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Elizabethan era culture and society
Elizabethan society and culture
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When Doctor Faustus was written, there was turmoil in Elizabethan society. The old medieval view made God the most important aspect of the world, while mankind and the natural world were ignored. This was giving way to the idea that mankind and the natural world were supreme. At first glance, it seems that Doctor Faustus was written with the medieval ideal in mind, however, I believe this is not so. I believe that Marlowe subscribed to the renaissance view of the world, and Doctor Faustus was intended to express Marlowe’s outrage at the consequences of seeking knowledge or thinking differently during the Elizabethan era. Marlowe rejects all previous authority just as Faustus does, and with them, Faustus rejects the ideals of the previous era. Marlowe goes as far as demonizing mainstream society through Mephistopheles. Mephistopheles, like Elizabethan society, punishes intellectuals, yet initially, Mephistopheles attempts to dissuade Faustus from reaching his goals. Faustus’s goals were shared with many humanists; however the means by which he intended to carry out his dreams were sinful. Faustus actually wanted to better himself and society (gain knowledge, re-shaping Europe etc.) yet he was punished for his lofty ideals. Marlowe himself was probably punished by the authorities for his ideas, and Doctor Faustus was written with this in mind.
Since Marlowe was oppressed by the authorities, Marlowe created Faustus, a man who rejected all previous authorities. He rejected Aristotle, Galen, Justinian and St. Jerome, essentially saying logic is pointless, medicine isn’t good enough and deciding that he dislikes the bible. With these authorities, Faustus rejected the previous era, allowing new ideas to prosper. He also mentions the a...
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...” Doctor Faustus was written to help bring about change, help usher in the new Renaissance way of thinking. Having the main character reject all previous authorities is Marlowe expressing the fact that he wants to do the same. Marlowe goes to great lengths to criticize orthodoxy yet disguises it within an orthodox ending. The fact that Marlowe was accused of being an Atheist only serves to re-enforce this theory. Instead, Doctor Faustus was written to protest the severe treatment of intellectuals and to help move away from a medieval way of thinking.
Works Cited
Somroo, A.R. "Doctor Faustus as a Renaissance Play." Scribd. N.p., n.d. Web. 14 Jan. 2014. .
Marlowe, Christopher, The Tragical History of the Life and Death of Doctor Faustus. Revised Edition Signet Classics New York, 2001. Print.
The work entitled Dr. Faustus centers around the character thus named who aims solely to lift every limitation and exceed every boundary he encounters. From the very opening of the play after the chorus in the first scene, Dr. Faustus explains his dissatisfaction with the boundaries he has already met:
The protagonist in Goethe's Faust I is a controversial character. Doctor Faust's moral character is not clearly defined and as a result, it makes it difficult for one to determine if he is a good or bad person. Despite the ambiguities, several pieces of evidence throughout the play show that Doctor Faust is a negative figure. Firstly, although Faust's perspective and character most likely started off to be positive, they are generally negative at the beginning of the play. Secondly, Faust's actions are not acceptable according to society's standards, therefore making him an immoral person. In Goethe's Faust I, Doctor Faust is a negative figure because he is an immoral man shown by his attitude and personality, notably the characteristics that resemble the Übermensch.
The. Marlowe, Christopher. The. Dr. Faustus. New York: Dover, 1994. Print.
Kostić, Milena. "The Faustian Motif in Christopher Marlowe’s Dr. Faustus." Facta Universititas 7.2 (2009): 209-22. Web. 04 Dec. 2013.
In conclusion, Marlow and Conrad deal with similar themes in very different ways. Both writers present characters who use "unsound methods" to achieve temporal power yet their approaches to characterisation and narrative are in contrast with each other. This can, perhaps, be largely attributed to the fact that Marlow wrote Faustus in the early sixteenth century whilst Conrad wrote his novel in the early twentieth century. " Dr Faustus" was intended to be performed on stage and would have shocked an Elizabethan audience in its atheism and the unspeakable horror of "Heart of Darkness" would have had an equally disturbing on Conrad's readers.
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
Doctor Faustus is a doctor of theology that wants no limits on what he can know or see or do so he sells his soul to the devil to gain these desires. While reading or observing Marlowe's fascinating play the reader or observer should apply the "New Historicism Approach," and take in to consideration Marlowe's and the 1590s society's beliefs, habits of thought, and biases about various concepts of obtaining the "forbidden knowledge". Like the people of the 1590s, Doctor Faustus searches for the "forbidden knowledge", begins to deny God during his quest for greater knowledge, and gains nothing from his vain activities throughout his lifetime. After these listed characteristics have been established one can begin to visualize the relationship between Marlowe's, Doctor Faustus and the beliefs and thoughts of the people of the 1590s.
(Munteanu, 2002). Therefore it can be said that Marlowe is attempting to alter the doctrines his fellow country men with whom are questioning their religions. Marlowe uses the renaissance ideals with the medieval myths to master his point. This work is a forewarning of damnation by those who attempt to alter the doctrines or moral standards, and a beacon of caution to those in search of the unknown. Dr Faustus, the work of good and evil. When man becomes idle his mind wanders and he wants more. With the wealth of knowledge Dr Faustus wanted more, he was no longer content with his academia since they could no longer provide him with wealth and fame as well as fulfill his souls want, he turned to the mastering of the dark arts.
Marlowe, Christopher. The Tragedy of Doctor Faustus. Ed. Louis B. Wright. New York: Washington Square Press, 1959.
The Tragic History of Doctor Faustus is Marlowe's misreading of the drama of the morality tradition, the Faust legend, and, ironically, his own Tamburlaine plays. In the development of the character of Doctor Faustus, we find one of the supreme artistic achievements of English dramatic literature, a milestone of artistic creativity and originality. The force of Marlowe's dramatic poetry resonates with lyrical intensity in its dialectic between world and will. Not only is Faustus the first true dramatic character of any psychological, moral, and philosophical depth in English literature of the modern period, but in his creation of this unique character we see Marlowe on the verge of Shakespearean characterization, that supreme artistic achievement that Harold Bloom calls the invention of the human personality.
Christopher Marlowe’s 14th century play “The Tragical History of the Life and Death of Doctor Faustus” demonstrates not how the Devil can lead mankind to temptation, but how mankind through free-will can ultimately lead itself to suffering through sin. I believe that Marlowe heavily uses Christian doctrine through the actions of John Faustus in order to criticize those who do not partake in or see the seriousness of religion.
“Marlowe’s biographers often portray him as a dangerously over–ambitious individual. Explore ways this aspect of Marlowe’s personality is reflected in ‘Dr. Faustus.’ ”
Marlowe, Christopher. The Tragical History of D. Faustus. In Renaissance Drama: An Anthology of Plays and Entertainments. Edited by A.F. Kinney. Massachusetts: Blackwell Publishers Ltd., 2002.
Snow, Edward A. "Marlowe's Doctor Faustus and the Ends of Desire." Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson. Ed. Alvin Kernan. Baltimore, MD: The Johns Hopkins University Press, 1997. Print.
In the play Doctor Faustus the main character sells his soul to the devil and later dies and is sent to hell. A question that comes to mind when reading this book is, "Does Doctor Faustus have a Christian moral?" Even though he is persuaded to sell his soul to the devil he still may have some Christian beliefs. Some of the dialogue in the play gives some signals that tell the reader if Faustus has a Christian moral. The Cultural Studies method is shown in this paper because we are talking about someone's beliefs or morals. In this play, Marlowe shows Dr. Faustus's religious beliefs.