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The link between poverty and urban crime
Essay on city of god
Effects of crime in the urban areas
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City of God is the movie that is based on the true story about children who were raised in the violent neighborhood of Rio de Janeiro. It is evident that place of living can influence the life path of the personality. Consequently, two boys living in one neighborhood chose the different ways under the influence of their raising in the neighborhood full of cruelty and violence. Thus, one decided to become a photographer, and another one became a drug dealer. It means that the movie connects the destiny of people to city planning. As a result, City of God is the movie that reveals many city planning issues related to education, social network, public housing, urban crime, and lack of social and economic mobility. First of all, City of God …show more content…
It shows that poor Brazilian people have no the support from the community and government to grow socially and economically. The persistent crimes in their neighborhood make others think about them as criminals even if they are kind-hearted and want to change their lives. The lack of social and economic mobility is the urban problem that should be solved by the governments not only in the local but global levels. One should mention that some people see poverty as not an economic and social problem but as the opportunity to change their life, and Rocket is the example of the personality who looks for such possibility. However, the movie also states the strong gap between the people with low incomes and high incomes is the reason for the lack of mobility and changes in Brazilian favelas (Santos, …show more content…
It is evident that ignorance and lack of education of people living in the favelas prevent them from changes and motivation to live better. At the end of the film, Ze was killed by the Runts, and they wanted to become the leaders of the favela and run their business, but the lack of education led to those that they could not write the list whom they should kill. Only one of them could write a little. It means that most members of the favela considered schooling unnecessary part of their life and they were more concerned with their
The purpose of this paper is to recognize, study and analyze the race relations in Brazil. Race relations are relations between two groups of different races; it is how these two different races connect to each other in their environment. Since Brazil is racially diverse, this study is focused on how Brazilians relate to each other. Throughout the essay, it will become clear that there exists a conflict between two race groups. Afro-Brazilians and White-Brazilians are not connected and though these two groups converse with each other, discrimination still lies within the society. This discrimination has created inequality within the society for Afro-Brazilians. Thus, this paper will not only focus on racism and discrimination that Afro-Brazilians experience because of White-Brazilian, but also on the history of Brazil, the types if discrimination that Afro-Brazilian must endure today and how the media creates discrimination.
The tenement was the biggest hindrance to achieving the American myth of rags to riches. It becomes impossible for one to rise up in the social structure when it can be considered a miracle to live passed the age of five. Children under the age of five living in tenements had a death rate of 139.83 compared to the city’s overall death rate of 26.67. Even if one did live past the age of five it was highly probable he’d become a criminal, since virtually all of them originate from the tenements. They are forced to steal and murder, they’ll do anything to survive, Riis appropriately calls it the “survival of the unfittest”. (Pg.
In the favela of São Paulo, Brazil, 1958, Carolina Maria de Jesus rewrote the words of a famous poet, “In this era it is necessary to say: ‘Cry, child. Life is bitter,’” (de Jesus 27). Her sentiments reflected the cruel truth of the favelas, the location where the city’s impoverished inhabited small shacks. Because of housing developments, poor families were pushed to the outskirts of the city into shanty towns. Within the favelas, the infant mortality rate was high, there was no indoor plumbing or electricity, drug lords were governing forces, drug addiction was rampant, and people were starving to death. Child of the Dark, a diary written by Carolina Maria de Jesus from 1955 to 1960, provides a unique view from inside Brazil’s favelas, discussing the perceptions of good
In Burgess’ A Clockwork Orange, the effects of the marginalization of socioeconomically underprivileged people are depicted through behavior and psychological tendencies. These effects on the marginalized youth portrayed in Burgess’ fictional work draw a parallel to modern-day Brazilian shantytowns, commonly known as favelas. The psychology of behavior and the conflict between the government and the people are two clear-cut examples that illustrate the parallels between both worlds regardless, of the time period they exist in. As the doctors attempt in A Clockwork Orange, what can the Brazilian government do to stop or at least diminish violence and drug abuse among the youth in favelas?
Question: The director’s choice of themes is significant in communicating the film’s message and values. How far do you agree? Both ‘City of God’ by Meirelles and ‘La Haine’ by Kassovitz use genre to communicate their messages and values. Both directors appear to present major social ideas and themes to achieve their aim to begin to create the necessary social change that they felt was needed in their respective areas.
...see karma in the ending where Lil Z returns to the city looking for the children for help id assume these children turn on hi and kill him Rocket captures the whole scenery which made him famous having one person on the inside and living another life where that shot he took landed on the front page of the newspaper. Neighborhoods do have an impact on a child's behavior as well as the way they vision themselves growing up. A child's background in life matters no matter what. Where a child has grown up the neighborhood history remains the same until someone changes the perspective of the scenery the children grew up in as well as the violence that was always surrounded them. They need a better role model because in the end history bounded to repeat itself having now kids under the age of 15 walking around thinking they run the place till history repeats itself again.
... social class marginalization in a major U.S. inner city culture. Bourgois did well explaining the social problems as well as his ideas of solutions and temporary solutions to the problems faced by most people who live in poverty. As a nation the United States must take a long, hard look at its inner cities, where the most severe poverty is found. There are many solutions to the problem of crime and violence that are being used today and yet they seem ineffective. This is due to the fact that the root cause of the crimes and violence is extreme poverty. As Bourgois said most of those who live and “work” in the barrio are looking or respect and a sense of dignity. (Bourgois, 2003) The problem is that they will never reach the success they are looking for without first helping other Americans to realize that the social status of the poor is what is holding them back.
The film Jesus of Montreal is interesting story of a group of actors that are cast to perform an updated version of Jesus' life. The way that the cast comes together and the environment in which they perform have a strikingly similar resemblance to Jesus' life here on earth as reporter in the New Testament. This is especially true of the main character, Daniel Columbe, who seeks to alleviate all actors in Montreal from being mistreated and overlooked by standing up to the challenges presented by the church and the corrupters of the industry.
The film City of God is based in the slums of Brazil , also called “favelas” where crime and delinquency dominate the neighborhood. The main characters of the film exhibit deviant behaviors in which different theories can be applied to explain their actions. The four theories best used to explain this behavior are concentric zone, social strain, differential association , and social bond theory. The group of characters come from a poor and crime infested neighborhood called the City of God. The characters of discussion are Lil’ Ze, Benny, Rocket, Knockout Ned, and Carrot which are the main players throughout the film. The types of criminal behavior conducted in the neighborhood are theft, murder, drug dealing, and rape.
By simply review, I will say, "City of God" ("Cidade de Deus") is the story of a boy who lives in a "favela" what is the word of slum in english on the outskirts of Rio de Janeiro. The "favela" is like a shantytown witch called "Cidade de Deus" in the film. And from the beginning to the end, throughout this stylish movie both the boy and the favela grow.
...tem. These traits are typical of what has happened throughout history when normal people become subordinate to new and oppressive bureaucracies. It seems that all a treacherous government needs in order to normalize the most disgusting violations of basic human rights is a convincing façade of efficiency. It could be said that the American Dream plays that role in current American society, that it is purely a façade to blind our eyes to the larger system. If the system succeeds in preventing people from gaining awareness of the larger picture, and indeed further compartmentalizes every aspect of life, the line between just and false laws become blurred. Gilliam uses “Brazil” to bring these often overlooked problems with government to the forefront of his viewer’s mind, making apparent that no element of human life is safe from this type of unconscious degeneration.
A raw glimpse of desperation, poverty and violence, the 2002 film City of God showcases the brutal and harsh realisms of Brazilians living in the oppressive confines of favelas. The story is told through the eyes of the main character, Rocket, a poor, black youth who grows up in the hostile environment of the hood but manages to break away to become a professional photographer. Oddly, the way of life in the City of God is anything but heavenly. The violent and fast paced film begins in the 1960s when Rio de Janeiro was just a new housing project and the main characters were children and petty thieves. The story then ends in the early 1980s when the favela is a war zone where most of the protagonists are either dead or engrossed in bloody drug war. Life in the favelas, urban poverty, violence and gender roles demonstrate a great deal of importance to the overall message of City of God. Although the film fails to propose an alternate way of life, it gives viewers a glimpse of the gruesome truths of a world they would have never imagined existed.
...From the movies that are shown, to famous cemented handprints of celebrities, to the building itself, shows how this city has been constructed out of dreams, illusion, and fantasy. The pictures, movies and celebrities-that were produced by the media, and shown in the Grauman’s Chinese Theater- made people start thinking,acting and looking a different way. The media drilled into the populations mind that the civilians of Los Angeles should be like the people the had created in their work. The media created the perfect guideline of what every person in this city should have, should look, and act like, creating the beautiful fake people we have today. The Grauman’ Chinese Theater best captures Los Angeles. It Shows exactly what the city and the people of Los Angeles is, a perfect movie.
With the violence becoming naturalised to the audience some aspects of the murders seem very extreme or fictionalized to once again please the viewers. One scene in particular is when lil ze (little dice at this stage of the film) goes on a killing spree in the hotel. The scene seems very extreme or dramatic for a child to commit such an atrocity. I feel this such crime was told to help develop Lil zes character, to become this powerful drug lord more so than the truth. Violence in the film represents how much control or power a character has within the favelas.
Perhaps, the film Dangerous Minds puts too much emphasis on the character of Louanne as a savior for the children, and sensationalizes the idea of “gang life.” However, it nevertheless manages to draw attention to important social factors that can influence the lives of children growing up in poverty, and how these factors can effect who we become. I see the film as an avenue to begin breeching mainstream views that cloud the issue of poverty in the United States, to start opening up paths for discussion, and consideration for the steps that might lead to social