Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Claude Garamond biography
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Claude Garamond biography
Claude Garamond (1480-1561) was a French type designer, punch cutter and publisher considered by many to be one of the best type designers of the 16th century. The story of his typeface shows how murky the waters can get regarding type history since meticulous records were not kept back then. Garamond was born in 1480 in Paris but little is known about his childhood. In 1520 he trained as a punch cutter in Paris under engraver Geoffrey Tory. Tory was interested in philosophy and experimentation in printing methods and admired the letterforms of Ancient Greece. Punch cutters carved letters into steel for use in typesetting so Garamond would not only have learned how to design typefaces but he also physically carved them out of steel.
As Garamond’s skills grew others began to notice his talent. Garamond’s big break came in 1540 when King Francis I commissioned him to design a type, now known as Grecs de Roi, for a royal book series. The design of the type was
…show more content…
In France his typeface became a national style and inspired the creation of many new fonts. Cardinal Richelieu used the Garamond typeface in his book his book Les Principaux Poincts de la Foy Catholique Defendus. For a time afterwards, the Garamond typeface fell out of favor and was not revived until the start of the twentieth century in a more modern incarnation. After World War I type foundries made their own versions of Garamond. In 1921 Frederick Goudry produced his version of the Garamond typeface and he called it Garamont. There later was some confusion about certain iterations of the Garamond typeface being used at the beginning of the twentieth century. Henry Lewis Bullen the librarian at ATF noticed the type his company was calling Garamond was not found in any 16th century texts. It turns out that the typeface attributed to Garamond by ATF was actually designed by Frenchman John Jannon in the 17th
The "old" European attitude, and the attitude that attracts many modern performers to early music, is exactly the opposite of the modern attitude:
Sir Gawain and the Green Knight was written in the fourteenth century by an anonymous poet who was a contemporary of Geoffrey Chaucer. The story was originally written in a Northern dialect. It tells the story of Sir Gawain's first adventure as a knight.
Gawain, Arthur’s knight who takes the Green Knight’s challenge, is portrayed in different lights as the story progresses. Descriptions of fabric and clothing are integral to this portrayal. When he is departing Camelot to find the Green Knight, Gawain is depicted as a virtuous, chivalrous knight bravely facing his fate. His clothing, therefore, is red, symbolizing courage, and bears a gold pentangle, a symbol of virtue. This is described in lines 636-639, “On shield and coat in view/ He bore that emblem bright/ As to his word most true/ And in speech most courteous knight.
"Sir Gawain and the Green Knight" is a poem written by a poet (name unknown) approximately 6000 years ago in the late 1300's in the medieval times. This story was originally written in medieval literature with a real unique rhyme scheme, but was translated later in time to regular English for high school students and researchers to study and read.
Barron, W.R.J., trans. Sir Gawain and the Green Knight.. New York: Manchester University Press, 1974.
Benjamin, Walter, and J. A. Underwood. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008. Print.
This new technology is not without its shortcomings. First, the printing press used limited materials. Next, as Mumford notes, the advent of print led calligraphers and manuscript copyists out of work. Furthermore, as Graff finds, it created “typographical fixity”—material once printed cannot be changed. Finally, mass production was dependent and limited to large markets (Mumford, 95)....
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
Although it may have been physically written down after The Canterbury Tales, Sir Gawain and the Green Knight was created long before the former. I know Sir Gawain was an oral tradition before being inscribed because of the rhyme scheme and rhythm of the Original Middle English compilation. A precursor to Shakespeare, although it originated long before, Sir Gawain has the similar structure that an actor or poet would use to help them remember the lines of the poem and perform the piece. There is a certain number of stresses in each line and a particu...
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
Gheeraerts the Younger, Marcus. Sir Francis Drake (1542-96). Rmg.co.uk. National Maritime Museum. 2014. Web. 28 April 2014.
The Gothic Period in the twelfth century influenced the creation of Gothic Revival Architecture in the nineteenth century. Gothic architecture began in France in 1140. Some of the first buildings made using this style are the Basilica of Saint Denis and the Cathedral of Sens. (Gothic Architecture By Paul Frank) This style of architecture started losing popularity in the early sixteenth century, but did not die out completely during this time period. Gothic architecture was still predominantly in cathedrals and churches. The rise of Romanticism began in the eighteenth century–leading to an awareness and increased interest of the Middle Ages, specifically interest in church architecture. (http://en.wikipedia.org/wiki/Gothic_Revival_architecture) Thus, Gothic Revival Architecture was created. When admirers of neo-Gothic styles wanted to revive medieval Gothic architecture, Gothic Revival Architecture was created—along with many sub styles, such as Polychrome Brick Gothic and Carpenter Gothic in the nineteenth and twentieth centuries.
This paper will argue that the industrial revolution allowed for the proliferation of fonts in the 19th century for two main reasons. First, there was an unprecedented need for new and eye-catching lettering to grab the attention of consumers a new variety of choices on the market. Secondly, the creation of new fonts was more affordable than ever due to the advancements in technology during the industrial revolution.
recognized as a writer. He became one of the most famous and well paid French
Leonardo da Vichy was a great inventor coming up with concepts 500 or more years ahead of his time. 10 of his great inventions include ball baring, parachute, Ornithopter, machine gun, diving suits, armored tank, self-propelled cart, city of the future, aerial screw, and robotic knight. Ball baring are still used today in most any factory or ware house in some way. Da Vichy’s parachute is much like todays as its only purpose is to slow people when falling. The Ornithopter is a bird like air that ideally would allow for flight instead it just glides. In the 1400’s muskets where incredibly slow so Da Vinci proposed to strap 11 muskets to 3 board for 33 muskets each with allowed one board to fire one to cool off and one to reload. The diving suit would allow for men to get under the enemy ships and cut hole in the bottom thus sinking the