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The Song of Roland is the oldest epic poem in French, written by an anonymous poet, composed in between late eleven century to twelfth century. This epic poetry holds an important place in the history of France and invention of Christendom. The Song of Roland is a cultural artifact that takes us to the journey of Medieval Europe, when religion becomes an important element for the formation of proto-Europe. Religion plays a crucial role in The Song of Roland and becomes the reason of criticism. Some readers might take this poem as a religious text, whereas, for some reader it is a fictional literary work and contain ideological perspective. The Song of Roland cannot be consider as a religious text, however, the poet uses religion for formation of national identity, military propaganda and for promoting feudalism in proto-Europe. Cultural artifacts such as The Song of Roland and medieval architecture help to create “Christendom”.
The Song of Roland is a historical text that also involves fiction. It recalls the event of Battle of Roncesvals that take place in 778 century among Christian Franks and Muslim Saracens. The non-fictional outline of The Song of Roland can be found in Einhard’s Vita Karoli Magni “Biography of Charlemagne” written in 817-30 and from Damaso Alonso’s Nota Emilianense. Both historical accounts give little detail of the battle in which Charlemagne’s (Holy Roman Emperor) army face a minor setback while returning back to France and in this event some important warriors were killed, among them was Roland, the most courageous. “At this point”, Robert Harrison state in introduction to The Song of Roland, “history leaves off and speculation begins”. (Harrison 11). The revenge of Roland’s death taken by Charlemagne, ...
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... not only misrepresent Christianity but also Islam. The Christianity was transformed and then uses to legitimate secular purposes of medieval Europe, which then becomes “Christendom”.
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Every historian interprets the past differently and with distinctive perspectives, resulting in many sides to one story. Often the reader must decide which perspective is more logical, likely, or coherent. Recounting one war took a lot of time and effort because of the necessity to include all sides of the story. Becher, Barbero, Collins and Backman have approached the life of Charlemagne with different points of view; however, Barbero seems to have the strongest argument for the cause of the Saxon War. The other historians were less willing to see the Saxon war as a religious war. The life of Charlemagne was interesting to historians because it was filled with many vigorous wars that he fought including the infamous Saxon War. From the beginning of his life, Charlemagne was destined to rule a nation and lead his people into war, achieving both triumphant victories and devastating defeats. He died of sickness in old age, thus leaving the kingdom in the hands of his son. The Saxon war was the most persistent, yet hostile war he fought because of the determination and severity of the enemy. However, the questions remain: “What actually caused the Saxon war? What gave it life? What are all the different events that occurred during this war? What are some of the strategies used during this war?” The wars he fought resulted in his success as a ruler and as a historical figure to reflect on when considering the greatness of kings.
Lawall, Sarah, et al. The Norton Anthology of World Masterpieces. Vol. I. 7th ed. New York: Norton,
Froissart’s Chronicles, simply known as the Chroniques, is considered by historians as the one of the important entities that recounts the events which happened during the Hundred Years’ War period. It was an extensive literary work with approximately 1.5 million words in length, written in Middle French prose by Jean Froissart. The Chronicles start by narrating the deposition of King Edward II in year 1326 and covering events from this time onward up to year 1400, hence can be significant in the study of the first part of the Hundred Years’ War. This source is also of vital importance in the study as well as the understanding of the chivalric culture of the 14th century England and French as chivalry and knighthood are the central ideal of
When asked to envision medieval courts, often images from Game of Thrones or The Tudors come to mind -- maybe even Sir Lancelot and jousting. Yet, these television shows and stories derive their inspiration from a genuine historical context so fascinating and pervasive that nearly 1,000 years later Western culture is still transfixed. French author Chrétien de Troyes, who ironically penned the first romantic depiction of Sir Lancelot, wrote many of the tales that inspire modern pop culture. His stories, particularly that of Cligés written in 1176 AD, though filled with sometimes supernatural, amorous, and scintillating drama, can reveal the political and social undercurrent of the Middle Ages. Ultimately, the passionate characters and events
“The other Jesus”; a book that reveals the true meaning of being a Christian and gives another view on the characteristics on Jesus, Garrett shows the beauty of the Gospel and how it differs from other religions views on Jesus. In studying the Christianity of the American society he gives his own personal rendition of how this chase for the true meaning of Jesus started: “When, after twenty-five years of wondering, I came back to church, I finally encountered the Other Jesus. I discovered an authentic message of love and acceptance, the one that the Other Jesus seems to be exemplifying in the Christian Testament….I discovered believers who were trying to live lives that reflected the change this Other Jesus had wrought in them. I discovered people who practiced faith as well as preached it.” (Garrett. 8)
The historical battle described in The Song of Roland, took place on 15 August 778 and involved the ambush and slaughter of Charlemagne's rearguard by Basques (Burgess 9). Victims of treachery, those killed included Roland of Breton (Burgess 10). This battle was a part of the fighting to create the Spanish March which served as a buffer zone between Spain and the Franks of Charlemagne (Koeller). While this particular ambush was relatively insignificant, the incident was transformed into a rallying cry for the Christian armies of Europe when taken and reworked by a later poet.
When comparing the epic poem of The Song of Roland to the romantic literature of Ywain, the differences between the early medieval period and the high medieval period become evident. Both The Song of Roland and Ywain depicts the societies from which each story derives its fundamental characteristics. Through close observation, one is able to see the shifts in customs and mentality that make the move from the epic to the romance possible. In his chapter 'From Epic to Romance', R.W. Southern shows how this transformation manifests itself through changing ecclesiastical and secular thoughts and feelings.
Spielvogel, Jackson J. Western Civilization. 8th ed. Vol. 1. Boston: Wadsworth, Cengage Learning, 2012. Print.
The oldest epic poem of the Anglo-Saxon period is the tale of good and evil. The crusade of heaven and hell, the bloody war that waged between our hero Beowulf and the infamous Grendel and his mother. But there seem to be two sides to this heroic and yet tragic story of these troubled and arrogant souls.
This paper will review the article, ‘Engendering Sacrifice: Blood, Lineage, and Infanticide in Old French Literature’ by Peggy McCracken, an associate professor of French and Women’s Studies at the University of Michigan. The review will firstly summarize the article. Secondly, it will give more insight into the author’s main points. Thirdly, it will evaluate the evidence, investigating the nature of the sources used and how it is relevant to students studying medieval history. Overall the article was well-organized, clear, and had efficient sources.
Hobson, J. M., 2004. The Eastern Origins of Western Civilisation. Cambridge: Cambridge University Press, 57
The Chanse was based off a battle that happened during the actual Charlemagne's venture into spain, but was not actually written until three-hundred years later in the 1100’s by an unknown author. (Charlemagne ; Owen, 34). The Song of Roland entered public view in nineteenth-century France - whom was desiring for a sense of national unity: “ … if the general public were still not captivated, the scholarly public certainly started to respond to the idea that Roland represented an important part of French history” (Divanna, 115). While what Count Ganelon did is certainly considered despicable by most moral standards but, from his viewpoint at least, Ganelon did not commit treason against King Charlemagne. This essay will attempt to prove that, and also will go over historical information regarding the actual conflict The Song of Roland was based off of, and also of its rediscovery and re-modernization by pre-modern