Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How does the cultural revolution affect china today
How does the cultural revolution affect china today
Impact of cultural revolution in china
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How does the cultural revolution affect china today
The book Chronicle of a Blood Merchant is a book that is written by Yu Hau. The book takes place during the Cultural Revolution in China. The Cultural Revolution was a period where China’s Communist leader, Mao Zedong, wanted to regain his power over the Chinese government (Cultural Revolution 1). According to the History website He would then go on and call upon China’s youth to “purge the impure elements of Chinese society and revive the revolutionary spirit that had led to victory in the civil war 20 decades earlier and the formation of the People’s Republic of China”(Cultural Revolution 1). The Cultural Revolution continued in China until 1976 when Mao had passed away (Cultural Revolution 1). Not only does The Chronicle of a Blood Merchant talk about the Cultural Revolution, but it gives a story about a family that lives during this time. Xu San-guan and Xu Yu-lan saved their marriage because they put the past behind them, Xu San-guan took back Yile as his son, and they sacrificed for their family
One way that Xu San-guan and Xu Yu-lan save their marriage is by putting the past behind them. In the story both Xu San-guan and Xu Yu-lan do some things that cause both of them to be upset. Xu
…show more content…
All of these things were pretty important in order to come through with keeping the marriage. Throughout the book Chronicle of a Blood Merchant things came up making their marriage tough and looking like it could not last. These things caused many feuds between the two throughout the book. Even with the tough obstacles that life threw at them they were able to overcome them and keep their marriage going. For them to do this is pretty amazing especially since the things they were going through were very unusual and it was during the tough times of the Cultural Revolution in
In her book, The House of Lim, author Margery Wolf observes the Lims, a large Chinese family living in a small village in Taiwan in the early 1960s (Wolf iv). She utilizes her book to portray the Lim family through multiple generations. She provides audiences with a firsthand account of the family life and structure within this specific region and offers information on various customs that the Lims and other families participate in. She particularly mentions and explains the marriage customs that are the norm within the society. Through Wolf’s ethnography it can be argued that parents should not dec5pide whom their children marry. This argument is obvious through the decline in marriage to simpua, or little girls taken in and raised as future daughter-in-laws, and the influence parents have over their children (Freedman xi).
The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When Liang Heng and Judy Shapiro fell in love in China during 1979, they weren’t just a rarity they were both pioneers at a time when the idea of marriages between foreigners and Chinese were still unacceptable in society.
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
The plot of this novel is set in the city of Chengdu in the providence of Sichuan, located in central China. The book itself was written in 1931 and by this time, the Chinese communist party was well established and fighting battles with the Japanese and Chiang Kai-shek and spreading influence in south and central China. (Chin, 1931) This story is about the rich, aristocratic Kao Family, who live in the city of Chengdu, Sichuan. The story has some very interesting characters but for the most part, mainly focuses on the three brothers and their very interesting and downright depressing lives.
...nd dates to him.” “And the real inner workings of a marriage, like most history, have escaped him” (Mason 232). The story suggests that it is impossible to wrap our minds around abstractions such as war and marriage and that all we can do is understand how they relate to our own lives.
This story represents the suffering induced by the isolation. In the time period on which this history was reflected, it was socially tolerable for wives to be
The main character tells us that she has a nice family that consists of her husband John and a little baby, but John does unusual things that someone would not expect in a normal marriage. She says, “John laughs at me, of course, but one expects that in marriage.” (Gilman 647). Men back then did not treat or think highly of women due to men being more superior than them. John also seems to complain
...e role of a married woman throughout the entire play. She is a concerned mother, who desires the traditions to be maintained by her son’s offspring- her grandchildren. The Bridegroom, influenced by his overbearing Mother, follows the cultural roles to a tee also. He dreams of having a family with children who are raised in the same atmosphere he was, one that embraces the gender-polarized roles and creates a father-dominated environment.. He is willing to have a bountiful amount of children so that the ideology he passes down to them, will therefore live on. The Servant also conveys the cultural role. She unfortunately was unable to live the norm Andalusian life that she dreamt of. She still reveals the facts of the culture, and tries to influence the Bride to follow those ways. The characters passionately devote their lives to the culture and want others to follow.
In conclusion, Shakespeare uses different ways to show how marriage is connected to the kind of male and female characters portrayed in the play. We can see from the use of clothes to disguise themselves to pretend they are someone else, to the way taming is portrayed to control other characters, how women were considered in that time. They were first court by lovely ways and in marriage they were treated as an inferior sex to them. Women were forced to deal with their husband in silent without saying anything to anyone. We can perceive that this play is just about social position to be able to marry who you want to be with. And most important, money is the main reason people got married in that time.
In a society filled with tensions, uncertainties, and conflicting views of order, authority, religion, status, sex and the self, Dekker and Shakespeare use interclass marriage to juxtapose different views on controversial topic. Discussions of marriage on a narrative level create conflict in order for the plot to advance; however, they also reveal social and economic anxieties that were present during the Renaissance. Shoemaker’s Holiday begins with a dialogue between the Earl of Lincoln and Oatley about their children’s love affair. Oatley declares “Poor citizens must not with courtiers wed”, which is true of marriages before the Renaissance (SH I.1.12). He doesn’t want his money to be squandered away by a spendthrift aristocrat even though
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
If I ever had to do it all over again, I would never have chosen this life. But, I am not sure I ever had a choice. This was what I was thinking when running through the market with a block of salt tucked under my torn shirt. I have never attempted salt thievery before, and I already regretted it. It is very simple to steal, but to steal and get caught is another thing. If my brains weren’t blown apart with the merchants rifle, and literally end any future thought, I would remember to bring some of my orphanage buddies. The Merchant was only a few steps behind, which was quite ironic considering he was not aware of my thievery until a puny, butter faced noble’s child informed him of my actions. I was about to zoom into a dark alley (where I could hide), until a bald man outside an italian Pizza Joint stretched his foot out in time to trip me.
The reason I believe this novel is so important is because of the female empowerment for one, the women in this book are not just housewives but they are strong, opinionated people, like Shug Avery, Sofia, and even Mary Agnes to a point. Mary Agnes for example; when we first meet her she is called Squeak. Through her time in the book she wants people's respect, she asks Celie how to earn it, she is told that she has to make people call her by her name, Mary Agnes. Though Mary Agnes is very strong in her own way, Sofia and her family is described as Amazons; Amazons are described as powerful, fierce warriors throughout
As it can be seen from the characteristics of the two servants, they have some differences. These differences not only affect their characteristics but also their relationships with others too. In the book we can see two servants with different relationships with the same person who is Prosp...
The absence of male characters in this exchange between woman reveals a level of honesty that is present as these women gossip and discuss their personal lives. They are each talking about this previous and/or current relationships in a setting where there are not many obstacles to stop them from sharing their honest experiences with men and with family life. I think that this ballad demonstrates at the level of mass population how incorrect and overgeneralized Stone’s three family theory is because in this ballad, and many of the other ballads we have read, the women do not follow the stereotypical roles of an obedient wife and the men are often cuckolded or challenged. Obviously the husband and wife dynamics do not fit into the very limited boundaries and regulations that Stone has set up with his theory. The relationships between each of the women and their husbands vary so widely that it is impossible to make a general claim about all of their marriages and the marriages of everyone in this time period. There are a few elements that one could mix and match from any of the three family structures, but it is obvious from these discussions between the women that there is not a unanimous standard of what the family structure is. It is also noticeable that the women portrayed in ballads often do not fit into Stone’s theories at all and