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Essays comparing two literary works
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Many people don’t realize how themes in books and songs can be linked. Books have a variety of themes they cover; ranging from love and joy all the way to death and despair. Some may cover a plethora of genres in a single work. Like bookes, songs also have a wide variety of themes. You can always find a song and book that have comparable themes as there are a multitude of different books and songs to choose from. Such as Shakespeare's Othello where one of the main characters, Iago, deceives the other characters into completing his plan. Then another main character, Othello, eventually falls to Iago’s deception and is filled with grief after realizing he acted on false information. This story is closely related to the song “Demons” by Imagine …show more content…
One such instance of him tricking another character is Roderigo and that is shown here: “I re-tell thee again and again, I hate the Moor. My cause is hearted. Thine hath no less reason. Let us be conjunctive in our revenge against him. If thou canst cuckold him, thou dost thyself a pleasure, me a sport. There are many events in the womb of time which will be delivered. Traverse, go, provide thy money. We will have more of this tomorrow. Adieu.” (NF Shakespeare 1.3.14). This is where Iago is explaining to Roderigo that he hates Othello and wants Roderigo to seduce Desdemona in order to beat Othello from the inside. Since Roderigo likes Desdemona and wants to marry her, he is all in for this plan and goes to sell all his land for money so he can follow Desdemona anywhere. There is another instance of Iago tricking someone into completing his plan, and it was Othello. He starts off by acting reluctant to tell Othello what he thinks about Cassio shown here: “I do beseech you, though I perchance am vicious in my guess, as, I confess, it is my nature’s plague to spy into abuses, and oft my jealousy shapes faults that are not, that your wisdom, from one that so imperfectly conceits, would take no notice, nor build yourself a trouble out of his scattering and unsure observance. It were not for your quiet nor your good, nor for my manhood, honesty, and wisdom to let you know my thoughts.” (NF Shakespeare 3.3.7). Here he is telling Othello that he sometimes has wrong suspicions and doesn’t want to tell Othello what he’s thinking because it would disturb his peace of mind and wouldn’t be wise to tell him his thoughts. Then shortly after that Iago tells him after building up the suspense shown here: “Oh, beware, my lord, of jealousy! It is the green-eyed monster which doth mock the meat it feeds on. That cuckold lives in bliss who, certain of his
One symptoms may include using charm to wit to manipulate other for personal gain or personal pleasure (Mayo Clinic Staff). In Iago case, there is lot of evidence to suggest that Iago is manipulating other people for his own benefits. First, Iago is convincing Roderigo, Who loves Othello’s wife that he can have Desdemona even though she is married and loves Othello. Iago use many manipulation through the play to convince Roderigo to help get rid of Othello. Iago tells Roderigo “Thou art sure of me. Go, make money. I have told thee often, and I re-thee again and again, I hate the Moor. My cause is hearted. Thine hath no less reasons. Let us be conjunctive in our revenge against him” (Shakespeare). Here Shakespeare's shows that Iago is trying to convince Roderigo to help him bring Othello down and Iago uses Roderigo into giving him money to win him Desdemona. Iago took advantages of Roderigo's feeling for Desdemona in order to fulfill his own desires. Iago reveals “Put money in thy purse”(Shakespeare). This shows that Iago is just using Roderigo so he can get his money and he don’t really care about
Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1) A manipulative person gives himself the full-rights to do as they please without taking the rights of others into consideration, and they go about doing so by presenting themselves in the purest image of a good moral person, while they hide the true evil inside waiting for the right moment to dominate their prey. “They never recognize the rights of others and see their self-serving behaviors as permissible....
The greatest and best villains in literature are those who possess the ability to manipulate others in order to further their own causes. In Othello, Iago has the insight and tact to manipulate the other characters, such as Cassio, Roderigo, Desdemona, and in this case, Othello. The methods by which Iago works the other characters are varied, and one prime example of his cunning ability to manipulate can be seen in Act III.iii.333-450. In this passage Iago utilizes many rhetorical strategies to his advantage; in particular he uses tone and simile. These rhetorical strategies are instrumental in the deception of Othello.
Iago would most commonly be referred to as dishonest, however beyond that he is also downright amoral and uses other’s weaknesses to manipulate them into doing what he pleases. From the very beginning we see how Iago manipulates Roderigo by pretending he is looking out for his best interests in the matter of Othello’s elopement with Desdemona. He makes Barbantio angry with Othello and Desdemona by telling him about their elopement then lying about the consummation of their relationship. He then leaves Roderigo to take responsibility for his (Iago’s) actions. In the meantime he goes off to inform Othello that Roderigo is accountable for telling Barbantio about the relationship and saying horrible things about Othello. Iago later brings Roderigo back into his quest for revenge when he tries to get Cassio fired from the position that Iago originally wished to obtain. Although Cassio knows it is against his better judgement to drink, Iago manipulates him into getting drunk then stages a fight between Roderigo and Cassio. He even goes as far as to try to make Cassio look bad by telling Montano that he gets drunk regularly. Upon Iago’s explanation of the situation Othello promptly fires Cassio from his position and Iago becomes more respected in Othello’s eyes. Roderigo is a prime example of how Iago uses people to fulfil his desires. Iago convinces Roderigo that he could win Desdemona’s love away from Othello and the only man that stands in the way is Cassio. In this way when he plans to humiliate Cassio it seems as if he is doing it to help out Roderigo when, in actuality, he is seeking revenge on Cassio for taking his position.
manipulates people about Othello and his wife Desdemona. Iago starts manipulating people by hinting that Desdemona is having an affair with Cassio, and so in Act 3 scene 3 Iago puts his plans into action. starts manipulating people. Iago’s manipulation of Othello is admirable. Iago starts off very subtle.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
One of the most prominent traits in Iago is his ability to manipulate. His entire plan of bringing about the downfall of Othello involves him manipulating characters into believing what he wants them to believe. In fact, he is so good at manipulating people that no one even suspects him of doing anything wrong because they believe he is such an honorable man. “Iago deceives Othello by also manipulating other people to achieve his ends” (Boyce). This shows that Iago is able to deceive mostly everyone in the play. However, Iago himself says in Act I scene i line 62 of Othello “I am not what I am.” He means that he is not the loyal, honest friend that he appears to be to everyone else. His manipulations include using Roderigo for his money if he helps him against Othello while making it seem like he will help Roderigo win Othello’s wife, Desdemona (Shakespeare). He also manipulates Othello by making it seem as if Cassio and Desdemona are having an affair, which is what ultimately brings about the hero’s downfa...
His first speech is in act 1 scene 3 and is a defence of himself to
Iago, like Satan, has proved himself to be a master at deception. He lies to everyone taking great care to disguise his own thoughts. For example, in Act 1, scene 2, when he is speaking to Othello about his feelings toward Cassio, he uses very strong language of a manly soldier, while at the same time, he lies throughout the whole speech faking loyalty to a fellow soldier and all the while implying that he is reluctantly holding back the full truth: "I had rather have this tongue cut from my mouth/ Than it should do offense to Michael Cassio" (I.ii.21-22). This deception impresses and convinces Othello that his ensign is a good and loyal soldier. Iago also succeeds in deceiving Cassio. After Cassio's drunken fight, Iago counsels him to speak to Desdimona about trying to convince Othello to reinstate him as lieutenant, all th...
In the play Othello, the “aha” moment, the epiphany, and when the truth is revealed is when Othello discovers that all ideas that Iago put into his head about Cassio sleeping with Desdemona, the handkerchief, her being a whore were all just a lie and Iago, his so called “best friend” lied to him. . This scene takes place in Act five scene two, Emilia quotes “By heaven I do not, gentlemen. O mud’rous coxcomb! What should such a fool. Do with so good a wife.” This is the truth moment in which it affects Othello. Tension is released because of this since Othello now comes to the realization that he was lied to and we see how he is affected by the truth in this act when he quotes “ Are there no stones in heaven but what serves for the thunder?
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
of being an honest man. Iago knew that an important man like Othello couldn’t ignore. the possibility that his wife was cheating on him. Nobody suspects that Iago is a deceitful man and would plot and plan to destroy Othello, Cassio and Desdemona in such a way. cunning way to go.
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.