Christina Georgina Rossetti (1830 – 1894) was a poet born in London, England who wrote a variety of romantic, devotional, and children's poems. Christina Rossetti's poem creation began in her childhood. With the unique female-only sensitive and delicate as well as to the devotion towards the religious belief. Therefore, she was able to create graceful, sentimental and rich and mysterious religious poetry. Christina is a devout Catholic Britain believers. Her belief towards the religious was the core of her life, moreover because of this, Christina Rossetti's feelings towards was very twists and turns. Two love relationships in her life ended because of religion difference, and because of this, her life was full of love-hate contradictions, these contradictions were in her poetry which has been the most incisively and vividly. One of her poetry “Promises like Pie-Crust”, she uses the beautiful and delicious imagery of the well know idiom of how promises, like …show more content…
The persona evokes an image of the man she is speaking with another woman. She describes it as warm and the audience evokes a sense of love and affection in this imagined memory. This is then juxtaposed with a self description of the poems persona as now feeling cold, but remembering herself once as being warmed by the sun. This imagery of the sun alludes to the idea of a divine presence, as the sun was a symbol of cosmic order. This exposes the authors religious beliefs but also appears to be another excuse not to marry, as the persona does not see their unity as a destiny “written in the stars”. The following lines referring to time, fortune telling and the fading image emphasize this idea and also reveals the persona’s self-perception. She uses the reference of the fading image in the glass to allude to her age and in evoking the image of the fortune teller reveals, marriage to this man was not something she saw for
She was able to see a young woman only besmeared by old age and the labyrinth of a fulfilled life. The importance of peering beyond the earthly armor we develop through out our lives cannot be understated. Perception often changes easily for better or for worse. When we choose strengthen our resolve to read between the lines understanding
Armstrong, Isobel. 'A Music of Thine Own': Women's Poetry. in: Joseph Bristow, Victorian Women Poets. Emily Bronte, Elizabeth Barrett Browning, Christina Rossetti. Basingstoke and London: Macmillan Press Limited, 1995, 32-63.
Her days are going by without purpose. Symbolism then begins to show dramatically following with lines 5-7, “my eyes are blocked with rubble, a smear of perspectives blurring each horizon.” The word rubble signifies the wrong that was involved in her relationship and the phrase “blurring each horizon” signifies that she couldn’t see past all the wrong until now.
...ors to describe her life and situation. This comes primarily from the fact that in her therapy sessions that is how she is taught to deal with everything. For example, one metaphor she talks about is “… she comes up with the idea of lighting candles to symbolize my past, present, and future…I’ve noticed my past melting… my present candle has stayed pretty much the same,” (D 266). She explains them as her past is become less controlling, her present is her and concrete ideas and her future is bright and untouched. These metaphors show how much she has grown and allow the things she is learning to have more meaning. All of these combine to make the piece very effective and insightful. They help to get her point across and call people to action to help against these crimes.
The symbols that stand out to understand the central concern of the poem are the camera, the photograph of the narrator and the photograph of the narrator’s grandmother. The camera symbolizes the time that has passed between the generations of the grandmother and the narrator. It acts as a witness of the past and the present after taking the photos of the narrator in the bikini and the grandmother in the dress. Her grandmother is wearing a “cotton meal-sack dress” (l. 17), showing very little skin exposure, representing
Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection, but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it, so they use language devices to prove their points. Chopin uses personification to show Mrs. Mallard's attitudes towards her husband's death. Louise is mournful in her room alone and she is giving a description of the nature as a scene of her enjoying “the new spring life” and “the delicious breath of rain was in the air” (Chopin1).
The composition of this painting forces the eye to the woman, and specifically to her face. Although the white wedding dress is large and takes up most of the woman’s figure, the white contrasts with her face and dark hair, forcing the viewer to look more closely into the woman’s face. She smokes a cigarette and rests her chin on her hands. She does not appear to be a very young woman and her eyes are cast down and seem sad. In general, her face appears to show a sense of disillusionment with life and specifically with her own life. Although this is apparently her wedding day, she does not seem to be happy.
The poem uses many literary devices to enhance the meaning the words provide. The poem starts at the beginning of the story as the moon comes to visit the forge. The moon is said to be wearing “her skirt of white, fragrant flowers” (Lorca 2) as its bright light penetrates the scene. The poem states “the young boy watches her, watches. / The young boy is watching her” (3-4). The repetition of the phrase emphasizes the young boy’s infatuation with the moon. The scene is set with intensity by the phrase “electrified air” (5) and a tense feeling is brought into the poem. As “the moon moves her arms” (6), she is given traits of being alive and having her own human qualities. Personification of the moon into a woman exemplifies the desire that the child would have for the woman, and creates a more appealing form for the moon to appear as. The child cries, “flee, moon, moon, moon” (9) with urgency, showing his concern for her. He warns her “they would make with your heart / white necklaces and rings” (11-12). This refers back to the metaphor that the moon is made of hard tin, but still personifies her by giving her a heart. The moon is additionally personified when she says “ young boy, leave me to dance”(13). She has now taken the form of a sensual and erotic gypsy dancer furthering the desire of the young boy. This brings Spanish culture to the poem because gypsies are known to travel throughout Spain. The mo...
The narrator is confined to a room with strange wall-paper. This odd wall-paper seems to symbolize the complexity and confusion in her life. In “The Story of an Hour” by Kate Chopin, the protagonist, Mrs. Mallard must also deal with conflict as she must deal with the death of her spouse. At first there is grief, but then there is the recognition that she will be free. The institute of marriage ties the two women of these two short stories together. Like typical young women of the late 19th century, they were married, and during the course of their lives, they were expected to stay married. Unlike today where divorce is commonplace, marriage was a very holy bond and divorce was taboo. This tight bond of marriage caused tension in these two characters. Their personal freedom was severely restricted. For Mrs. Mallard, marriage was a curse to be reckoned with. She knew inside that her marriage was wrong, but she could not express her feelings openly. Her husband was not a bad man, but he was in the way. After hearing about her husband’s death, Mrs. Mallard comments, “now there would be no powerful will bending her in that blind persistence with which men … believe they have a right to impose a private will upon a fellow creature” (Chopin 72), Her husband definitely was a thorn in her
Christina Rossetti was a pivotal key in the foundations of the Pre-Raphaelite movement, which can be seen, throughout her poetry. Rossetti, as a follower of the Pre-Raphaelite’s, endorsed ideas of unrequited love, acceptance of human mortality and redemption. These ideals both endorsed and challenged the Victorian morals of her era as Victorian morality was focused on repression, class structures, and religion often conflicting with the sexual desire and questioning nature of Rossetti’s poems. The poem Echo is a reflection of Rossetti’s view on the romance and grief in her life through her unwavering faith in religion that will reunite her with her love. Through her desire of a recreation of love in the poem, it is both accepted and challenged through her religious beliefs as the purity of distance in
13th March, 2014 In the poem “Mirrors”, by Sylvia Plath, the speaker accentuates the importance of looks as an aging woman brawls with her inner and outward appearance. Employing an instance of self-refection, the speaker shifts to a lake and describes the discrepancies between inevitable old age and zealous youth. By means of sight and personification, shifts and metaphors, the orator initiates the change in appearance which relies on an individual’s decision to embrace and reject it. The author applies sight and personification to accentuate the mirror’s role.
In 1871 Christina was stricken by Graves’ disease, a thyroid disorder that marred her appearance and left her life in danger (Christina Rossetti 1). Although she had the deathly disease, she still continued her work in poetry. She accepted her affliction with courage and resignation, sustained by religious faith, and she continued to publish, issuing one collection of poems in 1875 and A Pageant and Other Poems in 1881 (Christina Rossetti 1). Being the strong Christian she was she didn’t let her health get the best of her and she put her trust in God.
Christina Rossetti was a very successful poet who had a wide variety of poetry. She grew up just like a normal girl would, who had a talent that was discovered at a young age of eighteen. Rossetti was greatly influenced about the different chapters that happened throughout her life. When readers read her poetry she has an amazing talent by having the readers imagines what she was imagining when she wrote the poetry. Christina based her love life around her family’s religious beliefs and she was not able to express her feelings to those whom she loved. Throughout her life she wrote poems that ranged from love to death. Christina Rossetti expressed feelings in her poems about the absence of love throughout her life.
Rossetti shows us the woman being painted as many different things. Although she is just a painting, the woman symbolizes how the artist views women in real life: as objects. Irony is used when the woman is painted as “a queen”(5). She is put on a pedestal in a position of power, yet she is only described as being “in [an] opal or ruby dress”(5), cementing her role as an ornament. The ruby symbolizes passion and perhaps promiscuity. Opal is a white stone that reflects many colors. White symbolizes purity; while the different colors reflected symbolize how her meaning can change, and how the artist controls her identity and can make her fit any persona he desires. The woman is also depicted as a “nameless girl”(6), indicating her identity is not important to the artist. It also shows that he does not personally know the women he’s painting, but only their looks, affirming that he bases their value off of their appearances. Lastly, the artist portrays a woman as “a saint [and] an angel”(7) and compares her to the “moon”(11), an allusion to Artemis, the goddess of virginity. In this painting, she is established as a pure virgin, which was a requirement of the time period Rossetti lived in. However, because it is one of the fantasies the artist creates, and the poem antagonizes him, this line also expresses the idea that a woman’s purity should not define her. He makes the innocent virgin and the licentious queen the only ways women can be viewed. Yet, they are the same to him. Lacking depth, their physical description is the only thing giving them any meaning. Rossetti describing the portraits conveys the idea that no matter the position in society; or what their actual personalities are like, women are just blank canvases for men to project their fantasies onto. Uninterested in a real person, the artist worships the idea of a
This irregularity reflects Rossetti’s uncertainty about her situation. It gives us an insight into the particular time Rossetti wrote the poem because it being loose creates the idea that she is writing in a period of ambiguity where she is experiencing things that she is unsure about. She says in the third stanza of her poem – “Who knows upon what soil fed their hungry thirsty roots?” – Which also suggests that Rossetti sees beyond the charms of the capitalist market through to the negative effects that it would have. It reflects her anxieties towards the rising revolution.