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Imagine that you are in Athens during the fifth century. Today is the festival called City Dionysia, and you are currently seeing a dithyramb, which is a choral song dedicated to Dionysus, the god of fertility and wine. It is sung by 50 men dressed up in goat skins as satyrs. However, you have seen the same ritual a number of times and start to lose interest in the festival. Then, you hear about a fellow Athenian named Thespis, who has a different way to present this ritual. Ladies and gentlemen, you are about to embark on a journey to visit the beginnings of Greek theater. As I have mentioned before, the origins lie in the goat song known as tragoidia. In 534 BC, Thespis was the first actor, added narration, and acted out dramatic episodes. …show more content…
As a result, he won the City Dionysia. This genre of plays became to be known as tragedies, which were mainly about scenes from Greek mythology. Due to his accomplishments, honorary actors are called thespians today.
All tragedies were performed by men only. Just like City Dionysia, there was another annual competition for comedies called Lenaea, which happens in Athens also. Since 425 BC, a regular winner was Aristophanes, who was a comedy playwright. His plays include mocking prominent members of Athenian society and Greek mythology and having obscene details such as phalluses. Eleven out of his forty plays still survive, and one of his famous plays is called The Birds, which is about a person who is disgusted about Athens’s bureaucracy that he persuades the birds to make a city in between earth and heaven. In Aristophanes’ time period, his comedy was considered Old Comedy. During the second half of the fourth century, another comedian playwright named Menander did some changes to the style of comedies. Rather than focusing on famous Athenians, gods, or government, Menander only focused on the ordinary lives of Athenians. His actors were dressed in lifelike costumes instead of the lewd details found in Aristophanes’ plays. Many of his plays present characters such as stern fathers, greedy demimondaines, young lovers, and many …show more content…
others. Despite writing 100 plays, he won only eight times at the Lenaea. On the contrary, there have been successful playwrights this Greek theater has seen. The first one is Aeschylus, who won his first play in 484 BC and known as the father of tragedy. When he created his plays, Aeschylus was innovative, added a second actor and more dialogue, and made sequels. Aeschylus dubbed his work as ‘morsels from the feast of Homer’.
Sophocles came to prominence after he defeated Aeschylus in 468 BC. Sophocles improved upon his predecessor’s ideas by adding a third actor, used painted sceneries, and made his plots connect to the ordinary citizens. The third famous playwright was Euripides. His plays contained realism and clever dialogue. In addition, he posed questions to the audience, which is still seen today in some plays. Going offstage, the audience would show their appreciation by stomping their feet. Moreover, the government would also pay the lower classes to attend these plays. The first actors’ union was started in the fourth century. After the decline of Greece, Rome took over the role of creating plays and made a new genre called pantomime. Pantomimes were inspired Greek tragedies, but as the years went on, the Romans citizens turned to games instead of plays because they weren’t educated enough to understand. Despite the deterioration of Greek plays, they have still lived on. From later playwrights like Shakespeare to recent directors like James Cameron, the concept is still the same. Ladies and gentlemen, our theatrical journey has
ended. I kindly ask you all to do the same: never let go of your love for theater whether it would be in IMAX or even the same Theater of Dionysus.
Theatre is an evolving art form, due to its prevalent themes, in which the creators ‘…express the complications of life through a shared enterprise’ (Lee Hall, 2008). The modernisation of a text whilst maintaining the history relevant to the play has been reinforced by Brisbane based Physical Theatre Company Zen Zen Zo through their 1996 reinterpretation of Eurpide’s The Bacchae, adapted into ‘The Cult of Dionysus’ (Zen Zen Zo, 2016). ‘The Cult of Dionysus’, entails the story of Dionysus, the Greek God of fertility, wine and pleasure, seeks revenge on the ruler of Thebes’ Pentheus, who has just outlawed the worship of Dionysus. The elements of drama have been manipulated to engage the audience, specifically
Aristophanes was a craft comedy poet in the fourth century B.C. during the time of the Peloponnesian War. Aristophanes’ usual style was to be satirical, and suggesting the eccentric. The most absurd and humorous of Aristophanes’ comedies are those in which the main characters, the heroes of the story, are women. Smart women. One of the most famous of Aristophanes’ comedies portraying powerfully capable women is Lysistrata, named after the female lead character of the play. It depicts Athenian Lysistrata and the women of Athens teaming up with the women of Sparta to force their husbands to conclude the Peloponnesian War. The play is a comedy, which appears to be written for the amusement of men. The play can be seen as a historical reference to ancient Greece, but it seems highly unlikely that women would talk with such a crude sexual tone. Instead Lysistrata is strictly a satirical play written maybe even to make men doubt the innocence of a woman.
Sophocles, Arthur Miller, and William Shakespeare, all prominent playwrights of their era, still have plays that are performed today. In fact, “Oedipus Rex,” by Sophocles, “Death of a Salesman,” by Arthur Miller, and “Hamlet,” by William Shakespeare are all broadway performances. “Oedipus Rex” portrays a man’s attempt to escape tragic prophecies of his life; nevertheless, fate proves inevitable, for Oedipus, unknowingly, not only murders his father but also marries his mother. “Death of a Salesman” exemplifies an ignorant man chasing a dream of being a successful businessman; yet, his false belief of being “well-liked” by many people leads to his downfall. “Hamlet” displays how the indecisiveness of man proves to be a tragic flaw, for Hamlet
The theatre productions we are all so familiar with actually got their start in 550 B.C., in Ancient Greece. In Athens, during the Festival of Dionysia live performances involving dancing and reenactments of popular myths were performed to pay respect to the God of Wine, Ecstasy, and Ritual Madness, Dionysus. These festivities usually lasted about a week, after which the best performers would be named and given some sort of prize. As well as the festivities went, the Festiva...
In Euripides’ tragic play, Medea, the playwright creates an undercurrent of chaos in the play upon asserting that, “the world’s great order [is being] reversed.” (Lawall, 651, line 408). The manipulation of the spectators’ emotions, which instills in them a sentiment of drama, is relative to this undertone of disorder, as opposed to being absolute. The central thesis suggests drama in the play as relative to the method of theatrical production. The three concepts of set, costumes, and acting, are tools which accentuate the drama of the play. Respectively, these three notions represent the appearance of drama on political, social, and moral levels. This essay will compare three different productions of Euripides’ melodrama, namely, the play as presented by the Jazzart Dance Theatre¹; the Culver City (California) Public Theatre²; and finally, the original ancient Greek production of the play, as it was scripted by Euripides.
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
By using all these techniques together Sophocles successfully engages the audience throughout the play. The features attracts the modern audience by black comedy, making them use their imagination, relate to the characters by irritating them, the play keeps the audience alert to notice techniques, and makes them tense and relax over and over again. The fact that most important events occur off-stage forces them to imagine which gives a greater impression then of the actors trying to act it. It also gives a more individual interpretation of the play.
The greek playwright, Sophocles, was born around 496 B.C., and died in 406 B.C. During his life, he wrote many plays, one of which was Oedipus Rex. Sophocles was the first dramatist to add the third actor to the play. Actors were able to perfrom many different parts, but the play was limited to only three actors and the chorus. (Literature, page 1065)
In ancient Greece, plays were more then simply a form of entertainment. "Athenian drama was supported and financed by the state. (...)Greek theater was directed at the moral and political education of the community." (Kennedy and Gioia, pgs 1357-1363) Sophocles understood this, and dissipated any pollyanic view of society by presenting us with plays that were intended to teach. Sophocles's Oedipus the King issued a warning for those who foolishly believed that they could challenge the forces of nature. Sophocles was known for presenting characters that are fluid not static. So it should come as no surprise that the Oedipus the reader encounters at the outset of the play, an extraordinary leader, but one who's pride has lead him to challenge his fate, has changed by the end of the play. He comes to realize that all his efforts to change the outcome of his life were acts of futility. We are shown a man who has finally accepted divine will and though now fallen from high estate is uplifted in moral dignity. (Kennedy and Gioia Pg 1364-1365)
The late 5th, early 4th centuries, in Athens were an eventful and emotional time for civilians. Between wars and the political debates of the time, civilians were fearful and anxious over the uncertainty of their government. To their advantage, they had games and other forms of entertainment, such as western theater to distract them from the outside world. Aristophanes was one of many playwrights to write comedy and satire plays, specifically Clouds and Women at the Thesmophoria are said to be the best explanation of Aristophanes concerns on contemporary Athens.
Greek tragedies began at a festival in honor of Dionysius, who was the god of wine. At the early festivals, drinking, quarrels, and sexual activity occurred frequently. Later on, tragedies gained much more respect and were taken very seriously. The plays dealt with man's relationship with god(s). These plays also dealt with a specific instance of life. The chorus wore goat-skins and served a great purpose in the tragedies, themselves. Thespis, the father of the tragedy, created an actor who talked with the leader of the chorus to further make the importance of the chorus seen.
Theater was an important part of Ancient Greek Civilization. History of Greek theatre began with religious festivals which aim to honor Dionysus, a god. During the festivals some citizens sing songs and perform improvisation plays and other participants of festivals judges this performances to decide which one of them was the best. These plays form the foundation of the Greek Theatre. Because of the competition between performers to create best performances, plays gained an aesthetic perspective and became a form of art. So, theatre as a part of religious rituals took attention of people and gained an importance in Ancient Greek Society.
In the form of a play, Euripides implements elements and themes of religion, violence, femininity, masculinity, foreignness, and many other themes in “The Bacchae”, premiered in 405 BC. The play elicited a variety of reactions from the people of Ancient Athens. The play surrounds the peripeteia Pentheus undergoes as he unknowingly challenges the God, Dionysus. Dionysus has disguised himself to lead Pentheus to this outcome. Euripides’ “The Bacchae” exemplifies how the fragility of masculinity can hinder males from acting with logic and reason in many situations.
Many modern societies, such as America, are greatly shaped by European influences. Some of the most impactful cultural influences in America originated from ancient Greece. They provided recreational activities that evolved and became an important part of the American culture, such as their theatrical performances that progress into movies of modern time. The Greeks were the first to construct theatres and create a standard for storytelling through plays. Aristotle’s “The Art of Poetry” greatly influenced later literary geniuses such as Shakespeare in creating tragedy. Playwrights during Aristotle’s time, such as Sophocles, wrote plays based around his standards of what a tragedy should have. Sophocles’s Oedipus Rex incorporated the various
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...