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The relevance of Shakespeare to the contemporary world
Shakespeare’s influence on modern texts/films/ plays
The relevance of Shakespeare to the contemporary world
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The taming of the Shrew and The tragedy of Mariam, both embody the misogynistic claustrophobic nature of the Renaissance society, through elucidating the psychological suffocation of their female protagonists. This essay will focalise on how the claustrophobia illustrated, within both plays, is parallel to that which the sixteenth century women suffered. Predominant notions explored will be: the suffocating expectations of society, the role, and contribution of males to said suffocation, the utilisation of confined space, and lastly the restrictions implemented on the voice of women. A range of critics will be engaged, in order to grasp different vantage points and opinions, qualifying an adept realistic understanding of the texts, applying both texts, in their original society, as well as the modern.
The suffocating expectations of society are perhaps the central foundation to the claustrophobia formed. Similarly, both Katherine and Mariam’s actions are perceived as a woman’s transgression of ‘moral codes’ and social conventions within the Renaissance society, both are condemned for them. Mariam eventually meets a more tragic fate although, one could argue that Mariam, even if it is through death, is at least liberated, Katherine, on the other hand, must continue to live in suffocation.
The ‘too rough’ character of Katherine, is displaced within society, and isolated in the domestic space. (Shakespeare, 1982:109) She disappoints in conforming to the mould of a demure obedient maiden, and is thus rejected by her society. Her ‘shrewish’ behaviour leaves her to be deemed incompetent to marry, or be accepted as a woman, as she is not of a ‘gentler, milder, mould.’ (Shakespeare, 1982:109) Crocker highlights that, a shrew ‘is ...
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... Library in association with George Washington University. Stable URL:http://www.jstor.org/stable/2870547.
Crocker, A, C. ( 2003) ‘Affective Resistance: Performing Passivity and Playing a-Part in The Taming of the Shrew’, Published by: Folger Shakespeare Library in association with George Washington University.
Stable URL: http://www.jstor.org/stable/384417
Heller, L, J. (2005) ‘Space, Violence, and Bodies in Middleton and Cary’, Rice University. Stable URL: http://www.jstor.org/stable/3844552.
Miller, N, J. (1997) ‘Domestic Politics in Elizabeth Cary's The Tragedy of Mariam’,Rice University. Stable URL: http://www.jstor.org/stable/450838.
Korda,N. (1996) ‘Household Kates: Domesticating Commodities in The Taming of the Shrew’,Folger Shakespeare Library in association with George Washington University. Stable URL: http://www.jstor.org/stable/2871098.
In the beginning of Taming of the Shrew, the idea of how Katherine acts, as a shrew. When Katherine is conversing with Hortensio, Katherine verbally expresses how she prefers to act. I' faith, sir, you shall never need to fear. I wish it is not halfway to her heart. But if it were, doubt not her care should be To comb your noddle with a three-legged stool. And paint your face and use you like a fool” a quote made by Katherine in act 1 scene 1, saying that she couldn’t care less, and explaining that the only interest she could have in Hortensio would be to hit him with a stool and make a fool out of him and he responds with, “From all such devils, good Lord, deliver us!” explain to keep him away from all women like her” In the movie 10 things I hate about you, we are introduced to Kat first, when a stray
In this piece, it can be translated that women would be considered a rebel if she is rude and shrewish to her husband. In all, wives are objects to their husbands, and must do all that her husband says. This limited Katherine’s identity because it took away her personality of being a shrew, and turned her into something she wasn’t; kind and
Firstly we will commence by discovering how women are presented in Shakespeare’s play .Through-out the play women are presented as immature , impuissant characters : Lady Capulet & Juliet ,all women are regarded as possessions of men ,for them to do as they please . They are ornaments, they cannot speak their minds nor can they make their own decisions. Women are in the men’s shadows.
“The Taming Of The Shrew” by William Shakespeare is a work of satire created to criticize the misogynistic outlooks of the 16th century. With this play, Shakespeare is trying to say that the idea and role of women in his society is deeply flawed and should be fixed, as well as to make other social commentaries, such as on the treatment of servants. Through exaggeration and parody, Shakespeare makes society look silly.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
The Tragedy of Mariam focuses on Elizabeth's Cary's desire to develop a platform from which women can speak, thereby offering a fuller understanding of women as individuals. By examining issues of public and private language, Cary shows her interest in female voices. As an early-17th-century female playwright, Cary was described by the Earl of Clarendon as `a lady of a most masculine understanding, allayed with the passions and infirmities of her own sex'. This description could be interpreted as a complement to Cary, although the Earl adheres to the patriarchal boundaries placed upon both men and women. The connection that he makes between Cary and masculinity reinforces the stereotype of male authority. This essay will examine Cary's exploration of gender, language and silence in The Tragedy of Mariam. The play's expression of these themes is sometimes open, and at other times covert. By concentrating on the issues of public and private speech, this essay will determine the effects that crossing patriarchal boundaries had on women in early modern England.
In Shakespeare's comedy, The Taming of the Shrew, Shakespeare has a woman as one of the story's main characters. Katherine Minola (Kate) is off the wall, and kinda crazy. Because of her actions, the “male centered world” around her doesn't know what to do with her.
Shakespeare, William. _The Taming of the Shrew_. The Riverside Shakespeare. 2nd ed. Ed. Dean Johnson. Boston: Houghton Mifflin, 1997. 142-171.
The subjugation of women is a key theme across my three chosen texts, Othello, The Great Gatsby and Wuthering Heights, that is presented both subtly and obviously through forms of physical, sexual and mental denegation. As a subtler example of subjugation, each woman is ultimately controlled and manipulated by a male figure, whether it be through Othello’s suppression of Desdemona upon believing she is unfaithful, Heathcliff’s domination over Isabella or Tom Buchanan’s economic control of Daisy via his financial stability within a class defined society. This confirms Evelyn Cunningham’s perception that, “Women are the only oppressed group in our society that lives in intimate association with their oppressors”, notably in the way that women’s roles are dictated and restricted by the domineering, patriarchal men in their lives, however there are still aspects of female rebellion in each of the texts.
The first Shakespeare play which Zeffirelli adopted to the cinema, The Taming of the Shrew, deals with the theme of gender roles. In a grander scale the play explores the behavior expectations of males and females both in society at large and within a domestic relationship. For many years, most critics agreed that the heart of the play suggested male domination and female submission, especially to the authority of their husbands, as the accepted male-female dynamic. This view went unchanged for many years and audiences widely accepted Petruchio's “taming” of Katherina as politically correct.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
A Shakespearean scholar expanded on this, “The play enacts the defeat of the threat of a woman’s revolt; it does so in a comic form – thus so offers the audience the chance to revel in and reinforce their misogyny while at the same time feeling good” (Gay). The Taming of the Shrew at many points is just praising the men in the novel despite their behavior and putting down the women for being anything but perfect. The novel makes the actions happening comedic and the reader does not get upset at the things happening, but in reading further into it and comparing it to modern day, it is not hard to see the plain and simple abuse. Although gender roles are still prominent in today’s society, they are toned back. In contemporary versions of The Taming of The Shrew, such as 10 Things I Hate About You and Kiss Me Kate, the character Kate is always mitigated.
In the taming of the shrew, the play focused on two women in particular, Baptista's daughters, Bianca and Katherine. These women lived in this environment that gave men power for all their lives...
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The Marriage formed between the two is a match made in heaven for two reasons. First Because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them. The second reason the bond survives is that Petruchio is strong enough to accept the fact that Katherine has a mind and, more importantly he loves her for that reason. Petruchio cleverly weaves the relationship into the framework of society without compromising the integrity of the relationship. Petruchio does this by comparing Katherine’s at attitude to repulsive clothing. Carefully and calculatingly, Petruchio forges a relationship that is envied by all who witness it.
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.