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Vampire evolution in literature
Essay of modern day vampires
Essay of modern day vampires
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The Vampire and Its Appearance
In literature, vampires are always hiding in plain sight by living among humans all while hiding the fact that they feed on blood. So how is it that no one realize that their neighbors only come out at night? By disguising themselves with the use of costumes and performance, vampires such as Lestat and Carmilla are able to infiltrate human society and prey from within. Whenever it is to fit in or to help them prey by dressing up, acting a certain way or living in a proper house, vampires are able to survive. But sometimes they don't need to act. Both Claudia and Carmilla simply use their venerable appearance to get close to their victims.
If there's one thing that vampires across literature have in
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common is that they drink human blood. They are also often seen as beautiful creatures that hypnotise humans using just their looks alone, just as Louis was enchanted by Lestat at first (Rice, 17) and Laura keeps pointing out that Carmilla is beautiful through the story. They are also blessed with supernatural strength and speed yet both Carmilla and Claudia use a kind of performance to feed on people. Carmilla infiltrates her victims homes by staging scenes, such as a carriage accident or even lies her way in such as she did at the costume ball. She then formed a friendship with her victims which allowed her to stay for an extended period of time with them and was able to feed off of them. Also Carmilla is introduced to us while she is unconscious. So instead of appearing dangerous or menacing she seems like the typical damsel, depending on the care of others. (Nixon). It was mostly thanks to her appearance as a girl in Laura's age that she was able to get to her as she appeared as the perfect companion for her. Claudia used her appearance to her advantage too. As a five year old girl she was able to feign distress and beg for help. When someone inevitably came to help she would exploit their kindness and feed off of her helper. It's made very clear that appearances are important for Lestat.
He makes Louis and himself pretend to eat when in the presence of his blind father and spends a lot of money on the decor in his house. After all coming off as rich makes it easier for him to get closer to his victims as people seem to be more trusting with those who are richly dressed. He also owned a box in the French Opera House or the Theatre Orleans. While Lestat claimed it was because he loved Shakespeare but Louis remarked that Lestat seemed to sleep through most the performances and only woke up when it came to seduce a lady and later kill her. Carmilla also used her appearances as a lady to get people to trust her. Her mother, who was able to get Carmilla into the house of the General and Laura's father, had an "air and appearance so distinguished and even imposing and in her manner so engaging, as to impress one, quite apart from the dignity of her equipage, with a conviction that she was a person of consequence" (Le Fanu p.281). It seems that both Lestat and Carmilla have a taste of going after those with money and status. When Carmilla met the General's niece she was at a very aristocratic assembly (Le Fanu p.322). It certainly helped Carmilla that it was a costume ball as it helped her pretend that she and her mother were someone they clearly weren't, the general's old friend. It would make sense why Le Fanu would make Carmilla go after the daughters of rich men. In the late 1800s only a
certain class knew how to read and it was for those that Fanu wanted to scare. Vampires need secrecy to continue to live and feed or else they would be hunt down and killed like Carmilla was once the General discovered what she truly was and what she did to his niece. They need to blend in human society and live among them so they use their appearances and other tricks to lure their victims in.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
In Tartuffe, the nobility (mostly Orgon and his mother) is depicted as being fools because of the way they are easily tricked by the “holy impostor”. When Madame Pernelle praises Tartuffe for being a good holy man, her grandson Damis says “No, look you, madame, neither father nor anything else can oblige me to have any regard for him. I should belie my heart to tell you otherwise. To me his actions are perfectly odious; and I foresee that, one time or other, matters will come to extremity between that wretch and me” (Act 1, Scene 1). This representation of the nobility places them exactly where Louis intended. Spielvogel says that Louis removed the nobles from the royal council and lured them to be part of his court as a way to keep them occupied with trivial matters and out of important roles in politics
„h A vampire cannot enter a home unless invited first ¡V afterwards they are forever welcome.
Similar to Dracula, Twilight’s vampires have many of the same characteristics. The vampires in Dracula and Twilight both are very pale. People in both books often mention how pale the vampires are. Along with pale skin their skin is usually very tough. This meaning that it is very strong and does
Bram Stoker’s Dracula has increased the number of vampires in media exponentially, partly because of one man: Vlad the Impaler. He, as well as other various sources, led to what is known as the vampire today.
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
Tania Bruguera is a performance, installation, and video artist. She was born and grew up in Havana Cuba; and she currently works in New York and Havana. Cuba has the toughest laws regarding freedom of expression. These laws are the reason Tania creates the works she does. Her goal is to attack the control the Cuban government has on communication of the people. She often encourages involvement from her audience. Tania explores outlets for the people of Cuba to express themselves without fear, and she pushed boundaries set by the government of the country she was born in.
Orlomoski, Caitlyn. "From Monsters to Victims: Vampires and Their Cultural Evolution from the Nineteenth to the Twenty-First Century." N.p., 7 May 2011. Web. 13 Apr. 2014. .
When the vampire came about the thought of the monsters themselves were terrifying, and to view one they were ghostly pale with dark sunken eyes, large nose similar to that of the stereotypical witch, pointed ears like an elf and dark hair usually dark brown if not black. The original folklore on vampires showed a terrifying creature that you would know if you would see it out and about during the night. Today’s films and novels want to present you with an attractive vampire, like dying and becoming an immortal being is something a human would want to do because they would become more attractive. But also in today’s depiction of the vampire they have no obvious tells that a person is a vampire until they get angry and the fangs elongate. The idea of the vampire has shifted so drastically over the course of time, from fear to an admiration of a creature that could kill you in seconds. In the popular culture of today, the vampire is something attractive that girls pine after and want to be since there are a multitude of romance novels printed today with the male leads being portrayed as a
These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
Simply searching through articles, databases, and other resources, vampires are depicted as malicious and monstrous creatures. First off, the vampire is famous for its dark and mysterious image affiliated with fear and death. In many ways, “the vampire can be seen through its most basic characterization as the bringer of death”(Stevens par. 3) and evokes a “marginal world of darkness, secrecy, vulnerability, excess, and horror” (Stevens par. 6). Obviously, the vampire has adopted a dark, fearful, and mysterious image. Next, vampires are famous for their unique characteristics. Dictionary.com defines the vampire as “a preternatural being, commonly believed to be a reanimated corpse, that is said to suck the blood of sleeping persons at night”(dictionary.com). Vampires are also known for their distinct weakness suck as “various tailsmans and herbs”(Funk and Wagnalls New World Encyclopedia) but the only way to kill a vampire is “only by cremation or if a stake is driven through their hearts”(Funk and Wagnalls New World Encyclopedia). Another distinct and commonly known characteristic of the vampire is their fear of the light as it could potentially kill them. Emotionally, the vampires are almost viewed as sex symbols as they “indulge in their desires ...
Whilst the Marquis is presented as significantly wealthier that Jean-Yves and the wealthiest character in the story, he is simultaneously presented as the most distorted character in the story. The female narrator seems to acknowledge this, believing that he was in “despair” when he discovers her betrayal and also highlights his “atrocious loneliness”; thus portraying that even the wealthiest and most powerful of figures can still bear emptiness within themselves.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...