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Analysis of the character of friar lawrence
Character analysis on friar lawrence
Character analysis on friar lawrence
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Christian Principles in Langland's Works
Many regard Langland’s work as a variation on the classic ‘Pilgrim’s progress’ story for the fourteenth-century Christian. The poem is often called a spiritual autobiography; but this is a simpliste description, the ironical result of the very vividness of Langland's presentation of his dreamer. The poet records a spiritual crisis that he experienced after a disputation with friars in later years. The poem, like Dante's, is certainly in one sense a Pilgrim's Progress--but hardly in Bunyan's sense; it describes not so much a spiritual journey (and journey was the dominant sense of 'progress' in Bunyan's day) as an unfolding, a development, stage by stage, passus by passus.
The form of the poem is that of dream vision, a form in which the author presents the story under the guise of having dreamt it, which was common in medieval literature. The dominant features of dream vision were of love and also of spiritual or religious themes, and Chaucer’s first three major pieces were dream visions. The dreamer and narrator is the same person, which gives the poem an intensely personal edge, even though the personality is fictional. The dream vision involves allegory, not only because when one dreams we expect the unrealistic and fanciful, for example events taking place which would not be feasible in normal life, but also because of the common suspicion that dreams portray the truth in disguised form, and are therefore natural allegories. La...
The Merchant's revealed nature, however, combats the very destruction of creation and individual that he tried to attain. As the Merchant tries to subsume the reality of marriage, love, and relationship under his own enviously blind view, Chaucer shows us another individual, significant and important in his own way. Instead of acting as a totalizing discourse, Chaucer uses the Merchant's tale to reveal his depraved envy and to reveal him as no more than a wanton cynic. Thus, Chaucer provides the very perspective that the Merchant tries to steal from his audience.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Berkeley: U of California P. 1992. Print. (Kennedy Library PR1928.W64 H36 1992)
...ourneys, these men go in as an average man of the time, face a challenge that the Church thought a man of the day might experience, and come out purified and learned, as a man of those periods should behave. These stories are examples of how a life should be lived and the challenges that one may encounter. While the frames of these narratives change from fictitious to realistic according to the flow of Christianity-based, Northeastern literature, they each are pictures of the mentality of their times. As time progressed, so did the mentalities, which were heavily influenced by Christianity. This is evident in the slow removal of pagan beliefs in the supernatural monsters like dragons and giants into the more realistic literary frames. While all have their differences due to changing times, the hero's journey as a model for the everyday man is clear in these poems.
Even with his prayer, and his wine-induced courage, the speaker still despairs. He compares himself to “the poor jerk who wanders out on air and then looks down” and “below his feet, he sees eternity,” when he realizes that “suddenly his shoes no longer work on nothingness” (5.12-15). It is as though he is submitting to the reality that, if he steps beyond the safe borders of the proven approaches to writing, there is no magic potion that will guarantee his success. Nevertheless, he appears to be willing to take his chances, and, ironically, he does so with this prayer, which is stylistically unconventional. In a desperate attempt to remind his readers that he was once considered a good writer in the event that this poem does not meet their traditional standards, he makes one final request: “As I fall past, remember me” (5.16).
...irony, the corruption he believes can be found in the Church, pointing at its common tendency in this time to take advantage of the people through its power. He also shows through the Pardoner that perhaps immoral people cannot guide people to morality, through subtle lines such as “For though myself be a ful vicious man,/ A moral tale yit I you telle can” (GP 171-172). Through Chaucer’s portrayal of the Pardoner in this tale, the audience is able to see that the Pardoner is a self-absorbed, greedy man that mirrors what the author thinks of the Church, and that the Pardoner is the exact opposite of what he preaches, which also points towards the supposed corruption of the Church. The irony found throughout this work serves the important purpose of bringing attention to the dishonesty and fraud Chaucer believes can be found in the Roman Catholic Church at this time.
In Geoffrey Chaucer’s The House of Fame, the dreamer and the reader are led through a dream vision and are exposed to the technologies of memory as well as the link between textual recovery and the narrative of fame. The fragmentary nature of the dream allows the reader and the dreamer to explore the disconnected nature of philosophical concepts including fame and rumor. Furthermore, the use of the dream vision allows the narrator to present larger arguments about such concepts through the use of extraordinary visuals, conversations, and circumstances.
First, it is essential to know the definition of parody as “the imitative use of the words, style, attitude, tone and ideas of an author in such a way as to make them ridiculous. Its purpose may be corrective as well as derisive” (Cuddon, 660). What Chaucer wants to prove in the course of the tales is that how ridiculous is the society showing certain behaviour codes using irony or simply mocking of the stereotypes that people believed important in that epoch.
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).
Chaucer uses the Prioress, the Monk and the Friar to represent his views on the Church. He makes the three model members of the Church appear to have no problems with self-indulgence, greed, and being unfaithful to their vows. He displays his anti skeptical thoughts of the faults of the medieval church by making fun of its teachings and the people of the church, who use it for personal gain. Chaucer see’s the church as corrupt, hypocritical and greedy.
Great works of literature have been written throughout history. However, The Divine Comedy and Paradise Lost have the inept ability to stir the soul and cause a person to examine and re-examine their life. The brilliant descriptions, use of imagery, metaphor and simile give a person a vivid picture of the creation of man and the possibilities for life in the hereafter. This is done, as a person is able to see, full circle, from the beginning of time to the end of time, the consequences of turning away from God. The ability to see a life full circle is apparent through the examination of both of these poems. Although written many years ago, the morals and principles that they convey ring very true for people in this century as well as times yet to come.
John Bunyan's The Pilgrim's Progress is an allegorical story about the Christian religion. It allegorizes the journey of a Christian into "the Celestial City, which represents heaven. Although Pilgrim's Progress may seem simple and straightforward, there are many deeper meanings throughout the whole story. Bunyan uses the names of his characters to signify whom the character represents in the story, for example, the character Hopeful represents hopefulness, Help represents people who are willing to help others in need of assistance, Faithful represents people who are faithful to whatever they are associated with, and the main character, Christian, represents all young Christians in the world. His journey to the Celestial City is a journey every Christian must face in their lifetime before allowed into heaven. Within his journey there are many obstacles such as temptations both tangible and intangible for instance, the merchandises sold at Vanity Fair and the shortcuts offered, illustrate temptations real Christians must face and overcome; finding an easy way into heaven, and being thrown off course by material things. The character Christian overcomes many obstacles before reaching his destination, the Celestial City. But during his journey he does not face all these obstacles alone. He meets a variety of people all through his journey to the Celestial City; some of these people mock his traveling to the Celestial City, some decide to follow him, and some help him along his way. Christian meets Faithful who decides to join him on his travels. Faithful is a character that faces many difficulties on his own journey to the Celestial City; his journey has many diff...
...eveals insecurities of him in the process while that itself tells us more about the popular culture in this time. Chaucer, along with many of the other pilgrims attempts to place themselves in a socially desirable or even superior position. With the Narrator having the responsibility of articulating the tales to us in a coherent fashion, he might feel pressure to present himself as all-knowing or superior to his companions rather than show us an honest and unbiased point of view. After all, he is telling the story; the Narrator can ultimately choose to tell us whatever he pleases. The Narrator plays the role of telling tales and providing the groundwork for this pilgrimage story, but since his ideas and opinions are designed in such a particular way; he indirectly tells us so much more about not only about the pilgrimage but of this time period’s culture as a whole.
we see how Chaucer the pilgrim has been swayed and convinced by what the other pilgrims tell him. So much so that he reports qualities that are often the opposite of the true personalities of the characters he is describing. This ambiguity reveals a very clever sort of irony on behalf of the writer - while Chaucer the pilgrim is easily drawn in by their deliberate misrepresentations, it is up to the readers to see how wrong he is and draw their own, more accurate, conclusions. It shows many of the pilgrims to be very different people than those symbolised by the ideal qualities they want others to see.
Living in a period of important religious and cultural flux, John Milton's poetry reflects the many influences he found both in history and in the contemporary world. With a vast knowledge of literature from the classical world of Greek and Roman culture, Milton often looked back to more ancient times as a means of enriching his works. At other times, however, he relies on his strong Christian beliefs for creating spiritually compelling themes and deeply religious imagery. Despite the seemingly conflicting nature of these two polarized sources of inspiration, Milton somehow found a way of bridging the gap between a pagan and a Christian world, often weaving them together into one overpowering story. The pastoral elegy Lycidas, written after the death of a fellow student at Cambridge, exemplifies this mastery over ancient and contemporary traditions in its transition from a pagan to a Christian context. Opening the poem in a setting rich with mythological figures and scenery, then deliberately moving into a distinctly Christian setting, Milton touches upon two personally relevant issues: poetry and Christian redemption. In this way, Lycidas both addresses the subject of being a poet in a life doomed by death and at the same time shows the triumphant glory of a Christian life, one in which even the demise of the poet himself holds brighter promises of eternal heavenly joy.
The Canterbury Tales is a great contemplation of stories, that display humorous and ironic examples of medieval life, which imitate moral and ethical problems in history and even those presented today. Chaucer owed a great deal to the authors who produced these works before his time. Chaucer tweaked their materials, gave them new meanings and revealed unscathed truths, thus providing fresh ideas to his readers. Chaucer's main goal for these tales was to create settings in which people can relate, to portray lessons and the irony of human existence.