Claude Garamond is an interesting type designer not only because he was a leading designer, but also because he is credited with bringing both the accent and apostrophe into the French alphabet. (“Prominent Type Designers”) Garamond’s Old Style type designs are considered to be the “typographical highlight of the 16th Century”, and are still used as a basis for current typefaces. (“Type Design in the French Renaissance”) The designs were less calligraphic in nature than previous type styles, and continued to be developed after his death by Jean Jannon, leading them to be confused with Garamond’s original designs due to similarity. (“Early Typographers”)
Garamond’s extensive training as a punch cutter provided him the resources to work independently,
selling his own designs to printers rather than working for one type foundry. (“Early Typographers” and “Type Design in the French Renaissance”) This was a first among typographers, showing the uniqueness and level of skill Garamond possessed. Garamond typeface, Claude Garamond Image courtesy of www.typography.com The Garamond typeface shown above displays the clean strokes and simple serifs that made Garamond such a revolutionary typeface. While there is still a beauty to the style, it is much simpler to read than the calligraphic type styles previously used. The bowls and counters are wide, keeping even the lowercase letters easily distinguishable. Garamond and Jannon typefaces Image courtesy of www.creativepro.com The typefaces of Jean Jannon are often mistaken for Garamond’s because of their similarity, though Jannon actually continued developing Garamond’s typefaces after his death. (“Early Typographers”) The example above shows one of these adaptations. While at first glance these two sets of type look very similar, there is a noticeable difference in the “s”, the weight of the strokes, and the cap height. Image courtesy of www.webdesignerwall.com Garamond’s type designs continue to serve as a basis for current typefaces, such as Apple Garamond shown above, continuing Garamond’s legacy as one of the most influential type designers in history.
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
John Szyc, Gregory Godzik, Sam Stapleton, and Robert Peist; what do all of these names
Jacques Callot (1592-1635) was recognized as “The Father of French Etching”. Callot seemed to master the art form quickly and he influenced many in the process. His work in a series of prints titled ...
Peter Salem : a slave who was freed by his owner, Jeremiah Belknap, to join the Framingham militia in Massachusetts. He was a patriot for over seven years, supporting the Americans fight the British, and became a militia himself and served for four years and eight months. In 1775, Peter took part in fighting the war’s first battle at Concord. He enrolled in Captain Drury’s Company of John Nixon’s 6th Massachusetts Regiment. He also took part in the Battle of Bunker Hill, where he mortally wounded British Marine Major, John Pitcairn. Then in 1776, he reenlisted for another year in the 4th Continental Regiment. After his enlistment was over, he volunteer for three years in the 6th Massachusetts Regiment of Colonel Thomas Nixon. Achievement : Contribute to Concord battle(1775), Battle of the Bunker Hill(1775), and the Battles of Saratoga and Stony Point(1777).
Philippe Petit changed numerous peoples’ thoughts about the Twin Towers when he performed his high wire walk between them in 1974. Before Philippe Petit walked the high wire between the Twin Towers in 1974, people weren’t certain how they felt about the construction of the World Trade Center. After Philippe performed, people began to warm up to the idea of the towers. Philippe Petit walked the high wire between the Twin Towers on August 7, 1974. This event prompted Andrew McMahon to write the song “Platform Fire” about this event for his band, Jack’s Mannequin. This song was not a hit for the band; however, fans of Jack’s Mannequin seem to have a special place in their heart for it.
Another inspirational architect in this time was William Kent. His designs using ogee pointed arches with a classical cornice inspired Batty Langley to produce a study in which he analyzed Gothic in terms of classical orders. A comparison with true mediaeval and Gothic architecture at this time shows that at this time all Gothic architecture was a decorative style to be applied as ornament to regular structures and s...
By being educated at a young age in literacy, I included it in my pottery and also working for newspaper companies strengthened my form of expression. Working in the South Carolina Republican and then later on The Edgefield Hive as a typesetter, it was a good experience helping my literacy skills but I didn’t feel fully indulged. I did it because I had to but also to learn. By understand typography, I was able to understand the science of the anatomy of type. They taught me the use of size, spacing, and placement of typography in order to show hierarchy, direction and attraction. I became to understanding that type is a collective of shapes and strokes. Master Abner 's newspaper did not get a lot of publicity and hit a crisis, which led him to cease publication of the newspapers. Master Abner then moved to Columbia, South Carolina, in 1832. He decided to leave me back in Edgefield and...
Exploring Modern Day Artists: Jean- Michel Basquiat. Jean- Michel Basquiat also known as SAMO, is an amazing and inspirational modern day artist known for his neo-expression graffiti and paintings which consist of distinctive symbols, diagrams and a series of imagery which symbolized his heritage, struggles through life, and a new youthful movement which inspired experimental artists to express themselves. Being the descendant of Haitian and Puerto Rican ancestry, Basquiat’s diverse culture is a main factor behind his creative tactics and his artwork. Basquiat was born in Brooklyn, New York on December 22, 1960.
Antoni Gaudi considered himself to be directly connected to Gothic styles through his art and architecture, deemed Neo-Gothic. A Spanish Architect known mostly for his dabbling in Art Nouveau. Gaudi is the best known example of these types of structures. Bordering on the fantastical and fluctuating between real and imaginary, his works make you think twice and leave you awestruck, much like the impressions of the original Gothic structures. La Sagrada Familia in Barcelona is one of the best known buildings in the world. A UNESCO World Heritage site since 2005, it's construction began more than 120 years ago. Starting in 1882 with a man named Joseph Bocabella, the basilica as we know it today would not have been possible without the changes of Antoni Gaudi starting in 1883. Prior to his involvement, Bocabella, a
Alcohol abuse, psychological abuse,and poverty are some factors that lead Luis Garavito Cubillos to be the world’s worst rapist and serial killer. Cubillos, also known as “the beast” needed to feel god like. He had the worst fantasies but the fantasies were better than real life. He would recreate the murders and soon about 172 young boys became victims of him.
John Wayne Gacy, also known as the Killer Clown, is an infamous serial killer in American history. He was able to fool those around him into believing that he was a good, community loving man, when in fact, he had 25 decomposing bodies in his crawlspace. This man was the epitome of the worst kind of criminal to ever exist, a person who tortures and kills others with no sign of remorse and then later taunts the victim’s family and society. At the beginning of his life, Gacy did have problems with his paternal side of his family; however, as he continued through life, he had more clashes with law enforcement because of his personality and behaviors.
A Canadian man who was arrested and jailed two years ago in China on charges of spying and stealing intelligence was released on Tuesday.
One is illustrated by the aesthetic differences between two typefaces that are included in most computers: Arial and Helvetica. Arial’s ubiquity is not due to its beauty. In fact, it is more than a copy of Helvetica (). Mark Simonson, an American graphic designer, produced an analysis of the two, which shows how much more refined Helvetica’s detailing is than Arial’s. The tail of the ‘a’ is gently curved in Helvetica, as is the first connection of the bowl to the stem, but not in Arial. Similarly, the top of the ‘t’ and the ends of the strokes in the ‘C’ and ‘S’ are perfectly horizontal in the former, but slightly angled in the latter. He also noted that the stem of Helvetica is more complex in the structure than those in Arial. The distinguishing details are so tiny that you can only see them if you scrutinize magnified versions of each character as Simonson did. Only a handful of the millions of people who use either typeface will ever look closely enough to notice them. Yet it is these subtleties that constitute Helvetica a finer example of design than Arial for professionals. Functionally the two fonts are roughly equal, as both are admirable clear and easy to read, but aesthetically Helvetica is superior and considered to be Super
Typeface designer Adrian Frutiger was an exceptional designer who created some of today’s most used typefaces. Born 1928 in Interlaken, Switzerland. Frutiger is a well-versed designer who has worked in photographic and digital typesetting as well as designing typeface. He got his start by age 16 as a printer’s apprentice, and, after that, furthered his education at the Zurich School of Arts and Crafts. From 1948 to 1951 he studied sculpture and design, but his primary focus was calligraphy. After schooling, he worked for Deberny & Peignot in 1952. Frutiger has built a legacy that has changed the world of type. In his lifetime he has designed more than one hundred and seventy typefaces, many which have
This paper will argue that the industrial revolution allowed for the proliferation of fonts in the 19th century for two main reasons. First, there was an unprecedented need for new and eye-catching lettering to grab the attention of consumers a new variety of choices on the market. Secondly, the creation of new fonts was more affordable than ever due to the advancements in technology during the industrial revolution.