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Julius Caesar and Oedipus Rex, Two Apples from the Same Tree In Julius Caesar and Oedipus Rex the similarities are apparent even at face value, both stories are written by world renowned writers and both are set before the Common Era. However, when looked into deeper the two stories have massive commonalities. One subtle but important similarity is women who try to help but ultimately fail, shown through the progression of the stories. In Julius Caesar, his wife, Calpurnia first appears Act 2, Scene 2 scaring Caesar into not going to the senate by crying out in a dream and saying "Help, ho! They murder Caesar!” .Then, Caesar orders a servant to go to the priests and has them sacrifice an animal in order to read the entrails for predictions of the future. Calpurnia arrives and tells him that he dare not leave the house that day. The servant returns and tells him that the sacrificed animal did not have …show more content…
Caesar insists on misinterpreting the omens, but Calpurnia begs him to blame her for his absence from the Senate, to which he finally agrees and yet Caesar still goes to the senate when Decius arrives eventually leading to his death. In Oedipus Rex, his wife, Jocasta first appears after Oedipus and Creon have a fight. Jocasta asks Oedipus why he is so upset and he tells her what Tiresias prophesied. Jocasta comforts him by saying, “Then thou mayest ease thy conscience on that score. Listen and I'll convince thee that no man …Regard it not. Whate'er the god deems fit. To search, himself unaided will reveal, that there is no truth in oracles or prophets, and she has proof. Long ago an oracle told Laius that his own son would kill him, and as a result he and Jocasta gave their infant son to a shepherd to leave out on a hillside to die with a pin through its ankles. So Laius was killed by robbers, not by his own son, proof that the
Calpurnia attempts to scare Caesar into staying at the house instead of going to the Capitol. She begins with ethos to establish her credibility and justify her concerns. Calpurnia “never stood on ceremonies”, but now they “fright her,” juxtaposing that the omens never scared her, but are frightening enough that she now is attentive to them. Because women were not as powerful in Rome, Calpurnia further credits her argument by including the “watch.” Using selection of detail, Calpurnia Even the guards, who are men, have seen the strange events, and they are scared. Since even men are scared, it should implicate to Caesar that he should be scared as well. Calpurnia sees a lioness, an image, normally associated with strength and courage, “whelp[ing] in the streets.” The lioness is essentially crying, scared of something. Caesar is also strong, but should be scared as well. When ethos fails to impact Caesar, Calpurnia switches to using pathos to try and scare Caesar. “Fierce fiery warriors [fighting] upon the clouds,” is an image that connotes war. In war, there is death and Caesar should be afraid of death. Calpurnia uses the image of “drizzled blood upon the Capitol,” connoting death, scaring Caesar of what is to come if he chooses to go to th...
Oedipus is searching for the truth of his identity. He vows to get to the bottom of Laius homicide, in spite of his mother/wife's insistence on not to and other people's voice telling him not to. In the play Jocasta, his wife advises him as he inches closer
The conspirators had already decided how and when they would kill Caesar, and Brutus, Cassius, along with Decius, knew they had to lure Caesar close. They had an advantage at this because they knew that all they would have to do was prove to Caesar that they had a good, solid friendship, and this would help their situation and leave Caesar completely sightless to the fact that his situation had grown dire. So they decided to use their friendship with Caesar in a horribly deceptive manner, effectively, in order to kill him. Decius managed to start this off well by using flattery and quick wit in order to trick Caesar into going to the senate house, despite the fact that Caesars wife, Calpurnia had dreams of Caesars murder the night before.
Instead, if Oedipus was not blind, he would link the fact of his marriage, love, and bed as a sin, with the prophecy of marrying his mother. Tiresias even tells Oedipus “the murderer you seek/ is yourself”. (31) If Oedipus processes the information, he has found the killer of King Laius and solved the mystery. However, he keeps blinding himself to the truth. After this whole scene, Oedipus talks to his wife (and mother), Jocasta, about Tiresias’ prophecy to him. Jocasta scoffs at Oedipus for believing in all truth of prophets and tells her prophecy of how she avoided her fate of her son going to kill his father and marry her. With this, Oedipus begins to recall his prophecy. He, then, links everything together when the shepherd confirms that he killed King Laius. As Tiresias once told Oedipus, “wisdom is a mode of suffering”. (28) By knowing that he was the killer of King Laius and had slept with his mom, he pokes his eyes out with brooches and goes into an exile of
His decision was helped made by a “anonymous” letter written by Cassius suggesting that he should take action. In scene 2, Caesar gets ready to go to the Capitol but Calpurnia, his wife, convinces him to stay home because of the many threatening omens but Decius, one of the conspirators, convinces him to go anyways. In scene three, Artemidorus, supporter of Caesar, reads a letter which he had written to warn Caesar about the plan that will kill Caesar. In scene four, Portia, Brutus’ wife, sends the servant Lucius to go and see what is happening at the Capital where she meets the Soothsayer who makes her even more anxious than she already
She prefaces her plan by reminding Caesar of something: “[w]hen beggars die, there are no comets seen.” This aphorism allows Calpurnia to seem certain in the omens and their abnormality. Calpurnia also uses an aphoristic detail in that “[t]he heavens themselves blaze forth the death of princes.” Again, her prophetic statement acts as a method of ensuring her evidence is veritable. After Caesar refutes, Calpurnia is straightforward with him and truthfully says his knowledge is “consumed in confidence.” With her selection of detail, she angers Caesar while also making her seem stronger and more like someone to which Caesar should listen. As she concludes her argument, Calpurnia says she will send Antony to the Capitol and shall “prevail” in doing so. By using the word “prevail,” Calpurnia proves how strongly she wishes for Caesar to stay home; it indicates her desire to overcome Caesar’s
Caesar demands the priests to kill an animal and read the guts to see if he should go to the Senate that day. The priests tell him that the animal did not have a heart, a very bad sign. However, one of the plotters arrives and re-explains Calpurnia's dream to mean that all of Rome sucked the reviving blood of Caesar for its benefit. Caesar agrees with him that it is ridiculous to stay home because of a dream. The other conspirators arrive at his house to take him to the Senate House.
His wife, Calphurnia, had a dream and “thrice hath Calphurnia in her sleep cried out ‘Help ho, they murder Caesar!” but Caesar just thought that something was wrong with her or she was just having a bad dream (Shakespeare, 2.2.2-3). Her dreams foreshadows that harm was coming his way and she was warning him. However, Caesar does not believe it because it is just a dream. When Caesar decided to leave the house, Calphurnia convinced Caesar that he should stay safely at home. She told Caesar how she never believed in omens, but they are frightening her. She also told him about a servant who told her that the watchmen saw horrible sights and how she’s afraid and didn’t want him to go (Shakespeare, 2.2.13-26). Decius, however, persuaded Caesar to go because “if Caesar hide himself, shall they not whisper ‘Lo, Caesar is afraid’” (Shakespeare, 2.2.105-106). People would think that Caesar is afraid of showing up just because his wife had a bad dream and he didn’t want people to think
The claims of Jocasta seem that “chance rules our lives” and that Oedipus should live “as if there’s no tomorrow” contradicts the fates of the other characters in this play. Oedipus, if he had believed the events were determined randomly, would not have sent Creon to the oracle nor would he have fled Corinth after hearing the Oracle’s prophecy that he would be the one responsible for the death of his father or incest with his mother. Multiple times throughout this play the theme that prophecies, no matter how much one tries to change it, will come true and that the words of the gods have to be obeyed. Jocasta proves that she is only willing to believe oracles prophecies when it suits her. For example, Jocasta abandoned Oedipus when the oracle prophesied that he would kill Laius, and when he was not killed she claims the Oracle’s words are worthless. But as Jocasta sees Oedipus heading toward a tragic revelation, she tries to calm his fears, claiming everything is random. If Oedipus had not of known the truth in the first place or had listened to Jocasta, he could have continued to live in blissful ignorance, without tragedy or suffering. But the parricide and incest were pre-ordained making fate and the gods responsible and proves that their power and decrees should be
First, Portia, Brutus’s wife, senses something is wrong with Brutus the night before he will kill Caesar. Brutus promises to tell her, but leaves before he is able. If Brutus would have told Portia, she would have likely been able to convince him to change his mind and save both his and her life. Secondly, the night before Caesar is murdered, Calpurnia, Caesar's wife, has a dream that Caesar is killed. When she awakens, she tries her hardest to prevent Caesar from leaving the house, but fails.
Tiresias accuses Oedipus himself of killing Laius. Oedipus angrily rejects the Tiresias’ accusations and orders him to leave, but not before Tiresias mentions an incestual marriage and a future of blindness and disgrace. Jocasta tells him to not believe prophesies, explaining how a prophet told her once that Laius, the former king, and her husband, would die at the hands of their son and how she would marry him as well. The prophecy did not come true because the baby, according to Jocasta, was abandoned and died, and Laius was killed at a crossroads by a group of robbers. Oedipus begins to feel anxious
Two people try to save Caesar before he even leaves his home the day of his death. Calphurnia shares with Caesar a dream she had three times of him being murdered and begs him not to leave that day fears because of how realistic it was. Caesar states in the play, after his restless night with Calphurnia “Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out, ‘Help, ho! They murther Caesar!’
...ed a vital role in the novel was when the fearfully voiced her opinion on whether Caesar should go to the Senate and when she was reported to have had a dream in which she, “…in her sleep cried out, ‘Help, ho! They murder Caesar!’ Who’s within?” (Act 2, ii, 3-4). Foreshadowing the murder of her husband, and begging him to not go out, Calpurnia essentially controlled the fate of Caesar. It is remarkable to think that if Caesar had only listened to his wife, the entire course of the story would have been dramatically different.
The conspirators had planned the death of Julius. Brutus and Cassius, along with Decius, knew they had draw in to Caesar close. Proving Caesar that they had a firm friendship, that would solidify their situation and leave Julius completely sightless to his doomed fate. Caesar's wife Calphurnia would have a dream. She would see Caesar's statue run with blood and men with swords surrounding him.