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Controversial ideas in the stranger albert camus
Extended essay on plague
Extended essay on plague
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In Albert Camus’s novel, The Plague, the characters were brought together as a community because of the rat-induced Black Plague. As Dr. Rieux discovered that the gathering of all the dead rats has caused the epidemic to exacerbate, he and the other doctors urged the authorities to place Oran under quarantine; therefore not letting any of the civilians to be able to make contact with anyone other than with the people in the city. Initially, the civilians acted selfish and only cared for his own life, which is evident in the first part of the novel, “In this respect our townsfolk were like everybody else, wrapped up in themselves; in other words they were humanists: they disbelieved in pestilences.” The authorities also chose to ignore this
dire issue and only acted when there was a sudden influx of deaths. Civilians went about normal life and pretended the plague was not upon them, “Hitherto, surprised as he may have been by the strange things happening around him, each individual citizen had gone about his business as usual, so far as this was possible. And no doubt he would have continued doing so.” Camus shows how indifferent the civilians were to the plague in order to make a distinct contrast between the pre-plague time and the plague time. After Oran had been placed under quarantine, the civilians eventually come together as a community in order to mitigate the problems they all face. At first, the people who were unprepared for the closing of the gates longed for their loved ones and wandered aimlessly without a purpose for they lost all hope in quarantine ending any time soon. They saw their situation as something only they are experiencing and they forgot that everyone is also experiencing the same thing. The civilians were just as self-absorbed as they were before the quarantine. “But once the town gates were shut, everyone one of us realized that all, the narrator include, were, so to speak, in the same boat, and each would have had too adapt himself to the new conditions of life,” shows that because the civilians are essentially facing the same issue, they come together as a community to help one another through these tough times of isolation and confinement. Father Paneloux took it upon himself to declare the plague as a form of punishment for the civilians’ sins, thus leading to the civilians becoming religious and fervently praying for mercy and forgiveness. This shows that in a time of fear and chaos, people congregate and participate in community acts such as praying to God and listening to sermons. Since most of the civilians have resorted to self-loathing and complaining about the state of Oran, Tarrou decided to make a change and started to recruit volunteers to help the victims of the plague. He wanted to see people helping one another as a community instead of condemning themselves to death. After so many deaths, the people finally acknowledge that they are all living through the same “collective plight” and that they are all equally condemned to die. Because the people all share the same fate, they come together and support one another, waiting for the inevitable.
Think of a North America without electricity, no running water, no government, almost no buildings left intact, and ravaged by a Chinese manufactured plague, even though it’s hard to imagine that's what happened in Jeff Hirsch’s The Eleventh Plague. In Jeff Hirsch’s Eleventh Plague a family made up of the Dad, Mom, Grandfather, and son are trying to survive in a North America ravaged by a Chinese Plague , But then the mom and grandpa die and dad and Stephen are left on their own, but when the dad gets injured running away from some slavers, A Town named Settlers Landing that seems too good to be true takes them in. Then Stephen befriends a girl named Jenny, and when they play a prank that sends Jenny, and when they play a prank that sends the town into chaos. A war is started and it is up to them to help stop it. I thought that The Eleventh Plague was a believable piece of Speculative Fiction because of Hirsch's use of elements of Conflict, Theme, and Red Herrings.
Before the Black Plague, living in Britain was interesting and positive but, was not always pleasant. It was too crowded and dirty, Britain was disgusting and unsanitary for the citizens for a long period of time, even before the disease spread to Europe (Ibeji n.pag.). Thus, Britain being so dirty, it was easier for this disease to spread. The citizens of Europe had no clue what was coming to disease them. Many people were not ready for the cultural changes of the disease and were shocked the disease even reached their towns.
According to Boccaccio’s account, civil order broke down during the plague as panic swept Florence. People were terrified by the inexplicable disease and the resulting massive death toll. In this state of distress, Boccaccio notes, “that the laws, human and divine, were not regarded” (Boccaccio 168). It became a mindset of every man for himself, or as Boccaccio states, “every one did just as he pleased” (Boccaccio 168). As people abandoned the laws, and officers—either sick or dead—could no longer enforce them, civil order in Florence turned to chaos.
“I think a rat just climbed up my leg, Dad. And I’ve got fleas, too.” “John, there’s all this Black Death and all you care about is a few fleas and a rat.
Through the eyes of Boccaccio, plague in the City of Florence due has formed three basic forms of social groups. First, there were people who believed that "a sober and abstemious mode of living considerably reduced the risk of infection" therefore they lived in isolation from the rest of the people (Boccaccio 7).
The Plague (French, La Peste) is a novel written by Albert Camus that is about an epidemic of bubonic plague. The Plague is set in a small Mediterranean town in North Africa called Oran. Dr. Bernard Rieux, one of the main characters, describes it as an ugly town. Oran’s inhabitants are boring people who appear to live, for the most part, habitual lives. The main focus of the town is money. “…everyone is bored, and devotes himself to cultivating habits. Our citizens work hard, but solely with the object of getting rich. Their chief interest is in commerce, and their chief aim in life is, as they call it, 'doing business’” (Camus 4). The citizens’ unawareness of life’s riches and pleasures show their susceptibility to the oncoming plague. They don’t bother themselves with matters not involving money. It is very easy for the reader to realize that they are too naive to combat the forthcoming calamity. The theme of not knowing life is more than work and habits will narrow the people’s chances of survival. Rieux explains that the town had a view of death as something that happens every day. He then explains that the town really doesn’t face towards the Mediterranean Sea. Actually it is almost impossible to see the sea from town. Oran is a town which seems to turn its back on life and freedom. The Plague was first published in 1948 in France. “Early readers were quick to note that it was in part an allegory of the German occupation of France from 1940 to 1944, which cut France off from the outside world; just as in the novel the town of Oran must close its gates to isolate the plague” (“The Plague” 202). When the plague first arrives, the residents are slow to realize the extreme danger they are in. Once they finally become aware of it...
As a Christian speaking to the people of Oran, it would be very difficult to say anything to a people facing such terrible affliction. Even though Father Paneloux believed what he was preaching, I believe he was completely wrong. This would make what I would say much different from what Father Paneloux said. However, some strong points did emerge from his sermons. Overall, the two sermons in Albert Camus’ The Plague fail to help people become more faithful and fail to even preach to the people of Oran the truth.
The interesting concept of the absurd hero is classically presented by the author, Albert Camus in many of his novels, including The Plague. An absurd hero is a person who does what he has to do regardless of whether or not he can control that situation. Dr. Rieux, a physician in the plagued town, for example, still performs his job daily and just as diligent as he ever has, instead of caving in to the worry and fear that his town experiences because of this widespread epidemic. Camus uses this concept of the absurd hero to develop the four main characters, Tarrou, Rambert, Grand, but especially Dr. Bernard Rieux.
The futile attempts by Oranian people are shown throughout the phenomenon that is the plague. Not once do they completely give up hope, even when it seems like the best course of action is to do so. At the end of the story, the plague does seem to vanish, but not because of the people. Camus’s ingenious usage of irony and the subtle development of the characters effectively supports the idea that man will forever strive to outlast and outwit the absurd. When the plague leaves, and the city is in ruins, the people can actually see for themselves how they’ve changed. The literal plague no longer floods the streets, but with its departure comes the realization that the plague will never truly leave.
In the novel, the people of Oran are ignorant and selfish by thinking that a fatal plague or epidemic would never harm them. When it does though, everyone goes ballistic and can’t understand why it is happening to them. Dr. Rieux is one of the main people that decided to do something about it. He is a doctor that sees some of the first signs of the plague early on. Being one of the first that acknowledges the problem as a plague came with disagreements amongst everyone. No one believed that there was a plague in their city and couldn’t recognize that they were all in serious danger. As days go by and the death toll increases dramatically, the ci...
Often times an author incorporates a thought or philosophy into a work that can shape or reshape the attitude emitted from the novel. In Albert Camus', The Stranger, the Existential philosophy that the author fills into the work give an aura of apathy. With the opening lines of "Mother died today. Or, maybe, yesterday; I can't be sure," Camus immediately sets a tone of indifference (1). Though the protagonist, Mersault, is not completely without cares, the overall attitude of passiveness he has toward himself, as well as toward others, give the entire novel a tone of apathy.
The Bubonic Plague, otherwise known as the Black Death was a raging disease. Most people thought of it as the physical Grim Reaper of their town or community. The disease lasted about six years, 1347 to 1352. The Bubonic Plague was a travesty that has traveled throughout Europe and has raged and decimated both large and small towns, putting Europe through a lot.
In addition, the plague was so severe that the people had no control over it, leaving them no choice than to leave the city. Pain and sadness were seen at everyone's faces. This served to show how they are confused and desperate. As a result, the city was isolated. The narrator mentioned how t...
I, the Plague king, fully stand behind my actions in killing the nobles and other upper classed citizens, for they have shown no empathy nor concern for the common folk. Their actions called for punishment , and their deaths were well deserved. The nobles abandoned their duties and neglected their responsibilities to care for themselves instead of following through with what they should be doing. They suffered at my hand for the actions they did and mainly the actions that they didn’t take.
As a whole humanity goes through life experiencing it day by day. By seeking the importance of life many are able to see that being a part of society can come with great value. With actions being the way we gear our paths, the main character Meursault took a huge step in importance of life as he confronted the chaplain. In “The Stranger” by Albert Camus, Meursault takes on the phenomenological approach to personality through the catharsis of suppressed anger towards the chaplain, an impactful stranger. Upon Camus’ selection of a stranger to display Meursault’s realization to the existentialist concern of revolt, readers cease to believe human interchangeability is possible.