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Common Sense, Practicality, and the Literary Canon
In keeping with my more-or-less conservative views, it seems obvious that what is most lacking in the English culture-war debates is a little common sense and practicality. Take, for example, the question of the literary canon (by which I mean the canon of imaginative literature: fiction, poetry, and drama). In his preface to Falling Into Theory, David H. Richter articulates three basic positions on the issue of the standard or traditional canon: defend the canon, expand it to include works by women and minorities, or eliminate it altogether (vii- viii). The obvious answer to the conundrum of the canon is, I believe, to use some common sense and chart a middle course: the traditional canon should continue to be expanded to include works by women and minorities, for several reasons. 1.) It is impossible to teach literature without having some sort of a canon -- a common or core reading list of "acknowledged classics." Likewise, the notion of abolishing the canon (which no one seems to seriously suggest) is impractical; to do so would result in anarchy. 2.) The canon of English literature, itself of relatively recent origin (Horner, 2-3), is protean -- it has been and is changing and evolving, expanding to include works by women and minorities. 3.) Such evolution is natural, since canon selection is not based on aesthetic principles alone, but on values, which also evolve.
The so-called "traditional canon" theoretically represented what the oft-quoted Matthew Arnold called the "best that is known and thought in the world" (38). Only relatively recently was Arnold's view questioned as controversial (Searle, 82). With the breakdown of the fo...
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* Arnold, Matthew. "The Function of Criticism at the Present Time." Essays in Criticism: First Series. London: MacMillan, 1910. 1-41.
* Horner, Winifred Bryan. "Introduction." Literature and Composition. Ed. Winifred Bryan Horner. Chicago: U Chicago P, 1983. 1-13.
* Menand, Louis. "What Are Universities For?" Falling Into Theory: Conflicting Views on Reading Literature. Ed. David H. Richter. Boston: Bedford, 1994. 88-99.
* Pratt, Mary Louise. "Humanities for the Future: Reflections on Western Culture Debates at Stanford." Falling Into Theory: Conflicting Views on Reading Literature. Ed. David H. Richter. Boston: Bedford, 1994. 55-63.
* Searle, John. "The Storm Over the University." 79-88. Falling Into Theory: Conflicting Views on Reading Literature. Ed. David H. Richter. Boston: Bedford, 1994. 79-88.
Foster, Thomas C. How to Read Literature like a Professor: a Lively and Entertaining Guide to
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
Meyer, Michael, ed. Thinking and Writing About Literature. Second Edition. New York: Bedford/St. Martin's, 2001.
Imagine living in a society where the color of your skin defines who you are. In Harper Lee’s Novel, To Kill a Mockingbird, Maycomb County is surrounded in ignorance because people believe that people of a certain color are not as important as everyone else. An individual, Tom Robinson is attacked, and judged by Maycomb’s society because of false rape accusations and the color of his skin. The power of Atticus’s words show society that they were wrong about Tom because the color of his skin does not define who he is and being black does not make him a rapist. The three most important themes in To Kill a Mockingbird are knowledge versus ignorance, individual versus society, and power of words.
...Chrie, D., (ed.), Nineteenth Century Literature Criticism. Detroit, MI: Gale Research Company, 1986. Vo. 13, pp. 53-111.
Perkins George, Barbara. The American Tradition in Literature, 12th ed. New York: McGraw Hill, 2009. Print
Roberts, Edgar V., Literature: An Introduction to Reading and Writing, 4th Compact Edition, Upper Saddle River: Prentice Hall, 2008, print
DiYanni, Robert. "Literature, Reading Fiction, Poetry and Drama." Walker, Alice. Everyday Use. Boston: McGraw Hill, 1973. 743-749.
Meyer, M. (2013). Bedford introduction to literature: Reading, thinking, writing. Boston: Bedford Bks St Martin’s.
While drunk drivers who cause injuries or deaths may spend some time behind bars as punishment for their actions, for their victims the accident can often be a life sentence. Drunk driving has lifelong ramifications for those who are injured and who must live the rest of their lives with pain, disability, isolation, medical bills, or the loss of loved ones. While drunk-driving offenders can usually reclaim a normal life after their eventual release from jail, victims may never regain the normalcy that was taken from them so abruptly.
“Every year, in the United States about 600,000 and ten percent-of all motor vehicle crashes recorded by police department are all due to consumption of alcohol.” In 2003; 42,643 fatalities were caused by vehicle crashes. Of those, 17,013 (40 percent) were alcohol related. The majority people with DUI’s are not alcoholics. “Beer drinking causes about 80 percent of alcohol-related fatalities.” A crash is alcohol related if any driver, pedestrian or passenger involved has any trace of alcohol or there is suspicion of alcohol usage. As the cases of drunk driving quickly increase over a period of time as one of the fast developing public problem, more definite and stricter regulations should be emphasized on books and in the academic world to control such recurring drunk driving offenses.
Wechsler, Henry, and Toben F. Nelson. "Percentage of alcohol-related motor vehicle fatalities among young adults aged 16 to 24 years, by age group: United States, 1982-2007". Graph. American Journal of Public Health 100.6 (2010): 986-992. Academic Search Premier. EBSCO. Web. 22 Mar. 2011.
Effects of Drinking and Driving I’ve never seen drinking and driving on a daily planner or heard anyone say I think I’ll get a DUI today. I have heard people say “it’s my life, and if I want to drink and drive I will”. Well, it’s not just your life that is affected by the results of drinking and driving. When you make that choice to drink and drive you are taking the lives of family, friends, and strangers into your hands. You don’t have to get into an accident and kill somebody for the results to destroy you or someone else’s life. Drinking and driving can be the cause of many traumatic life changing events.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.