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Influence of greek and roman architecture
Greek and roman architecture
Greek and roman architecture
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Architectural style that was developed by the ancient Greeks has had such an influence on many world civilizations that it surrounds us even to this day. The symbolism that this architectural style has represents power, dignity and recognition that is everlasting throughout generations. The Romans particularly skilled at concrete construction were intrigued by this style and incorporated this technique into their very own building and temple structures. El Paso High School located in El Paso, Texas is a representation of how powerful of an influence ancient Greeks and Romans have had on cultures around the world.
Approaching the entrance of El Paso High School on the East facade you will notice that the shaft of the columns have vertical hollow grooves which are known as flutes. The style of the columns chosen for El Paso High is a Corinthian order and this order happens to be the most decorated of the three styles. At the top of its column it is embellished and decorated with acanthus leaves. The acanthus leaf has been a motif that has continued in use for centuries and still even used to this day. The portico which is a wide porch that leads to the entrance of the building is accompanied by hexastyle colonnades that have bases and supports a pediment above. A few flower decorations on the ceiling of the portico give the building a sense of beauty and poise. The entrance of the building sits on a podium which is a platform that raises it above its surroundings to give an appeal of dignity and power to the building. The entrance to this High School is breathtaking and beautiful and gives a certain charm to the school.
The East façade of El Paso High School possess similar qualities to the Maison Carree in Nimes, France, ca...
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... The Iconography of Sacred Space: A Suggested Reading of the Meaning of the Roman Pantheon, Artibus et Historiae, Vol. 19, No. 38 (1998), pp. 21-42, IRSA s.c. http://www.jstor.org/stable/1483585 Accessed: 04/11/2009 11:23
Anderson, Jr., James C., Anachronism in the Roman Architecture of Gaul: The Date of the Maison Carrée at Nîmes, Journal of the Society of Architectural Historians, Vol. 60, No. 1 (Mar., 2001), pp. 68- 79, University of California Press on behalf of the Society of Architectural Historians
http://www.jstor.org/stable/991679
Mark, Robert and Hutchinson, Paul, On the Structure of the Roman Pantheon, The Art Bulletin, Vol. 68, No. 1 (Mar., 1986), pp. 24-34, College Art Association, http://www.jstor.org/stable/3050861
McDowell, P and Meyer, R, The revival styles in American memorial art, Bowling Green State University Popular Press, 1994
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
With the Pantheon being built over 1700 years ago, it’s amazing that architects are still using features and techniques from this work of architecture in modern creations. The use of this type of classical architecture will continue to be used in works for public space due to its remarkable exterior appearance and it’s long lasting structural durability. When both Jesse hall and the Pantheon are compared it is possible to see their similarities from the types of domes that top each, their external facades, and their interior plan. While they share many similarities, the differences that Bell and Binder used in their creation make this work of architecture unique to many other public spaces.
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
1. Tim Cornell, John Matthews, Atlas of the Roman World, Facts On File Inc, 1982. (pg.216)
3)Dionysius, Earnest Cary, and Edward Spelman. The Roman Antiquities. Cambridge, Mass: Harvard UP, 1937. Print.
...ral (138 ½ feet), Michelangelo’s St. Peter’s (137 ½) and Wren’s St. Paul’s (109 feet). Until steel and concrete technology advanced in the 19th century, no single spaces were larger than these. Bibliography Dirimtekin, Feridun. [1964]. Saint Sophia Museum. Istanbul: Touring and Automobile Club of Turkey. Fossati, Gaspare. 1852. Aya Sofia, Constantinople : as recently restored by order of H. M. the sultan Abdul-Medjid. London: R. & C. Colnagni & Co. James Stevens Curl. Classical Architecture: an introduction to its vocabulary and essentials, with a select glossary of terms. New York: Van Nostrand Reinhold, 1992. ISBN 0-442-30896-5. NA260.C87. interior photo of circular space (photo of the prostyle octstyle portico of the Pantheon) William L. MacDonald. The Architecture of the Roman Empire I. New Haven, CT: Yale University Press, 1982. ISBN 0-300-02818-0. LC 81-16513
Favro, Diane G.. The urban image of Augustan Rome. Cambridge: Cambridge University Press, 1996. (266)
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
Marcel Le Glay, Jean-Louis Voisin, Yann Le Bohec. A History of Rome. West Sussex, UK: Wiley-Blackwell, 2009.
Partridge, Loren. The Art of Renaissance Rome 1400-1600. New York, NY: Harry N. Abrams, Inc., 1996.
One of the great things about America is the fact that it echoes previous centuries in ways that not many people would expect. Due to its diversity, it is thought of as a melting pot because it is filled with all kinds of culture and people from all over the world. But instead of this stereotypical metaphor, America can be thought of as the place where world architecture has not died, but instead has continued to thrive in a way that makes it suitable towards modern expectations. Greek architecture has been one of the most commonly used within this context. Although it emerged almost 3,000 years ago, the application of their architecture is still widely used today in places that aren’t Europe. We can see evidence of this through America’s government and financial buildings such as the Georgia’s Chamber of Commerce, the Capitol and even more commonly known, the White House. The White House is a major symbol of the United States and when bystanders observe its white walls, they not only a building of high status among the American people, but they also catch a glimpse into the past of centuries worth of influential architecture.
"National Roman Museum - Palazzo Massimo Alle Terme." Soprintendenza Speciale per I Beni Archeologici Di Roma. N.p., n.d. Web. 05 Mar. 2014.
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
...on. It is important to understand the history and mechanics of Greek architecture in order to fully appreciate it. The ancient Greeks were very well known for their beautiful temples. They were able to devise several different ways to create beautiful buildings and implement those designs. The ancient Greeks set the architectural foundations for the rest of the world with their three orders. The three styles, or orders, are the Doric, Ionic, and Corinthian. The three distinctive styles are referred to as orders because they display proportionate, ordered, and coordinated parts. The Doric, Ionic, and Corinthian orders serve a functional purpose, as well as lend so much beauty to structures. “All the world’s culture culminated in Greece, and Greece in Athens, all Athens in its Acropolis, all the Acropolis in the Parthenon” (Nardo, 61).
From the time of the ancient Greeks all the way to modern day, some part of humanity has almost always been interested in the past. For the ancient Greeks, it was discovering Mycenaean ruins and composing stories about them. Today, inspiration is still drawn from classical architecture. One has to look no further than the U.S. capitol building, or even the University of Michigan's Angell Hall to see remnants of this architectural style. This raises the question of why does it still persists? Logically, the best way to answer this is to examine the origins of classical architecture, and what it represented then and now. Furthermore, the study of ancient architecture can show insights into past civilizations which otherwise would have been lost.