More

  • Leonardo Da Vinci During The High Renaissance

    833 Words  | 2 Pages

    Nearly everything captured the attention of handsome, intelligent, and charming da Vinci. His dream of flying and pursuit of inventing often compelled him to abandon a project for the sake of exploration. Contrary to the beliefs of most notorious figures of the time, da Vinci comprehended the flaws of humanism and relativism. Rather, he recognized a higher authority, which he strove to obey. Today, da Vinci is most frequently recognized as the creative genius behind the fascinating “Mona Lisa.” “Mona Lisa” herself, was likely quite ordinary. In fact, “Mona” is simply an abbreviation of the title, “Mrs.” or “Madonna.” While the subject’s true identity is debatable, da Vinci’s skillful execution is undeniable. The blurred contours and dark undertones of his own technique, sfumato, pair with intentional fuzziness and purposeful shadows to create a portrait with exceptional depth and rich meaning. Opposed to the preferences of many artists of the day, da Vinci favored pleasant subjects. No doubt his employment of musicians and jesters to entertain his subjects is partially responsible for Mona Lisa’s distinguished smile. Indubitably, Leonardo da Vinci’s achievements set the standard for High Renaissance

    Read More

More about Compare And Contrast Da Vinci Vs Van Der Weyden

Open Document