Communication Breakdown: An Analysis of Regional Dialects in Blues Music

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In itself, music has intrinsic value. From Ludwig Van Beethoven to Miles Davis, instrumental music can stand on its own legs, and have meaning that transcends grammatical meaning. However, the implementation of words that are either spoken or sung creates a new genre, and a different aesthetic. In a sense, this is literature juxtaposed over rhythm and melody. This has the effect of giving a more concrete meaning to the music, and more emotion to the words or lyrics. It is a matter of taste, and a subject of intense debate to try and say one style of music does this the best. Blues music, one of America’s greatest exports, is a contender for this title, and is also interesting in a linguistic sense.
This is not understood without understanding language: the ever-changing medium by which human beings communicate ideas. Some might argue that this ability is what differentiates us from other animals. The function of this is to be able to understand each other, whether we are trying to say, “Look out, there’s a saber-toothed cat attempting to have you for dinner,” or, “My sweet darling, I will love you until my last dying breath.” This ability gives us a better chance at surviving; therefore, it has been passed on through the generations and underwent endless permutations.
One of the many permutations that language has made is into what is collectively known as English. This particular tongue was brought to the British Isles in the Sixth Century CE by Northern Europeans or “Germanic” people. (Kemmer) It followed English colonists around the world, including areas in North America, which will be the subject of this essay.
Eventually, the West African slaves that were brought to the American South to work in an agricultural context d...

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Rickford, John R. "The Creole Origins of African American Vernacular English: Evidence from Copula Absence." Http://www.modlinguistics.com/. Http://www.modlinguistics.com/, 1998. Web. 7 Apr. 2014.
Rothenbuhler, Eric W. "Myth and Collective Memory in the Case of Robert Johnson." Critical Studies in Media Communication 24.3 (2007): 189-205. Print.
United States. National Park Service. "Trail of the Hellhound: Delta Blues." National Parks Service. U.S. Department of the Interior, n.d. Web. 7 Apr. 2014.
Waters, Muddy, Willie Dixon, Muddy Waters, Little Walter, Otis Spann, Jimmy Rogers, Elgar Edmonds, and Big Crawford. Hoochie Coochie Man. New World Records, 1977. CD.
Welna, David. "The Story Of 'I'm Your Hoochie Coochie Man'" NPR. NPR, n.d. Web. 7 Apr. 2014.

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