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Figurative transformation in ovid's metamorphoses
Ancient perspectives on leadership
What does Sophocles think of Creon
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Despite the fact that Creon from Sophocles and Pentheus from Ovid’s Metamorphoses rule in very different time periods, their tactics of leading their people are very similar. Both characters possess analogous flaws during their reigns that make them ineffective leaders in Thebes. It’s their arrogance, authoritarian nature, and inability to transform in a timely manner that make figures such as Creon and Pentheus have unsuccessful rulings in Thebes. Creon and Pentheus both share a parallel fate due to their choice to not listen to Tiresias the prophet and disrespecting the Gods’ will. Their inability to listen leads to their demise and forces both characters to attempt to transform in order to save their reign from failure. Their ability to show their authorization by making examples of other characters such as Antigone, and Acoetes is the reason why they are disliked among their people. It is remarkable to see both characters have the ability to transform throughout the text, however it is their flaw of not transforming in a timely manner that causes their regime to fail. Their inability to listen to the same prophet Tiresias is what cause both characters to have such an ineffective reign and lead them straight to their demise. Creon and Pentheus’ arrogance, authoritarian nature, and inability to transform in a timely manner are what not only cause …show more content…
their regime to fail but also learn that their power is incomparable to that of the gods. The authoritarian nature that both these characters have is what allows them to believe that they have powers that are even greater than the gods. Both Creon and Pentheus exemplify just that when ignoring the prophecy spoken by Tiresias. Creon’s conflict with Tiresias about burying Polynices is an order from the gods that seals Creon’s fate. Creon believes that the gods will side with him in the case that Polynices should not be buried since he was a traitor. However, when the prophet Tiresias tells him that the Gods’ orders are to bury Polynices, Creon lashes out at them. He states “You’ll never bury that body in the grave,| not even if Zeus’s eagles rip the corpse| and wing their rotten pickings off to the throne of god” (Ant.1150-1154). Not only has Creon disobeyed the Gods unknowingly, but he also lashes out and disrespects them by thinking he himself is larger then the Gods. By stating, “not even if Zeus’ eagles rip the corpse”, he is insinuating that not even the gods will bury his body even if they deemed it as right. It is that statement that shows not only his inability to listen and respect the gods, but that he’s challenging the gods’ power, comparing it to his own in a sense that what he says is the final word. When Pentheus is told by the same prophet his fate, he refuses to let Tiresias finish before lashing out at how much he despises the Gods. Pentheus not only mocks Tiresias’ prophet for his “dwelling in the dark-his blindness” but he intends to confront Bacchus himself, essentially attempting to prove that Bacchus is a fraud who is pretending to be a god only to gain power in Thebes. As he continues his long passage about why the citizens of Thebes shouldn’t follow Bacchus, he states- “Just stand aside| for a moment, and I’ll force him to confess| that he’s no son of Jove, and all his rites| are counterfeit” (Met.99). Pentheus attempts to use this situation to display his power, which he believes is god-like by trying to disprove Bacchus. However, it is his flaw of ignoring Tiresias’ prophecy is what leads to his death. The arrogance that these two men share not to listen to and bear in mind the things that the prophets say that comes from the gods, is why they are inefficient leaders who aren’t fit to run Thebes. People in authority have more than enough power that the person in reign becomes obsessed with it. Creon and Pentheus are no exception as they seize the moment when they are able to show their authority to others. Creon obsession with power is because of his fear of factions rising up against him after the civil war. Creon’s eagerness to demonstrate the power he has gained makes him extremely confident as he puts away her niece for doing what the gods know is right and just. This fear that he has turns his obsession with power into arrogance, which is why he makes an example out of Antigone. When he is finished with Antigone he states- “…Take her away, quickly| Wall her up in the tomb, you have your orders. Abandon her there, alone, and let her choose--| death or a buried life with a good roof for shelter”(Ant.971-974). His purpose for making an example of Antigone is to show the citizens of Thebes that anyone who dares to break the rules will be dealt with a severe punishment. Creon’s display of power exhibits that he believes the power he has to resemble one of a god in order for his citizens to listen. Allowing Antigone to choose between “death and a buried life with a good roof for shelter” displays his authoritarian nature and power allowing her to make a decision. Instead of the Gods deciding whether the burial of Polynices was right or not, Creon oversteps those boundaries by declaring that what Antigone did was wrong and that she will be punished for it. His inability to show a proper verdict in this circumstance, that among his citizens, he is an ineffective leader. Pentheus, who is obsessed with power, and despises the gods, uses his authority to show one of Bacchus’ followers that he is in charge of Thebes. During his conversation with Acoetes, he states …We’ve heard all of your endless tale-which wound its way so that my anger might, through such delay, wind down, But now, you slaves be quick. Don’t wait; his fate is savage torture; send him down into the night of Styx. (Met.104) Pentheus attempts to use Acoetes as an example of his power that trumps all in Thebes, even Bacchus. The authority of Pentheus, putting Acoetes in the dungeon, exhibits that Pentheus believes his power supersedes that of a god. He is deciding Acoetes’ fate for him, as Acoetes is following the orders of a god, thus making his statement, that no power shall be stronger then his. Both characters fail to comprehend that no matter how much authority that they have, it will never supersede that of a god [Again, I do not agree that this is Creon’s problem]. That inability to see this is what causes both characters to become the way they are [This sentence adds nothing]. Although, both characters have many negative aspects that make them ineffective leaders, one aspect that varies is their ability to alter themselves. During their “respective” reigns in Thebes, both Creon and Pentheus change in a positive manner; however, it is too late. Creon constantly changes throughout the text going from a man who will not hear the opinions of others to one who decides that maybe he did the wrong thing. A character transformation like that is extremely powerful in that even though one - may be inefficient, he/she too can change for the better: And the guilt is all mine-| can never be fixed on another man, | no escape for me. I killed you, | I, god help me, I admit it all!” (Ant. 1441-1444). A startling transformation has occurred as Creon understands his mistakes and admits that he has made them. After the loss of Antigone, Haemon and now at the end of the story, Eurydice, Creon is able to understand that his reign was a failure. It is this understanding and acceptance that his persecution of Antigone was wrong is what has transformed him from a King who thought he had god-like powers to becoming a mere human. Pentheus goes through perhaps a transformation that is quick in the text, right before he is killed. Compared to Creon, his transformation is a lot quicker in, which his consequence for not listening to the gods was seen faster, then Creon’s [I cannot follow this sentence.]. In the text, his transformation takes place when his mother shouts “ He’s trembling-yes, he’s trembling now, his speech| is much less violent; he blames himself, | admits that he has sinned. But he is| pierced with bitter wounds. He cries: Autonoe,| my dear aunt, help me now, you must recall| Acteon’s shade-have mercy”(Met. 105). [Correct formatting!] It is at these point as he stares death in the face in the form of his own mother, that Pentheus realizes that the fate Tiresias has told him about has come true. Pentheus’ alteration occurs in this very scene with the help of a strategy Ovid uses of switching from third person to first person in the middle of a paragraph. Ovid’s decision to switch from third person to first person demonstrates the transformation that Pentheus has taken by first showing the side of the attackers who say Pentheus is asking for forgiveness and then displaying Pentheus himself asking for forgiveness. It is this dynamic, although rather quick, that allows the reader to feel a little pity compared to Creon. The reader becomes more sympathetic to Creon because of the slow build towards his transformation in the end. However, it is their inability to transform in a timely manner that “leads them to their doom”. Both Creon and Pentheus are characters that have very related stories and reigns in Thebes, which is surprising to see how, similar they are.
Although Tiresias gave them both their fates, the both attempted a change in form. Even when they attempt to change, however, their fates were sealed as soon as they disobeyed and mocked the gods. Both characters’ flaws of having traits such as arrogance, an authoritarian nature, and inability to transform in a timely manner is what causes both of their reigns in Thebes to be ineffective. Their fates exhibit that power is nothing unless the both the gods and citizens permit
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The two plays, "Antigone" and "Julius Caesar" both contained two very similar characters. In Antigone the nobleman, Creon, claimed the thrown after his nephews, heirs to Thebes killed each other in battle. Assuming that the populous was going to find him inadequate he laid a strict rule in order to keep the people under his control. Creon wanted Thebes to prosper and grow and was willing to do anything to achieve this. Through a chain of events Creon killed his entire family.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
Many great rulers have been tempted by the authority of absolute power. In Antigone, by Sophocles, Creon, the Theban king, will do anything in order to earn this absolute power. Creon’s prideful attitude, disregard of the authority of the gods, and failure to listen cause him to fail as a statesman, demonstrating the nature of kingship in Sophocles’s Antigone.
Now, that the play is over we notice a downfall in Thebes that was caused by Creon’s stubbornness and abuse of power. By Creon being King he thought that he could do whatever he wanted and have everything go his way. Creon’s roles as King made him believe that he had every right to break the law of God and create his own for people without their consent. Creon caused corruption of Thebes by trying to measure his powers with the powers of the Gods and when Teiresias tried to tell him that it would not have a good ending, Creon failed to believe him. So, therefore learned his lesson as he was being carried in to the house as the choragos said “There is no happiness where there is no wisdom; No wisdom, but in submission to the gods. Big words are always punished, and proud men in old age learn to be wise” (1833).
Oedipus’ impulsive nature leads him to discovering the truth and reveals that he has indeed fulfilled the prophecy he was running from. After Oedipus becomes king of Thebes, the people of Thebes become plagued. Oedipus’ feels responsible for saving the people of Thebes. Oedipus’ pride to save the city later turns to pity after he divulges the sin he has committed.
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
Paralleling ¨The Allegory of the Cave,¨ Creon, the king and antagonist of this play, foolishly believes that his opinion is infallible and the people of Thebes must blindly obey. Similar to how the cave dwellers naively accept the puppeteers images, the Thebans accept Creon's law for what it is, except for Antigone. Antigone is able to recognize that the law is incorrect, because she has seen the light and therefore the truth; this is the beginning of the unraveling of Creon’s reign. Creon rules as a King over those who remain in the dark; however, because Antigone has seen the light and can now recognize the truth, she stands in the path of Creon's leadership. Plato establishes that ¨ The state in which the rulers are most reluctant to govern is always the best. . . The state in which they are most eager, the worst;¨ contrastingly, Creon is represented as a power hungry tyrant ”declaring ¨Is not the city Held to be his who rules it?¨ Ultimately, Creon’s refusal to accept the truth leads to the death of his niece, son, and wife and the undermine of his rule as predicted by
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
as the King of Thebes. Creon poses to be a major authority figure in a patriarchal
Those characteristics have been shown to signify great suffering and destruction. Sophocles even though made Creon seem powerful and right he wanted his readers to know family is most important and should always be put as a main priority because if ignored in Creons case when everyone important to him is gone the will be nothing to doe except follow the laws of religion and the gods that he tried to over rule.
In the play the dominance of the gods is shown again and again. In the second stasimon after Tiresias leaves the chorus chants "Zeus and Apollo know, they know, the great masters of all the dark and depth of human life", reasserting the belief in the god's power. At the very opening of the play, the priest who converses with Oedipus says ". . . You cannot equal the gods, your children know that. . . ", proving again the Greek belief that the gods are the height of power. However, it is not only the people that revere the gods. After Oedipus blinds himself, Creon takes control of Thebes. When Oedipus asks to be banished, Creon replies "Not I. Only the gods can give you that", again acknowledging the higher authority of the gods.
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...
In Sophocles' Antigone, the dilemma between nomos of the city and nomos of the home divides blood relatives and causes an inevitable conflict. Kreon, Thebes’ ruler, supports nomos of the states and honors polis before oikos. In contrast, Antigone promotes blood ties of oikos and divine laws that govern the dead. Kreon punishes Antigone for carrying out her duty to Polyneikes, and in doing so, he presents a different perspective and reversed order of priorities. In Antigone, polis and oikos depend on one another and share a symbiotic relationship. Since both are unstable, they cannot exist by themselves without problems. This, in turn with Kreon's stubbornness, leads to an untenable encounter.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.