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Discuss hamlet's character
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Discuss hamlet's character
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Classical and Renaissance paradigms of heroism in Hamlet
In the early part of the seventeenth century, when William Shakespeare wrote The
tragedy of Hamlet, prince of Denmark, Europe was the center of a waning Renaissance that had,
over the past three centuries, changed the intellectual bedrock of the West beyond recognition.
The moral code of conduct for the common people had been transformed into one that embodied
the tenets of Christianity, but there was one thing left undone. The upper classes still clung to the
old ways – the Graeco-Roman ideas of royalty, nobility and heroism. The question of what it
meant to be a king or a prince had yet to be addressed in the context of the Renaissance. The
paradigms of heroism and rulership set forth in the great Greek epics yet held sway over
members of royalty and the noblesse. In the play Hamlet therefore, Shakespeare attempts to
provide the prototype of a hero of the Renaissance, personified by Prince Hamlet. The qualities
necessary for such a hero are compared and contrasted with those associated with classical
heroism through the use of classical allusion and transitions between religious and secular
language. Further, the juxtaposition of Hamlet with the characters Laertes and Fortinbras – both
of whom are to be regarded as heroes of the old paradigm – shows with enormous clarity, the
conflict that prevailed between the two schools of thought.
Shakespeare depicts the quintessential classical hero as having a number of great
qualities. These are not enumerated explicitly; rather we are led to infer them from the
playwright’s frequent allusions to the mythical champions of the Graeco-Roman tradition. On
the urging of Hamlet, one of the players recites part of a s...
... middle of paper ...
...re death. In the end, it
seems that the playwright rejects (in some sense), both paradigms of heroism through the act of
killing off their representatives. The consequences of the delayed revenge of Hamlet, in the
opinion of this reader, denote a warning by Shakespeare that philosophy should not degenerate
into endless argument, which feeds on itself and might lead to procrastination. In addition, while
preservation of honor should not be the raison d'être for a good ruler, neither should it be
completely abandoned. That Fortinbras (a classical hero) succeeds to the crown of Denmark
seems to indicate the necessity for the idea of the Renaissance hero to evolve further before it
can become a viable replacement for its precursor.
Works Cited
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Ed. George Lyman
Kittredge. Waltham, MA: Xerox, 2008.
Cicero’s essay, titled On Duties, presents a practical approach concerning the moral obligations of a political man in the form of correspondence with his young son. Essential to the text, the incentive for Cicero to undertake On Duties emerges from his depleted hope to restore the Republic within his lifetime. Cicero therefore places such aspirations in the hands of his posterity. The foremost purpose of On Duties considers three obstacles, divided into separate Books, when deciding a course of action. Book I prefatorily states, “in the first place, men may be uncertain whether the thing that falls under consideration is an honorable or a dishonorable thing to do” (5). Cicero addresses the ambiguities present under this consideration and codifies a means through which one can reach a justifiable decision. Subsequently, he expounds the four essential virtues—wisdom, justice, magnanimity or greatness of spirit, and seemliness—all of which are necessary to conduct oneself honorably. As a result, the virtues intertwine to create an unassailable foundation upon which one can defend their actions. Cicero’s expatiation of the four virtues, though revolving around justice and political in context, illuminates the need for wisdom among the populace in order to discern a leader’s motivations. This subtly becomes apparent as Cicero, advising his son on how to dictate decision-making, issues caveats regarding the deceptions that occur under the guise of virtue.
A twenty-first century reading of the Iliad and the Odyssey will highlight a seeming lack of justice: hundreds of men die because of an adulteress, the most honorable characters are killed, the cowards survive, and everyone eventually goes to hell. Due to the difference in the time period, culture, prominent religions and values, the modern idea of justice is much different than that of Greece around 750 B.C. The idea of justice in Virgil’s the Aeneid is easier for us to recognize. As in our own culture, “justice” in the epic is based on a system of punishment for wrongs and rewards for honorable acts. Time and time again, Virgil provides his readers with examples of justice in the lives of his characters. Interestingly, the meaning of justice in the Aeneid transforms when applied to Fate and the actions of the gods. Unlike our modern (American) idea of blind, immutable Justice, the meanings and effects of justice shift, depending on whether its subject is mortal or immortal.
The morality of the hero also plays a key role in the nature of his heroism. Hamlet holds himself to high moral standards and ethics. “We, the ...
...ter on Hamlet, in his soliloquy, is frustrated at how actors can freely express their emotions without fear. However, his goal of vengeance has taken over all other aspects in his life and therefore, he willingly sacrifices his freedom of expression.
...ng the Renaissance were much like the modern day celebrities and personalities that entertain society through and through. The world had become so infatuated with taking in more knowledge into discovery and exploration of life and nature that by producing its images and projections onto a canvas or perhaps carved into stone was the most entertaining process to take part in. There is a true Renaissance man within all human beings and by taking a deeper and closer look into the greatest works of art, gaining a greater appreciation of the Renaissance heritage in an uplifting and edification of experience. The art within the Renaissance rediscovered man for what and who we are as individuals and giving up the idea that each person is just another part of the species fulfilling a number within the population and showing the true beauty and aesthetics of life and nature.
The renaissance or “rebirth” was a cultural awakening which spanned from the fourteenth to sixteenth century. A growing interest in humanist traits and classical ideas heavily influenced the art during the renaissance. A growing community of artists provided much needed competition for their profession. The renaissance introduced many different and modern ideas but also remained obedient to classical belief. The unique art of the renaissance spread throughout Europe. Northern European art differed tremendously from Italian art.
...y did not create a typical hero in his protagonist; one who wins a certain battle and is recognized as victorious. Instead, he created one who succeeds by being defeated, or by dying. However, because many people did not understand what he did, that he "died for life", it was not necessarily considered noble. He was defeated personally, but the reason he died was worth far more than his personal gain.
... fabulous piece remembered long after his time. This was accepted instead of looked down upon because of the shift from dogma to humanism that took place between the Middle Ages and the Renaissance.
The renaissance is one of the most culturally, religiously, and artistically inventive periods in the history of mankind. From giant sculptures carved to perfection to literary works of art that induced deep thinking, the renaissance demonstrated that man’s view of itself was expeditiously becoming refined. Many of the most influential people in history, Michelangelo, Da Vinci, Raphael, and Dante lived during the time of the great reinvention of Italian society. The renaissance altered the way education, art, and innovation were perceived and forever changed the thinking of the common man.
Hamlet the Anti-Hero Hamlet certainly isn't a hero in this game. He exhibits many of his weaknesses that contradict other characters in the play. A hero is a person who shows great courage through his actions, and one who is noble and self-sacrificing. He does exhibit courage in parts like when the ghost came and Hamlet followed it, but yet he certainly isn't self-sacrificing. He sacrifices other characters' lives to benefit his chance of getting revenge with Claudius.
Hamlet the Hero There are various ways to define a hero. There is an endless amount of people who are heroes. A hero can be, "one who exhibits courage and/or daring," a hero can be, "one who is supremely noble or self-sacrificing," a hero can be a champion or a winner. A hero can save the day, or even save your life.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
There are many reasons why Hamlet had his downfall. One being his decision to keeping the murder of his father a secret. Another one being the betrayals of his closest friends. Perhaps if Guildenstern or Rosencrantz had been there for Hamlet, to rely and place trust upon, he might not had to fell so alone. A little sympathy from his girlfriend Ophelia, and even his mother Gertrude would have been nice as well. Unfortunately Ophelia is held back from Hamlet, due to her father. Gertrude marries his uncle Claudius, who is responsible for his fathers death, and is looking to kill him next. And Guildenstern and Rosencrantz are ordered by Claudius to spy on Hamlet, and betray him as a friend.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
Rosenberg, Marvin. “Laertes: An Impulsive but Earnest Young Aristocrat.” Readings on Hamlet. Ed. Don Nardo. San Diego: Greenhaven Press, 1999. Rpt. from The Masks of Hamlet. Newark, NJ: Univ. of Delaware P., 1992.