Chris Mccandless Materialism

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Mr. Antolini, a friend and mentor of the protagonist Holden Caulfield from The Catcher in the Rye, tells Holden, "the mark of an immature man is that he wants to die nobly for a cause." (Salinger, 188) Chris McCandless is the perfect example of this. Fresh out of college, McCandless is still too young and naïve to realize the severity of his sojourn into the wild. He was unprepared and thoughtless. Although his intentions may have been noble, he does not deserve to be recognized as a hero. Chris McCandless' boisterous attitude, idealism and arrogance ultimately kills him. Chris McCandless denounces and rejects American materialism. He leaves his parents and the upper middle-class suburban setting in which they raised him. He fails to appreciate …show more content…

And as in Hemingway's story, if your wounds aren't too bad, it works. But this isn't Michigan (or Faulkner's Big Woods in Mississippi, for that matter). This is Alaska. (Krakauer, 70) Hoagland makes a valid point; besides the fact that Adam's is a fictional character, the biggest difference between the two journeys is the severity of the conditions in the areas they were entering. Both boys entered the wild with little to no preparation, however, Michigan's climate is milder than Alaskas. The seventh and eighth chapters of Into the Wild focus on the similarities and differences of Chris McCandless and several other individuals who also embarked on similar journeys, including a man named Everett Ruess. Much like Chris, Everett Ruess adopted new names. He went from Everett Ruess to Lan Rameau to Evert Rulan and finally, to Nemo. Both McCandless and Reuss were romantics and pursued experiences they had dreamed about. They loved freedom and being alone, but also enjoyed the occasional accompaniment of others. They differ in the goals they wish to attain while on their adventures. McCandless' main goal is to completely reject society and start anew. Ruess, on the other hand, has a burning desire to be surrounded by beauty. They both, however, strive to be a "lone wanderer of the wilderness" (Krakauer, 91) McCandless and Ruess' journeys eventually

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