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Imperialism in asia and africa
Imperialism in asia and africa
Imperialism in asia and africa
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Said (1979) keeps an eye on the key concepts in post colonial theory like colonialism and empire. He has revealed the ideological practices of colonialism. His critical views provide a detailed description of the Western thinking towards the East. The western outlook of otherness towards eastern culture, customs and beliefs are presented by him in an apt manner. He draws upon the writings of many western writers to show the positive picture of the Orient. As a Palestinian living in the West, Said has firsthand experience of European imperialism and racism. His commentary on the cultural contrast between the east and the west is very persuasive and conclusive.
Spivak (1988) is the first theorist working for the female cause. She has introduced the concept of female marginalization in the field of Subaltern literature. In her
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Horwich (1977) deals with unsolved riddle and the dilemmas the in Merchant of Venice. One unsolved riddle is the selection of Venice and Belmont for the setting of the play. The two cities are poles apart. The city of Venice is faced with many social problems due the presence of the Jews in it. On the opposite, the city of Belmont is at peace because it has no Jews as its subjects. Thus, the Jewish minority is always looked upon as a black sheep and a bone of contention in the society.
Marzola (1997) takes a look at the drama, “Merchant of Venice” from multiple perspectives. His main focus is on the issue of identity crisis of Shylock and racial prejudice of the other characters towards him. Another point focused in his discussion is the role of Bassanio, who intends to marry Portia just to gain control on both her body and wealth but his character is still treated in a positive manner. Moreover, he tries to prove that the drama exposes the bitter and inhumane attitude of Shylock juxtaposed against the affectionate and behavior of the other characters in the
Because the setting in The Merchant of Venice is characterized by a hierarchy of gender roles in which males hold authority over females, a character like Portia’s father, one who reigns in authority over his daughter, is made possible. Additionally, the presiding social structure allows for his action of subjecting Portia to the mechanism which will determine her husband. Fortunately for Porti...
"Three Women's Texts and a Critique of Imperialism", Gayatri Chakravorty Spivak in The Feminist Reader ed. Catherine Belsey and Jane Moore (1997).
In this essay I will try to discover is Shylock a villain or a victim, in the William Shakespeare play “A Merchant of Venice”
Then there is the innocent and rich “Antonio” (Merchant), who is a Christian, and is a complete Anti-Semitec. Antonio’s character is wrong, he hates Jews, he loves being regarded as rich, and would do anything to make Shylock’s life a misery. Antonio hates Jews; this is proved in Act 1 Scene 3 where Antonio says, “The Hebrew will turn Christian, he grows kind”, this is blatant racism shown against the Jews. The story progresses, a new character is introduced, Portia.
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is clearly evidenced in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impeccably of that distinction.
In the city of Venice, tension arises between a moneylender and a merchant. William Shakespeare conveys this tension through his play The Merchant of Venice. The play is about a merchant, Antonio, who wants to help his friend, Bassanio, regarding his financial problems. However, Antonio’s money is at sea, so Antonio is forced to borrow money from Shylock who is a Jewish moneylender in Venice. Antonio and Shylock despise each other. Shakespeare uses a variety of literary devices to show how the differing life styles of Antonio and Shylock impacts the tension between them.
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
The Merchant of Venice is a play that deals with an assortment of issues that range from politics to racial views of the Jewish people. An embodiment of these two issues can be best attributed to the character of Shylock. In a 2004 production of The Merchant of Venice, by Michael Radford, we see the character of Shylock is portrayed in a different light than that of Shakespeare's 1594 villainous Jew. Both productions pose a series of questions in comparison. An understanding of the era that these plays were written in and the audience’s perception of the production attribute greatly to a true analysis. Another aspect of these productions asks who Shylock was to Shakespeare and who he has developed into for Al Pacino and Michael Radford.
In Shakespeare’s The Merchant of Venice, the concept of Justice is a prominent theme throughout the play. Specifically, Antonio and Shylock’s different ideas of justice is what fuels their animosity towards each other and how it compares to the concept of justice of the Venetian court.. Antonio”s quest for “justice” is fueled by anti Semitism and hate, while Shylock’s is fueled by the need for revenge. Antonio’s concept of justice is the more barbaric because he robs the Jew of his basic identity, although Shakespeare makes out Shylock’s concept of justice to appear inhuman.
William Shakespeare shows how two tradesmen can have completely different lives when others view them differently in the play The Merchant of Venice. In the play, Bassanio, Antonio’s friend, needs money to pursue his love. They seek a loan from Shylock, a Jewish moneylender in Antonio’s name. The contract is for three times the value of the bond in three months or else Shylock cuts off a pound of flesh from Antonio. While all this is happening, there are love plots going on. One of which is for Shylock’s daughter to elope with Lorenzo, a Christian. Later on, Antonio’s source of money, his ship, is reported sunken in the English Channel, dooming him to the loss of one pound of his flesh. There is a trial on the bond, and when it seems sure that Antonio will die, Portia, disguised as a doctor of laws legally gets Antonio out of the situation and Shylock recieves harsh penalties. Antonio and Shylock, two similar businessmen of Venice, are viewed differently and are treated oppositely to heighten the drama of the play and mold a more interesting plot.
“If a Jew wrongs a Christian, what is his humility? Shakespeare shows here that money doesn’t have the same effect on love as it does with the caskets or with the evil in Shylock, and that it can be used for good love in Portia’s donation. In Venice, Bassanio brings fourth the 6000 ducats to repay Shylock, but he doesn’t accept it. Once Portia, disguised as the doctor, entered the court, she pleads with Shylock to show mercy, but he refuses.
Said is a professor of English at Columbia University and a member of the Palestine National Council. Said's broad fame is principally connected to his book Orientalism, published in 1978, in which he strongly criticizes Western social, historical, and religious studies of the Middle East and North Africa. He acknowledges that he is not an expert on Palestine and indicates that he received most of his knowledge about the matter from discussions with Palestinians; however, to anyone reading the book it is evident that he is more than a mere critic.
Shakespeare highlights three of Portia’s suitors, the Prince of Morocco, the Prince of Arragon and Bassanio. He does this to heighten dramatic tension, as these three men are the most important candidates to win Portia’s hand in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud, vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men.
"The Merchant of Venice" is a play about revenge, justice, deseption and friendship. The story is about, Shylock a wealth Jew, lending one of his enemies, Antonoi, three thousand ducats. Although Antonio is a rich merchant all his resources are in his ships, trading too distant countries, but because he wants to help out his friend, Bassanio, he has no choice but to ask Shylock for a loan , not to know it could lead to his death.
Edward W Said, the renowned author of Orientalism (1978) now expands his scope, which he admits was limited to the Middle East, in his book “Culture and Imperialism. In the introduction of the book, much like the rest of the book, he talks about colonialism and imperial in context of western literature written around 19th and 20th century. Showing the effects of imperialism and colonization, on the colonizer as well as the colonized, interpreted through the eyes of writers such as Charles Dickens in Great Expectations-- and Joseph Conrad in Nostromo(1904). One puts light on the United Kingdom and its relation with it colony of Australia, a classic example of colonialism. On the other hand Conrad in ‘Nostromo’ reflects on imperialism with the example of Central America which, while being an independent republic, was being dominated by outside forces because of economic and political interests. By presenting these two examples Said covers most of what the topic “culture and imperialism” is to him and his point of view, while including two of the biggest examples, in terms of nations and there influence on other regions, on the subject. Although the examples may be seen as few on a subject so vast, it in affect is enough for Edward to prove that much of western literature has taken its influence from the effects of decolonization as well as imperialism, also the resistance to both.