Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Review on claude debussy
A short essay about Claude Debussy
Debussy modernist ideas for his music
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Review on claude debussy
The task of giving an overview of the life of Claude-Achille Debussy is not easy. Without hesitation, this dynamic character made courageous strides that pushed the limitations of music to another level. His ultimate goal was not to be glorified through fame but to find his own unique voice, or the ‘musique a moi’. Even though his goal was to create his own unique sound, he had many influences, such as art, literature, and Wagner, that guided him in the creation of his style. Regardless of his teachers protestations and fellow peers’ critiques, he experimented with different sounds in music. When listening to Debussy’s music, one can clearly tell that it belongs to Debussy because of his use of different harmonies, rhythms, the pentatonic and whole tone scale, and his instrumentation.
Claude Debussy was born in Saint Germain en Laye, France on August 22nd, 1862 the oldest of five children. His father, Manuel-Achille Debussy, had dreams for his son to be a sailor. Those dreams were dashed aside when Claude-Achille took his first piano lessons. With help from his aunt Clementine, Claude-Achille received piano lessons with an Italian violinist Jean Cerutti. When his father saw that he could play the piano, Manuel’s dreams quickly changed to hopes of Claude becoming a virtuosic pianist. From there he was entrusted to Verlaine’s mother-in-law, who enrolled Claude into the Paris Conservatoire at the young age of ten years old.
Claude’s years at the Paris Conservatoire not only taught him the fundamentals of music, but it also provided an environment where Claude could experiment with different dissonant chords and techniques which can be heard in his compositions. “In Marmontel’s piano class he used to astound us with his bizarre...
... middle of paper ...
..., who would invent characters belonging to no particular time or place; who would not despotically impose on me actions to be depicted and would leave me free, here and there, to surpass him in matters of art and to fill out his work.”
Works Cited
Berry, Wallace. Musical Structure and Performance. New Haven: Yale UP, 1989. Print.
Briscoe, James R. Debussy in Performance. New Haven [Conn.: Yale UP, 1999. Print.
"Claude Debussy." Wikipedia. Wikimedia Foundation, 04 July 2012. Web. 08 Apr. 2012. .
Lockspeiser, Edward. Debussy: His Life and Mind. Vol. 1. New York: Macmillan, 1962. Print.
Lockspeiser, Edward. Debussy: His Life and Mind. Vol. 2. London: Cassell, 1965. Print.
Lockspeiser, Edward. Debussy. London: J.M. Dent & Sons, 1966. Print.
Nichols, Roger. The Life of Debussy. Cambridge: Cambridge UP, 1998. Print.
Debussy was the first modernist composer; and considered by many to be the greatest French writer, this was because he was not a part of the common fundamental German tradition in music. Instead of following to the rules created at an earlier time for common practice harmony, he liked to make up his own chords, which he called "chords with no names." He is known for composing "Voiles" and "The Prelude to the Afternoon of a Faun." He was connected to the symbolist poetic movement and known for using selective orchestration. Debussy's famous opera, Pelléas et Mélisande, was completed in 1895. It became a sensation when it was first performed
Nearly a century’s worth of compositions has earned Aaron Copland extensive recognition as the foremost American composer of his time. Ironically, Copland was raised the son of Russian Jewish immigrants and inhabitant of a colorless city environment, yet would become known for producing the music of “rugged-souled Americans” (Mellers 4). Unbounded by historical musical constraints such as those present in the culture of France, where Copland studied for many years, Copland found himself free to explore and experiment in pursuit of a unique, undoubtedly American sound.
Music is magical: it soothes you when you are upset and cheers you up when you are down. To me, it is a communication with souls. I listen to different genres of music. When appreciating each form of music, with its unique rhythm and melody, I expect to differentiate each other by the feelings and emotions that it brings to me. However, I would definitely never call myself “a fan of jazz” until I witnessed Cécile McLorin Salvant’s performance last Friday at Mondavi Center. Through the interpretations and illustrations from Cécile’s performance, I realized that the cultural significance and individual identity are the building blocks of jazz music that create its unique musical features and support its development.
... of art are the “The Gnome”, “The Old Castle”, “Tuileries”, and “Cattle”. When listening to “Pictures At An Exhibition”, one can clearly understand the transitions of the paintings and the feelings that Moussorgsky felt when witnessing the artwork. Both Carl Orff and Modeste Moussorgsky were influenced by pieces of artwork whether it be poems or paintings and drawings. This influence between both composers is seen clearly in both pieces of music.
Gottschalk was a child prodigy, showing astonishing musical abilities at a young age. His father, against his mother’s wishes, sent him off to study music more intensively in Paris. During his time in Paris, Gottschalk studied piano with Charles Hallé, Camille Stamaty, and later studied composition with Pierre Maleden. Paris was just the beginning of the many places where he would compose some of his finest works.
At the age of 17, Balanchine entered the Conservatory of Music. He studied piano, composition and th...
Dmitri Shostakovich, born on September 25, 1905, started taking piano lessons from his mother at the age of nine after he showed interest in a string quartet that practiced next door. He entered the Petrograd (formerly St. Petersburg, later Leningrad) Conservatory in 1919, where he studied the piano with Leonid Nikolayev until 1923 and composition until 1925 with Aleksandr Glazunov and Maksimilian Steinberg. He participated in the Chopin International Competition for Pianists in Warsaw in 1927 and received an honorable mention, after which he decided to limit his public performances to his own works to separate himself from the virtuoso pianists.
2. The aspect of Claude Debussy's music were different from the music that preceded it were melodic, rhythmic, harmonic, and timbral that organized around qualities of patterns and relationships. Claude Debussy was the first composer to use alternative musical concept that were based on symmetrical patterns and structure and highly weakened directional motion of the music, and he had a ambiguous sense of organizing tonality.
Rousseau was often in trouble for fighting and stealing. As a result of living this way, he fled to Paris in 1741 seeking fame. He composed an opera called Les Muses galantes, which led to a correspondence with Voltaire, Denis Diderot, and other French philosophers, some of whom were engaged in producing the Encyclopedia. Rousseau contributed several pieces on music to this project. But, it was not unt...
Achille-Claude Debussy was one of the most renowned French composers who stimulated the music of the twentieth-century. Debussy’s life experiences have given an emotional and relatable truth in his work. Works such as Clair de Lune, Prélude à l’après-midi d’un faune, and La Mer are great achievements of Debussy that are the most familiar today. Debussy is worth reviewing because he uniquely structured his compositions that served as a base for musicians in the past, and will easily continue to motivate musical masterpieces for years to come.
Masters. With his small hand camera he unobtrusively photographed people’s lives around the world. He was solely responsible for bridging the gap between photojournalism and art. He has published more than a dozen books of his work. The greatest museums in the world have shown his work.
This essay will be discussing Theodor W. Adorno’s critiques of popular music and examine the extent of whether or not his criticisms are accurate to contemporary music. A range of issues will be discussed in the essay to explore the subject matter. Through research, there will be relevant quotes and theories to support the views of this particular topic.
Felix Mendelssohn was one of the most famous composers during the 19th century. Although in his music he did show some features of romanticism, he was strongly influenced by traditional genres such as counterpoint etc. In this essay, the biography of the composer, background of the genre and analysis of the piece will be investigated
Claude Debussy is a French classical music composer. Debussy was born in Saint-Germain-en-Laye, France in 1862. Debussy’s music was considered to fall under the impressionism study as he veered away from the traditional musical composition methods of key and pitch and worried about the different intervals in a piece. Debussy started playing the piano at the young age of seven, by age ten it was apparent that Debussy was very gifted in what he did as he was selected to attend a prestigious school for talented musicians, dancers and artists. Debussy stayed at the Conservatoire for eleven years where he perfected his talents with the help of some famous composers such as I...
Franz Liszt was one of many composers to emerge out of the Romantic era. According to A History of Western Music, he was born in a German speaking area of Austria, known as western Hungary at the time. His father taught him piano from the age of six and when they moved to Vienna, Liszt studied piano further with Carl Czerny and was taught theory and counterpoint by Antonio Salieri. From an early age it can be seen that Liszt’s interested in music was encouraged by his father and if he was willing to move to Vienna so Liszt could improve, this would suggest that Liszt showed a lot of potential at such a young age. Because he was taught at an early age and developed an interest in the piano, his father was clearly one of his greatest influences in what Liszt is now known for. The achievements he accomplished in his later life can date back to when he first started playing piano. When Liszt was eleven, he began to play in several public concerts and a year after that, his family moved to Paris where he could study theory and composition private teachers. His family wanted to encourage Liszt to take this as a career path and they made the right choice to encourage him at an ...