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Recommended: Comedy vs racism
Comedy is a great form of self-expression, but it can be deemed offensive at times for a variety of reasons. Comedy pushes many boundaries to their limits including sexism, profanity, disability, sexual orientation, and racism. All of these topics are controversial by themselves and comedians tend to push them even further, which often ends in altercations. In Comedy, Andrew Stott discusses a number of comedic routines and jokes that have caused people to be outraged. Sarah Silverman and Dave Chapelle are both comedians who have offended many people with their racist humor.
Sarah Silverman is a white, middle aged female comedian who does not have a problem with using racial slurs. Stott refers to one incident when Sarah Silverman used the word ‘chink’ in a joke on a late night television show. This joke attracted the negative attention from the Media Action Network for Asian Americans, which eventually led to a heated debate between Silverman and Guy Aoki, the president of the Media Action Network for Asian Americans. This was not Silverman’s only encounter with However, Silverman is not the only comedian who has caused negative attention due to offensive material.
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Dave Chapelle is an African American comedian who, like Silverman, has offended people through his comedy.
Chapelle was famous for his comedy routines portraying a variety of African American stereotypes. His original aim was to call attention to the racial discrimination present in today’s world. However, his routines seemed to steer away from those intentions which led to some problems. Stott writes, “Chapelle’s deep satire has caused some controversy, not least for its portrayal of Africa Americans” (Stott 121). Chapelle’s skits were seen as offensive opposed to informative. Eventually Chapelle revised his routines and told Oprah his skits were “socially irresponsible.” His remorse of his actions says a lot about his persona, which gives a deeper understanding into his
comedy. A comedian’s persona can ultimately portray their underlying intentions within their comedy. Sarah Silverman made some jokes about midgets and African Americans which led Stott to say her “person is straightforwardly insensitive and not ‘edgy’ at all” (Stott 107). Here he is saying at this point, Silverman is not joking anymore but instead is being truthful about the way she feels towards these groups of people. On the other hand, Chapelle admitted that he was wrong for the jokes he made. This shows that Chapelle’s persona does not reveal how he truly feels about racism. It suggests that the reasons for his jokes were merely to draw attention to the subject opposed to adding to the problems. Other than persona, there was another reason Silverman’s racist remakes were much more offensive than Chapelle’s skits. The Silverman incident was much more serious than Chapelle’s skits for one reason. Chapelle’s skits were poking fun at people of his own race while Silverman made jokes regarding people of different races. When comedians joke about their own race it is often seen as humorous, but when comedians make jokes about other races it is usually seen as offensive and racist. This is an important concept to understand when determining what is and is not acceptable in comedy. This principal does not only apply to race oriented jokes, but also applies to jokes about all sensitive topics. Rape, disabilities, sexual orientation, divorce, illness, and race are all extremely subtle topics and should be joked about accordingly. Some people would argue that none of these topics should ever be joked about. However, there are some occasions when these topics can be used as comedy but they should be handled delicately. Some rape and cancer victims may use comedy as a way to cope with their struggles. For example, Tig Notaro is a female comedian who suffered from breast cancer. Instead of letting the cancer bring her down, she used it to her advantage and joked about it in some of her stand-up routines. Patricia Lockwood wrote The Rape Joke to help rape victims cope with their tragic experiences. This shows that joking about some sensitive topics can have a positive effect, but they should be joked about cautiously. As we prepare for our comedy show, I believe we must be careful about what and who we joke about. The goal is to make people laugh and I believe that goal can be achieved without offending people. I believe that we should stray away from the sensitive topics such as rape, race, disabilities and sexual orientation. It is easier for well-known comedians to joke about sensitive topics, because they often share personal experiences with the crowd before they joke about a serious issue. However, for our comedy show I do not believe we will be sharing enough personal information with the audience for them to find ‘edgy’ jokes to be funny. I think there is a time and place in comedy for jokes about such topics but I do not believe our comedy show is one of those times.
Rebecca Krefting (2014), “an Associate Professor of American Studies, affiliate faculty to Gender Studies, and Director of the Media and Film Studies Program” (Skidmore), wrote an article called “Making Connections.” Krefting (2014) explains the connections between comedy and people, listing the reasons the world can build “Cultural Citizenship” through “charged humor” (p. 17-18)
According to Aristotle, “Comedy can be any colloquy or performance generally intended to amuse or stimulate laughter”. In modern times, comedy can be found in different forms, such as television, movies, theatres and stand-up comedy.
In the text “The Meaning of a Word” by Gloria Naylor, the author discloses on how her personal experiences altered her life and presented another perspective on how words can have different effects depending on its context or the situation. She emphasizes and outlines how a racial term can adopt a positive connotation by those whom it is being used against. The second text “Being a Chink” is about a woman who _____. The anecdote also provides experiences where the narrator focused on the existence of a racial term that remained effective throughout her childhood. The meaning of the word varies from ____. Naylor’s story shares similarities with “Being a Chink” by Christine Leong in regards to discussing the essence of a racial term. Both individuals demonstrate how racial acts can ________. Yes, racist language can be
It was hilarious whenever Fred Sanford of the hit series Sanford and Son used to fake his heart attack saying that famous phrase, “I’m coming Elizabeth” or what about him telling Aunt Ester how ugly she was. No one took that type of comedy to the heart and it was intended to hurt no one. It was all for a laugh. Now in today’s time there are new shows on television such as The Chapelle Show, which is hosted and directed by the comedian Dave Chapelle. The object of this show seems to be how much fun he can make of a different race. Times have changed and so have peoples’ since of humor. People went from the laid-back type sitcoms such as Sanford and Son, The Three Stooges, and The Little Rascals, which are all types of shows that people can watch with their entire family, to shows even adults feel turned away from. Some examples include The Chapelle Show and In Living Color.
From these comedians, satirical humor expresses some opinions about political acts so people can view them more critically.
Steve Almond’s “Funny is the New Deep” talks of the role that comedy has in our current society, and most certainly, it plays a huge role here. Namely, through what Almond [Aristotle?] calls the “comic impulse”, we as a people can speak of topics that would otherwise make many of uncomfortable. Almond deems the comic impulse as the most surefire way to keep heavy situations from becoming too foreboding. The comic impulse itself stems from our ability and unconscious need to defend and thus contend with the feeling of tragedy. As such, instead of rather forcing out humor, he implies that humor is something that is not consciously forced out from an author, but instead is more of a subconscious entity, coming out on its own. Almond emphasizes
During the 2004 NAACP awards ceremony at Washington, D.C., in commemoration of the 50th anniversary of the landmark case Brown vs. Board of Education , Bill Cosby delivers a speech, which would be subsequently referred to as “The Pound Cake Speech, criticizing the lifestyle and lack of parenting in the African–American community. The speech has been severely criticized for it is delivery and topics expressed within it. Author Jerome Corsi notes, "Cosby was attacked both for his flippant tone and because his argument appeared to 'blame the victim' for the racial inequality and racial injustice suffered." The purpose of this essay is to examine why the use of comedy, partitioning of listeners, and scapegoating of African-American parents, as the sole cause of African-American social problems, lead to the poor reception of Cosby's speech.
In the beginning of the article, Lukianoff and Haidt explain how one word can offend a college student really quickly, even if the person saying it didn’t intend to insult them. The authors then tell the audience how popular comedians, like Chris Rock, have stopped performing on college campuses, because the students cannot take a joke.
...able they really are with overtly racist stereotypes; and even with all the “human right”’ movements that spring about there is still the need for long-lasting solution against combating prejudices. By displaying stereotypes jokingly, especially ones that pertained for the Asian population, Yang proves not only do people hold prejudice against other groups with his examples of Asian stereotypes, but that stereotypes are still prevalent in today’s society.
I chose this video because it raised my awareness by questioning the difference between positive role models, such as The Cosby Show, and positive images for all African-Americans. The issues discussed and comments made by the cast piqued my interest and helped change my perspective on the history of African-American representation in the media, especially in the realm of television. Color Adjustment contains more than just endless ‘talking heads’ – it has elements of fact, history, and professional opinion all blended together in an engaging format. It was extremely exciting to hear the TV producers like Hal Kanter and David Wolper talk about their own productions in retrospect. Most importantly to me, Color Adjustment changed my perspective on African-American representation in the media by challenging me to think about images...
Humor is more than just amusing entertainment to pass the time. Though jokes and witty banter can be shallow, humor can go deeper than surface level to convey messages to audiences who would otherwise be close-minded about certain ideas. Humor is a great tool to get audiences to change the way they think, feel, and act. In “Saying Goodbye to Yang,” Alexander Weinstein uses humor to criticize some of society’s faults such as the way it has become heavily reliant on technology, racially insensitive, and judgmental.
On the other hand, keeping silent due to pressures from the white population means being shunned by the members of the Asian American population. I disagree with Chin’s ascertation that “years of apparent silence have made us accomplices” to the makers of stereotypes (Chin 1991, xxxix). I agree with Hongo’s argument that Chin viewpoint “limits artistic freedom” (Hongo 4). Declaring that those writers who do not argue stereotypes of the good, loyal, and feminine Chinese man or the submissive female, are in any way contributing to or disagreeing with them is ridiculous. Chin’s opinion that politics should be included in some aspect of every Asian American piece eliminates choice from writing topics for other writers. Authors are the voices of the people (whichever people they choose to represent) and should not be criticized for choosing to discuss issues other than those that Chin deems necessary.
Television comedies have been on the air for decades, and throughout this time many different shows have come and gone. Due to the dominance of these shows, comedies are one of the biggest draws on television. There are many different types of comedies, each with their own unique characteristics and features that differentiate them from others and lead to their popularity. Whether the show is a sketch comedy, sitcom, mockumentary or dramatic comedy, each utilizes different types of humour, locations, themes, and situations to appeal to the audience; which is likely why they are so popular today.
If there is one way to bring a smile to someone’s face, it is laughter. Funny jokes, comical stunts, sarcasm- Every person is different when it comes to what makes them laugh. Some find dry humor comical. Others think sarcasm or joke-filled ranting are the best. ‘Comedy’ is such a broad term, broad enough to allow everyone to find something they find comical. In fact, ‘comedy’ includes a specific type of drama, one where the protagonist is joyful and happy endings are expected. Comedy is like a drug; it allows you to escape reality. When we say the word ‘comedy’ in the present, we are generally referring to a type of performance which provides humor. However, in its broadest sense, comedy has only one purpose: comedy makes people smile and
Humor has been the source of entertainment throughout history. Today humor is practiced in movies, plays, songs, television shows and radio. Humor has brought fame and fortune to those who have mastered its power.