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Racism in the Merchant of Venice
Analysis of the merchant of venice
Examine the theme of racism in the merchants of Venice
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Christians and Jews In The Merchant of Venice
In the play 'The Merchant of Venice', which was originally entitled
'The Jew of Venice' when it was written in 1598, I very much believe
that the relationship between Christians and Jews is a case of six of
one and half a dozen of the other.
This means that there is no one good party within the play and no evil
party within the play. Both religious groups are as good or as bad as
each at some part in the play. The play may have been written to
portray the Christians as the good party in the play as at the time it
was written England was very Anti-Semitic. Jews ,who had originally
settled in London, had been expelled in the 13th century . By 1597
when the play was first performed Jews were few and far between in
England. There were a few living in London where Shakespeare wrote
'The Merchant of Venice' whom he probably based his character of
Shylock on. They were viewed with suspicion out of ignorance. The
general public, at that time, was frightened of and did not trust Jews
due to their strange manners and dress. They were seen during this
Elizabethan time, where the Church played an important role in
everyone's life, as the murderers of Jesus Christ. Nowadays most
productions of the play show the Christians being slightly evil, not
giving Shylock a fair chance or a fair trial. Modern productions also
show Shylock as being driven to such evil deeds by Christian hatred.
The play is sometimes thought of as being racist especially in the
scene in which Portia is testing the suitor the Prince of
Morocco.
The first impression of Christian racism is in Act I Scene II in which
Port...
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...rdine removed. This would be cruel if it was to be done to a
Christian but as Shylock is Jewish cruelty is not taken into
consideration. It is also strange that the Christians were pleading
with Shylock for mercy when they thought one of them was going to die
but when they were sentencing Shylock mercy played very little part in
it.
In conclusion I believe that the Christians and Jews are just as bad
as each other because even though the Jews were greedy and did bad
things this is only because they were driven into being suspicious and
seedy because of Christian hatred originating from the Christians
blaming them for killing Christ. In the end I very much believe that
in 'The Merchant Of Venice' when it comes down to relations between
Christians and Jews it is a case of 'six of one and half a dozen of
the other'.
Marriages everywhere have their troubles, yet everyone is able to relate to other couples problems. By looking at A Delicate Balance and The Merchant of Venice we will see their perspective on how marriages have changed over time of the martial relationship. After getting an overview of these books we will then apply it to present day and see if anything really has changed. The marriages I’ll be analyzing is Bessanio and Portia from The Merchant of Venice and Tobia ad Agnes from A Delicate Balance. By examining Bessanio’s behavior towards Portia and Tobia’s toward Agnes, we can see how the role of the husband has changed from emotional support and conversations to the development of the wives having bigger roles.
In the play The Merchant of Venice by William Shakespeare, there is a concept of otherness throughout the play. Many characters had roles in which they were examples of the outsiders, that occurred during the time the play was written. If not all but in most plays by William Shakespeare, there is always a character who is categorized as the outsider. However, The Merchant of Venice took the concept into a deeper level, instead of depicting differences in social class as otherness, the play included race and religion, instead of social class. These beliefs shaped not only the way the play was written, but how the characters treated certain individuals in the play and how the personality of each character
8 And he said, Hagar Sarai�s maid, whence comest thou? and whither wilt thou go? And she said, I flee from my dame Sarai.
It is difficult to say if Shylock is a complete villain or a victim, as his character is complex and ambiguous. However, it is difficult to view Shylock as anything other than a devious, bloodthirsty and heartless villain in the majority of the play. There are a few points in the story where he can be viewed as victimised, as most Jews were at that time, but Shakespeare has purposely portrayed Shylock as a stereotypical Jew, greedy, and obsessed with money. Shylock has been written to be very inflated and exaggerated. Even when Shylock makes his first appearance in the play, his first words are “Three thousand ducats,” Act 1, Scene 3.
Discrimination is a resounding theme in The Merchant of Venice (Meyers). All of the characters are affected by inequality. This inequity is clearly evidenced in Shylock, the Jewish usurer. He is treated with scorn and derision by all the characters. Shylock’s misfortunes stem not from poor attributes or even a poor background; it stems from the fact he is Jewish, and what is more, he is impeccably of that distinction.
soon have several ships in port, agrees to part with a pound of flesh if the
of why he hates Antonio is because he is a Christian. (I. iii. 43) This to the
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
Even though this play is focused on the evil in human nature and portrays human nature at its worst, the audience is left with some hope of good triumphing over evil.
During the sixteenth-century there was a very prominent existence of anti-semitism. The English audience had a very clear prejudice towards the Jewish people because of the deep-rooted concept of anti-semitism. This mindset carried from everyday life to plays and productions of the time. This ill will towards the Jewish people spawned from political and religious disputes that were unresolved. The portrayal of Shylock as a villainous Jew is a logical move for the sixteenth-century playwrights because of this common belief. When walking into a production of The Merchant of Venice during this ear, one must keep in mind the predisposition towards the Jewish people as well as the cultural beliefs at that time.
Characters and Relationships in The Merchant of Venice by William Shakespeare The characters Antonio, the merchant of Venice, and Bassanio, his friend who lives beyond his means, have already been introduced by Shakespeare in the first scene. Here Bassanio has asked his friend to lend him money so that he might woo the rich and beautiful Portia. Antonio has expressed his willingness to lend the money, but, as his. trading ships are all away at sea, he does not have funds readily.
This is where Shakespeare evokes our sympathy, by making us realise how Shylock has suffered because of the prejudices of the Christians around him. He explains his motives for revenge in a rational way, showing how his actions are no different from the Christians'. Look carefully at the language he uses, as well as the insulting and mocking language used by the other two. At the end of the scene, Shylock mourns the loss of his daughter, although our feelings towards him are a bit mixed, for he seems to care more about the money. He does give evidence, however, of his love for his wife, which again, creates sympathy.
Both Shakespeare in ‘The Merchant of Venice’ and Marlowe in ‘Dr Faustus’ use the numerous outcomes from the events of trade in their plays to metaphorically depict a variety of different circumstances. The very concept of trade is used in all its forms to stretch the controversial and political themes and morals of each play as far out as possible. From this, we learn that trade isn't just a physical form of business, but a symbolic form of both human and spiritual communication, too.
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
more alive and the love that is in the story line more prevalent. Portia hooks in Bassanio with the gift she bestows upon him. For example, “In “The Merchant of Venice” spotlights shiny displays of sacrifice and gift giving. At the same time he (Shakespeare) lets the shadows of darker motives encroach on the glitter of those displays”(Berger 1). The darker motives show that Portia is a little bit conniving in her way the she bestows the ring onto Bassanio. She uses the ring to self-protect, setting herself into a win-win situation. For example, “Portia’s gift to Bassanio is an act of self-protection “in a naughty world”(Shakespeare 5.1.91), a something for nothing that she can transform